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'''JACKSON'S WELCOME HOME'''. AKA and see "[[Connachtman's Jig (The)]]," "[[Holly Tree (1) (The)]]," "[[Lilt (2)]]." Irish, Jig. G Major. Standard tuning (fiddle). AABB. The tune is credited to Walker ("Piper") Jackson, a noted 18th century Irish piper and a landed gentlemen with estates in the townland of Lisdaun, parish of Ballingarry, Aughrim, County Limerick. He was an accomplished and famous dance composer, mostly of jigs, many of which include his name in the titles (a number more have been credited to him, although it is doubtful or not possible for him to have composed them). The tune was first published in O'Farrell's '''Pocket Companion for the Irish or Union Pipes''', volume one, and it was entered into the 1841-42 music manuscript collection of Dublin dentist and music collector Henry Hudson (1798-1889). A Pennsylvania collected cotillion in Bayard (1981; No. 482, p. 450), is a version of the tune. Also, the first part of O'Carolan's "[[Planxty Irwin]]" strongly resembles "Jackson's Welcome Home." The second strains of O'Flannagan's and O'Neill's versions differ, although the general contour is similar, while the first strains are nearly identical.   
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'''JACKSON'S WELCOME HOME'''. AKA and see "[[Connachtman's Jig (The)]]," "[[Holly Tree (1) (The)]]," "[[Lilt (2)]]." Irish, Jig. G Major. Standard tuning (fiddle). AABB. The tune is credited to Walker ("Piper") Jackson by Canon James Goodman. Jackson was a noted 18th century Irish piper and a landed gentlemen with estates in the townland of Lisdaun, parish of Ballingarry, Aughrim, County Limerick. He was an accomplished and famous dance composer, mostly of jigs, many of which include his name in the titles (a number more have been credited to him, although it is doubtful or not possible for him to have composed them). The tune was first published in O'Farrell's '''Pocket Companion for the Irish or Union Pipes''', volume one, and it was entered into the 1841-42 music manuscript collection of Dublin dentist and music collector Henry Hudson (1798-1889). County Cork Church of Ireland cleric and uilleann piper James Goodman entered the jig into his section of Jackson tunes in vol. 4 of his mid-19th century music manuscript collections.  A Pennsylvania collected cotillion in Bayard (1981; No. 482, p. 450), is a version of the tune. Also, the first part of O'Carolan's "[[Planxty Irwin]]" strongly resembles "Jackson's Welcome Home." The second strains of O'Flannagan's and O'Neill's versions differ, although the general contour is similar, while the first strains are nearly identical.
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''Source for notated version'': manuscripts in the possession of Chicago Police Sergeant James O'Neill, originally from County Down; many were from the playing of his father [O'Neill].
<p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p>
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<font color=red>''Source for notated version''</font>: - manuscripts in the possession of Chicago Police Sergeant James O'Neill, originally from County Down; many were from the playing of his father [O'Neill].
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''Printed sources'': P.H. Hughes ('''Gems from the Emerald Isle'''), c. 1860's; No. 74, p. 17 (appears as untitled "Lilt"). Kennedy ('''Traditional Music of Britain and Ireland: Jigs & Quicksteps, Trips & Humours'''), 1997; No. 88, p. 22. O'Farrell ('''Pocket Companion, vol. 1'''), c. 1805; p. 65. O'Flannagan ('''Hibernia Collection'''), 1860; p. 19 (Boston, Elias Howe). O'Neill ('''Waifs and Strays of Gaelic Melody'''), 1922; No. 132. Riley's '''Flute Melodies''', c. 1815, vol. 1; No. 310.
<font color=red>''Printed sources''</font> : - P.H. Hughes ('''Gems from the Emerald Isle'''), c. 1860's; No. 74, p. 17 (appears as untitled "Lilt"). Kennedy ('''Traditional Music of Britain and Ireland: Jigs & Quicksteps, Trips & Humours'''), 1997; No. 88, p. 22. O'Farrell ('''Pocket Companion, vol. 1'''), c. 1805; p. 65. O'Flannagan ('''Hibernia Collection'''), 1860; p. 19 (Boston, Elias Howe). O'Neill ('''Waifs and Strays of Gaelic Melody'''), 1922; No. 132. Riley's '''Flute Melodies''', c. 1815, vol. 1; No. 310.
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Revision as of 05:27, 27 January 2020


X:1 T:Jackson’s Welcome Home M:6/8 L:1/8 R:Jig S:”John McFail” S:Henry Hudson manuscript collection c. 1841 (Dublin, No. 328) N:Hudson was a Dublin dentist and an early collector. He was N:music editor of The Citizen or Dublin Monthly Magazine from N:1841-1843. F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-2/#page/7/mode/1up Z:AK/Fiddler’s Companion K:G d|gfg efg|dec BAG|gfg efg|dBG A3| gfg efg|dec BAG|AFA BGB|cAF G2:| |:DED cAA|Bdg dBG|DED cAA|dBG A3| DED cAA|Bcd efg|dec BcA|BGG G2:|]



JACKSON'S WELCOME HOME. AKA and see "Connachtman's Jig (The)," "Holly Tree (1) (The)," "Lilt (2)." Irish, Jig. G Major. Standard tuning (fiddle). AABB. The tune is credited to Walker ("Piper") Jackson by Canon James Goodman. Jackson was a noted 18th century Irish piper and a landed gentlemen with estates in the townland of Lisdaun, parish of Ballingarry, Aughrim, County Limerick. He was an accomplished and famous dance composer, mostly of jigs, many of which include his name in the titles (a number more have been credited to him, although it is doubtful or not possible for him to have composed them). The tune was first published in O'Farrell's Pocket Companion for the Irish or Union Pipes, volume one, and it was entered into the 1841-42 music manuscript collection of Dublin dentist and music collector Henry Hudson (1798-1889). County Cork Church of Ireland cleric and uilleann piper James Goodman entered the jig into his section of Jackson tunes in vol. 4 of his mid-19th century music manuscript collections. A Pennsylvania collected cotillion in Bayard (1981; No. 482, p. 450), is a version of the tune. Also, the first part of O'Carolan's "Planxty Irwin" strongly resembles "Jackson's Welcome Home." The second strains of O'Flannagan's and O'Neill's versions differ, although the general contour is similar, while the first strains are nearly identical.

Additional notes

Source for notated version: - manuscripts in the possession of Chicago Police Sergeant James O'Neill, originally from County Down; many were from the playing of his father [O'Neill].

Printed sources : - P.H. Hughes (Gems from the Emerald Isle), c. 1860's; No. 74, p. 17 (appears as untitled "Lilt"). Kennedy (Traditional Music of Britain and Ireland: Jigs & Quicksteps, Trips & Humours), 1997; No. 88, p. 22. O'Farrell (Pocket Companion, vol. 1), c. 1805; p. 65. O'Flannagan (Hibernia Collection), 1860; p. 19 (Boston, Elias Howe). O'Neill (Waifs and Strays of Gaelic Melody), 1922; No. 132. Riley's Flute Melodies, c. 1815, vol. 1; No. 310.

Recorded sources: -



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