Annotation:Molly St. George: Difference between revisions
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'''MOLLY ST. GEORGE.''' Irish, Air (3/4 time). G Major. Standard tuning (fiddle). ABB (Bunting, Clinton, Haverty, Wright): AABB (Thompson): AABBCCDD. One of the supposed seven or eight hundred tunes composed by the ancient harper Thomas O'Connellan (c. 1640/164 –1698) (for whom see note for "[[Breach of Aughrim (The)]]"). "Molly St. George," along with "[[Molly MacAlpin]]" and "[[Eileen Aroon (1)]]" (by Cearbhall O'Dalaigh), comprise the three earliest Irish harp tunes with extant lyrics. | ---- | ||
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'''MOLLY ST. GEORGE.''' AKA and see "[[Bride of Malahide (The)]]." Irish, Air (3/4 time). G Major. Standard tuning (fiddle). ABB (Bunting, Clinton, Haverty, Wright): AABB (Thompson): AABBCCDD. One of the supposed seven or eight hundred tunes composed by the ancient harper Thomas O'Connellan (c. 1640/164 –1698) (for whom see note for "[[Breach of Aughrim (The)]]"). "Molly St. George," along with "[[Molly MacAlpin]]" and "[[Eileen Aroon (1)]]" (by Cearbhall O'Dalaigh), comprise the three earliest Irish harp tunes with extant lyrics. | |||
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''Source for notated version'': | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - | |||
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''Printed sources'': | <font color=red>''Printed sources''</font> : - Bunting ('''Ancient Music of Ireland'''), 1796; No. 12, p. 7. | ||
Bunting ('''Ancient Music of Ireland'''), 1796; No. 12, p. 7. | |||
Clinton ('''Gems of Ireland'''), 1841; No. 107, p. 54. | Clinton ('''Gems of Ireland'''), 1841; No. 107, p. 54. | ||
P.M. Haverty ('''One Hundred Irish Airs, vol. 2'''), 1858; No. 169, p. 77. | P.M. Haverty ('''One Hundred Irish Airs, vol. 2'''), 1858; No. 169, p. 77. | ||
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Samuel, Ann & Peter Thompson ('''The Hibernian Muse'''), London, 1787; No. 49, p. 30. | Samuel, Ann & Peter Thompson ('''The Hibernian Muse'''), London, 1787; No. 49, p. 30. | ||
Thumoth ('''12 English and 12 Irish Airs'''), c. 1746; No. 3, pp. 30–31. | Thumoth ('''12 English and 12 Irish Airs'''), c. 1746; No. 3, pp. 30–31. | ||
Daniel Wright ('''Aria di Camera'''), London, 1727; No. 46. | Daniel Wright ('''Aria di Camera'''), London, 1727; No. 46. <br> | ||
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''Recorded sources'': | <font color=red>''Recorded sources'': </font> <font color=teal> -Randall Bays – "The Salmon's Leap."</font> | ||
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Randall Bays – "The Salmon's Leap." | |||
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See also listing at:<br> | See also listing at:<br> | ||
Hear the tune played on button accordion on youtube.com [http://www.youtube.com/watch?v=gErIb55ML2A]<br> | Hear the tune played on button accordion on youtube.com [http://www.youtube.com/watch?v=gErIb55ML2A]<br> | ||
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Revision as of 05:59, 31 January 2020
X:1 T:Molly St. George S:J. & W. Neal, 'A Collection of the Most Celebrated Irish Tunes' N:Dublin, c 1724 Q:1/4=80 L:1/4 M:3/4 K:G (d/4e/4f/)|gfe|d(e/d/)(c/B/)|cBA3/4G/4|E2B/d/|e(g/e/)(d/B/)| AB/4c/4d/ D|E(G/4A/4B/) A/G/|G2::(D/E/)|G/A/B (A/4B/4c/)| B(c/B/)(A/G/)|(c/B/c/d/) e/f/|g2e/g/|ab/a/g/e/|de/d/c/B/| cd/c/B/c/|A2(B/A/4B/4)|c/B/c/d/ e/f/|g2(f/e/)|(d/g/)(d/B/)(A/G/)| E2B/d/|e(g/e/)(d/B/)|A(B/4c/4d/)D|E (G/A/4B/4) A/G/|G2|]
MOLLY ST. GEORGE. AKA and see "Bride of Malahide (The)." Irish, Air (3/4 time). G Major. Standard tuning (fiddle). ABB (Bunting, Clinton, Haverty, Wright): AABB (Thompson): AABBCCDD. One of the supposed seven or eight hundred tunes composed by the ancient harper Thomas O'Connellan (c. 1640/164 –1698) (for whom see note for "Breach of Aughrim (The)"). "Molly St. George," along with "Molly MacAlpin" and "Eileen Aroon (1)" (by Cearbhall O'Dalaigh), comprise the three earliest Irish harp tunes with extant lyrics.