Annotation:Lord Kelly (1): Difference between revisions
m (Text replacement - "Century Gothic" to "sans-serif") |
No edit summary |
||
| Line 7: | Line 7: | ||
---- | ---- | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face="sans-serif" size=" | <p><font face="sans-serif" size="3"> | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
| Line 15: | Line 15: | ||
<br> | <br> | ||
<br> | <br> | ||
Donegal fiddler John Doherty's version of the tune seems to have more in common with the Scottish "[[Captain Campbell]]" and "[[Cameron House]]," but does have some resemblance to "[[Lord Kelly]]." Whether the latter tune is ancestral or not is unknown. | The melody was entered into the c. 1883 music manuscript collection of County Leitrim fiddler and piper [[biography:Stephen Grier]] as "Lord Kelly's Reel." Donegal fiddler John Doherty's version of the tune seems to have more in common with the Scottish "[[Captain Campbell]]" and "[[Cameron House]]," but does have some resemblance to "[[Lord Kelly]]." Whether the latter tune is ancestral or not is unknown. | ||
<br> | <br> | ||
</div> | </div> | ||
</font></p> | </font></p> | ||
<div class="noprint"> | <div class="noprint"> | ||
<p><font face="sans-serif" size=" | <p><font face="sans-serif" size="3"> '''Additional notes''' </font></p> | ||
<p><font face="sans-serif" size=" | <p><font face="sans-serif" size="3"> | ||
<font color=red>''Source for notated version''</font>: - | <font color=red>''Source for notated version''</font>: - | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face="sans-serif" size=" | <p><font face="sans-serif" size="3"> | ||
<font color=red>''Printed sources''</font> : - Aird ('''Selection of Scotch, English, Irish and Foreign Airs'''), 1982; No. 170, p. 59. Anonymous ('''A Companion to the reticule'''), 1833; p. 6. Bremner ('''Scots Reels'''), 1757; p. 57 (appears as "Lord Kelly's Reel"). Joshua Campbell ('''A Collection of New Reels & Highland Strathspeys'''), Glasgow, 1789; p. 3. Gow ('''Complete Repository, Part 1'''), 1799; p. 8 (appears as "Lord Kelly's Strathspey"). Laybourn ('''Köhler’s Violin Repository Book 3'''), 1885, p. 246 ("Lord Kellie's Reel"). O'Farrell ('''Pocket Companion'''), c. 1805; p. 14. Kerr ('''Merry Melodies, vol. 3'''), c. 1880's; No. 185, p. 22. Petrie ('''Third Collection of Strathspey Reels'''), 1802; p. 16 ("Lord Kelly's Strathspey"). Stewart-Robertson ('''The Athole Collection'''), 1884; p. 187. Seattle ('''Great Northern/William Vickers'''), 1987, Part 3; No. 477 ("Lord Kellow's Rant"). Surenne ('''Dance Music of Scotland'''), 1852; p. 146. | <font color=red>''Printed sources''</font> : - Aird ('''Selection of Scotch, English, Irish and Foreign Airs'''), 1982; No. 170, p. 59. Anonymous ('''A Companion to the reticule'''), 1833; p. 6. Bremner ('''Scots Reels'''), 1757; p. 57 (appears as "Lord Kelly's Reel"). Joshua Campbell ('''A Collection of New Reels & Highland Strathspeys'''), Glasgow, 1789; p. 3. Gow ('''Complete Repository, Part 1'''), 1799; p. 8 (appears as "Lord Kelly's Strathspey"). Laybourn ('''Köhler’s Violin Repository Book 3'''), 1885, p. 246 ("Lord Kellie's Reel"). O'Farrell ('''Pocket Companion'''), c. 1805; p. 14. Kerr ('''Merry Melodies, vol. 3'''), c. 1880's; No. 185, p. 22. Petrie ('''Third Collection of Strathspey Reels'''), 1802; p. 16 ("Lord Kelly's Strathspey"). Stewart-Robertson ('''The Athole Collection'''), 1884; p. 187. Seattle ('''Great Northern/William Vickers'''), 1987, Part 3; No. 477 ("Lord Kellow's Rant"). Surenne ('''Dance Music of Scotland'''), 1852; p. 146. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face="sans-serif" size=" | <p><font face="sans-serif" size="3"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> -Rounder CD 11661-7033-2, Natalie MacMaster - "My Roots are Showing" (2000). WMT002, Wendy MacIsaac - "That's What You Get" (1998?).</font> | <font color=red>''Recorded sources'': </font> <font color=teal> -Rounder CD 11661-7033-2, Natalie MacMaster - "My Roots are Showing" (2000). WMT002, Wendy MacIsaac - "That's What You Get" (1998?).</font> | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face="sans-serif" size=" | <p><font face="sans-serif" size="3"> | ||
See also listings at:<br> | See also listings at:<br> | ||
Alan Snyder's Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t2090.html]<br> | Alan Snyder's Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t2090.html]<br> | ||
Revision as of 08:00, 10 February 2020
X:1 T:Lord Kelly’s Reel [1] M:C L:1/8 R:Reel B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 170, p. 59) Z:AK/Fiddler’s Companion K:G D|B,EGE BEGE|D>EFd DE (G/F/E/)D/|B,EEG FAGB|Ad B/(A/G/F/) GEE:|| e|geBe Eeeg|fdAd Ddde/f/|geBe dBAG|Fd B/A/G/F/ GEEe| geBe EGeg|fdAd DA df|gefd eB AG|Fd B/A/G/F/ GEE|]
LORD KELLY('S RANT/REEL) [1]. AKA - "Lord Kellie’s Reel," "Lord Kellow's Rant," "Lord Kelly's Strathspey." AKA and see "Buckeen (The)," "Cameron House," "George Gubbin's Delight," "Humors of Schull (The)," "Lord Kelly--Strathspey," "Mo ceoil sibh a laochra" "Musical Priest," "New Bridge of Erin (The)," "Old Grey Gander (The)," "Wedding Ring (2) (The)." Scottish, Irish, Canadian, English; Strathspey, Rant or Reel. Canada, Cape Breton. England, Northumberland. G Minor (most versions): G Dorian (Bremner): A Minor (O'Farrell): E Minor (Aird). Standard tuning (fiddle). AB (Surenne): AAB (Athole, Bremner, Gow, O'Farrell, Petrie): AABB' (Kerr): AABB'CCDD' (Campbell). The tune is supposed to have been an early composition of Thomas Alexander Erskine (1732-1781), 6th Earl of Kelly (or, as he was known "Fiddler Tam"), Scotland's chief composer in the mid-18th century, the early Classical period.
Kelly was a dilettante who lived in Edinburgh all of his life. On his European tour, de rigueur for a young people of class at the time, he studied composition and violin with Stamitz; he almost certainly received training in the Mannheim court orchestra in his early 20's (according to David Johnson). He became a leading light of British music composition during his lifetime, and was a skilled violinist who owned an instrument by the famous German maker Jakob Stainer. Unfortunately, much of his work has been lost, and his surviving output has not been well-regarded in modern times owing to a perceived weakness in composition. His Quartet in C Minor was composed c. 1767 and published for the first time in 2006. John Glen (1891) finds the earliest appearance of the tune in print in Robert Bremner's 1757 collection, and another early printing appears in the 1768 (James) Gillespie Manuscript of Perth. O'Farrell lists the tune as "Scotch." Paul Cranford remarks the tune is among the favorite strathspeys in Inverness County, Cape Breton. See also Erskine's compositions "Minuet for Lord Stanley" and "Duchess of Gordon's Minuet."
The melody was entered into the c. 1883 music manuscript collection of County Leitrim fiddler and piper biography:Stephen Grier as "Lord Kelly's Reel." Donegal fiddler John Doherty's version of the tune seems to have more in common with the Scottish "Captain Campbell" and "Cameron House," but does have some resemblance to "Lord Kelly." Whether the latter tune is ancestral or not is unknown.