Annotation:Miss Lacey's Hornpipe: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''MISS LACEY'S HORNPIPE'''. AKA and see “[[Mona's Delight]].” Irish, Hornpipe. G Major. Standard tuning (fiddle). AABB. The tune bears some resemblance to an untitled Pennsylvania collected reel (Bayard {Dance to the Fiddle}, 1981; No. 100, p. 59). See also the Manx cognate "[[Mona's Delight]]," which itself is based on the dance tune "[[Goddesses (1)]]" published by John Playford in 1651. Although quite distanced, it may be that "Miss Lacey's" is also a derivative. Researcher Jean Duval also notes the second strain of "Miss Lacey's" is reminiscent of Montreal fiddler Joseph Allard's "[[Cotillon a huit]]." | |||
|f_source_for_notated_version=The Gunn manuscript [Maguire]. | |||
|f_printed_sources=Breathnach ('''CRÉ IV'''), 1986; No. 214 (appears as untitled hornpipe). Maguire ('''Hidden Fermanagh: Traditional Music and Song from County Fermanagh'''), 2003; p. 118. Roche ('''Collection of Irish Traditional Music, vol. 2'''), 1912; No. 226, p. 15. | |||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Miss_Lacey's_Hornpipe > | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Miss_Lacey's_Hornpipe > | ||
}} | }} | ||
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Revision as of 22:56, 21 March 2020
X:1 T:Miss Lacey's Hornpipe M:2/4 L:1/8 R:Reel B:Roche - Collection of Irish Traditional Music, vol. 2 (1912, No. 225) Z:AK/Fiddler's Companion K:G D|G/F/G/A/ G/B/A/G/|F/G/A/B/ cB/A/|G/F/G/A/ G/B/A/G/|F/G/A/F/ DE/F/| G/F/G/A/ G/B/A/G/|F/G/A/B/ cB/A/|B/c/d/B/ e/c/A/F/|GG/G/ G:| |:d|e/d/e/f/ g/f/e/d/|e/g/f/a/ gd/c/|B/c/d/B/ c/B/A/G/|F/G/A/F/ DB/d/| e/d/e/f/ g/f/e/d/|e/g/f/a/ gd/c/|B/c/d/B/ e/c/A/F/|GG/G/ G:|]
MISS LACEY'S HORNPIPE. AKA and see “Mona's Delight.” Irish, Hornpipe. G Major. Standard tuning (fiddle). AABB. The tune bears some resemblance to an untitled Pennsylvania collected reel (Bayard {Dance to the Fiddle}, 1981; No. 100, p. 59). See also the Manx cognate "Mona's Delight," which itself is based on the dance tune "Goddesses (1)" published by John Playford in 1651. Although quite distanced, it may be that "Miss Lacey's" is also a derivative. Researcher Jean Duval also notes the second strain of "Miss Lacey's" is reminiscent of Montreal fiddler Joseph Allard's "Cotillon a huit."
