Annotation:Miss Lacey's Hornpipe
MISS LACEY'S HORNPIPE. AKA and see "Henry's Hornpipe (2)," “Mona's Delight," "Organ Hornpipe (The)," "Reel de Ste-Blandine," "Spot Hornpipe.” Irish, Hornpipe. G Major. Standard tuning (fiddle). AABB. "Miss Lacey's Hornpipe" is a member of a widespread and varied Irish/British hornpipe family with a number of variants and titles. As researched by Fr. John Quinn, variants can be found as an untitled hornpipe[1] in the Swallows Manuscript (Leeds, Yorkshire), collected by Frank Kidson for his own early 20th century manuscript, and as "Organ Hornpipe (The)" from the music manuscript collection of Frances Reynolds (c. 1885, Gaigue, Ballinamuck, north County Longford).
The tune bears some resemblance to an untitled Pennsylvania collected reel (Bayard {Dance to the Fiddle}, 1981; No. 100, p. 59). The first strain is cognate with County Leitrim piper and fiddler biography:Stephen Grier's untitled "Hornpipe (55)." See also the Manx cognate "Mona's Delight," which itself is based on the dance tune "Goddesses (1)" published by John Playford in 1651. Although quite distanced, it may be that "Miss Lacey's" is also a derivative.
Researcher Jean Duval also notes the second strain of "Miss Lacey's" is similar with Isidore Soucy's "Cotillon (9) (Le)," recorded in 1927. Francis O'Neill's air "Snow Storm (The)" has some similarities to "Miss Lacey's Hornpipe," although Fr. Quinn believes this to be coincidental.
- ↑ Chris Partington has given it the title "Spot Hornpipe."
There is a mistake in the annotations. The similarities are not with Allard's Cotillon à huit, but with Soucy's Le Cotillon, recorded in 1927. Here's the abc: X: 51 T:51. Le cotillon M:2/2 L:1/8 C:I.Soucy / Starr 15349b / 1927 K:G "A"G2Bd gagf| edef gfg2|D2GA B2AG|FAAB A2d2|! BGBd gagf|edef gagf|e2ef e^cAF| M:1/2 G2d2|! M:2/2 BGBd gagf|edef gfg2| M:3/2 L:1/8 DGBG DGBG DGBG| M:2/2 FAAB A2d2|! BGBd gbag|edef gagf|e2ef e^cAF| M:1/2 G2d2||! M:2/2 "B"D2GA ({Bc}B2)AG|FGAB cBc2|D2GA ({Bc}B2)AG|FAAF D2DE|! D2GA ({Bc}B2)AG|FGAB cdcA|BGBd ecAF| M:1/2 G2d2|! M:2/2 DDGA ({Bc}B2)AG|FGAB cdcB|AGFA d2BG|A2AF D2DE|! D2GA ({Bc}B2)AF|DFAB cdcA| BGBd ecAF| M:1/2 G2dc||
I have another version (square!) from Jean-Baptiste April, fiddler recorded by Marius Barbeau in 1918. Here's the abc: X:12 T: 12. Quadrille - 5e partie M: 2/2 L: 1/8 C: Jean-Baptiste April / Fonds Barbeau MCH / 1918 K: G "A"Bc|dcBd g2{a}gf | edea gfgB | GABG dGBG | FGAG FGAd | ! BGBd g2{a}gf | edef gfgd |efge dBcA | BGAF G2:||! |: "B"GF|DFGA BGBG | FGAB cBcA | GABG dGBG | FGAG FED2 | ! DFGA BGBG | FGAB cBcA |Bcdf ecAF | B2[B2G2][B2G2]:||
Finally, Philippe Bruneau also recorded the tune as Reel de Ste-Blandine, first tune on his 1974 Philo Records album.