Annotation:French Taptoo: Difference between revisions
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'''FRENCH TAPTOO'''. French, March (2/4 time). G Major. Standard tuning (fiddle). AABB. 'Tattoo' = tattoo, a martial tune. Martial usage continued in the United States where it appears as "[[Canteen Call (The)]]" and "[[Old Drummer's Delight]]" in Boston publisher [[biography:Elias Howe]]'s 1860's volumes. | '''FRENCH TAPTOO'''. French, March (2/4 time). G Major. Standard tuning (fiddle). AABB. 'Tattoo' = tattoo, a martial tune. Martial usage continued in the United States where it appears as "[[Canteen Call (The)]]" and "[[Old Drummer's Delight]]" in Boston publisher [[biography:Elias Howe]]'s 1860's volumes. It is derived from the Bourree in George Frideric Handel's Water Music Suite 2, composed in 1717, which appears in<span></span></span><tspan x="0">Neil Stewart's “Select Collection of Scots, English, Irish and Foreign</tspan><tspan x="0" dy="1.2em">Airs, Jiggs & Marches” (1784, No. 41, p. 19) as "[[Air by Mr. Handel]]" | ||
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Revision as of 05:36, 18 April 2020
Back to French Taptoo
FRENCH TAPTOO. French, March (2/4 time). G Major. Standard tuning (fiddle). AABB. 'Tattoo' = tattoo, a martial tune. Martial usage continued in the United States where it appears as "Canteen Call (The)" and "Old Drummer's Delight" in Boston publisher biography:Elias Howe's 1860's volumes. It is derived from the Bourree in George Frideric Handel's Water Music Suite 2, composed in 1717, which appears in<tspan x="0">Neil Stewart's “Select Collection of Scots, English, Irish and Foreign</tspan><tspan x="0" dy="1.2em">Airs, Jiggs & Marches” (1784, No. 41, p. 19) as "Air by Mr. Handel"
Source for notated version:
Printed sources: Aird (Selections of Scotch, English, Irish and Foreign Airs), vol. II, 1785; No. 28, p. 10.
Recorded sources: