|f_annotation='''DAISY FIELD(S), THE''' (Páirc na Nóiníní). AKA and see "[[Irish Girl (5) (The)]]," "[[Philip O'Beirne's Delight]]," "[[Wild Irishman (3) (The)]]," "[[Field of Daisies]]." Irish, Reel. D Major. Standard tuning (fiddle). AB. This reel is sometimes called "Coleman's Wild Irishman," owing to a it being a version of a tune that famed County Sligo fiddler Michael Coleman (1894-1947) recorded for Decca in 1936. The label listed two titles in the set he played, "[[O'Rourke's]]/The Wild Irishman," the second of which is substantially the "Daisy Field" tune. Fiddler James Morrison, also originally from County Sligo and living in New York, recorded the reel in the 78 RPM era as "[[Irish Girl (5) (The)]]." [[File:mcfadden.jpg|260px|thumb|left|John McFadden]]
'''DAISY FIELD(S), THE''' (Páirc na Nóiníní). AKA and see "[[Irish Girl (5) (The)]]," "[[Philip O'Beirne's Delight]]," "[[Wild Irishman (3) (The)]]," "[[Field of Daisies]]." Irish, Reel. D Major. Standard tuning (fiddle). AB. This reel is sometimes called "Coleman's Wild Irishman," owing to a it being a version of a tune that famed County Sligo fiddler Michael Coleman (1894-1947) recorded for Decca in 1936. The label listed two titles in the set he played, "[[O'Rourke's]]/The Wild Irishman," the second of which is substantially the "Daisy Field" tune. Fiddler James Morrison, also originally from County Sligo and living in New York, recorded the reel in the 78 RPM era as
|f_sources_for_notated_versions=fiddler Tommy Potts (Ireland) [Breathnach]. "McFadden" [O'Neill], referring to Chicago fiddler John McFadden, born c. 1840's in the townland of Carrowmore, near Westport, County Mayo. McFadden was an excellent fiddler with an stiff, ideosyncratic style, perhaps learned from his father and brother, who also played. He composed tunes and was well-regarded in the city, although he was known (and somewhat feared) as a practical joker (See O'Neill, '''Irish Minstrels''', pp. 296-397).
"[[Irish Girl (5) (The)]]."
|f_printed_sources=Breathnach ('''CRÉ I'''), 1963; No. 171, p. 67. Lyth ('''Bowing Styles in Irish Fiddle Playing'''), 1981; 47. O'Neill (Krassen), 1976; p. 109. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1270, p. 239. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 538, p. 100.
''Sources for notated versions'': fiddler Tommy Potts (Ireland) [Breathnach]. "McFadden" [O'Neill], referring to Chicago fiddler John McFadden, born c. 1840's in the townland of Carrowmore, near Westport, County Mayo. McFadden was an excellent fiddler with an stiff, ideosyncratic style, perhaps learned from his father and brother, who also played. He composed tunes and was well-regarded in the city, although he was known (and somewhat feared) as a practical joker (See O'Neill, '''Irish Minstrels''', pp. 296-397).
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''Printed sources'': Breathnach ('''CRÉ I'''), 1963; No. 171, p. 67. Lyth ('''Bowing Styles in Irish Fiddle Playing'''), 1981; 47. O'Neill (Krassen), 1976; p. 109. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1270, p. 239. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 538, p. 100.
DAISY FIELD(S), THE (Páirc na Nóiníní). AKA and see "Irish Girl (5) (The)," "Philip O'Beirne's Delight," "Wild Irishman (3) (The)," "Field of Daisies." Irish, Reel. D Major. Standard tuning (fiddle). AB. This reel is sometimes called "Coleman's Wild Irishman," owing to a it being a version of a tune that famed County Sligo fiddler Michael Coleman (1894-1947) recorded for Decca in 1936. The label listed two titles in the set he played, "O'Rourke's/The Wild Irishman," the second of which is substantially the "Daisy Field" tune. Fiddler James Morrison, also originally from County Sligo and living in New York, recorded the reel in the 78 RPM era as "Irish Girl (5) (The)." John McFadden
Additional notes
Printed sources : - Breathnach (CRÉ I), 1963; No. 171, p. 67. Lyth (Bowing Styles in Irish Fiddle Playing), 1981; 47. O'Neill (Krassen), 1976; p. 109. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1270, p. 239. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 538, p. 100.
