Bonnie Kate (1): Difference between revisions

Revision as of 04:27, 20 July 2020

Bonnie Kate (1) Click on the tune title to see or modify Bonnie Kate (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bonnie Kate (1) Query the Archive
Theme code Index	51H55 1522
Also known as	Cait Deas, Cáit Bhóidheach, Boys of Limerick (The), Bonny Lass of Fisherrow (The), Bonny Lass of Fishirron (The), Cait Bhoidheach, Bonny Kate (1), Quadrille des Laurentides 6ème partie, Sporting Kate
Composer/Core Source
Region	England, Ireland, Canada
Genre/Style	Cape Breton/PEI, Down-East/Maritime, English, Irish
Meter/Rhythm	Reel (single/double)
Key/Tonic of	D
Accidental	2 sharps
Mode	Ionian (Major)
Time signature	4/4
History	CANADA(Maritimes/English), CANADA(Ottawa Valley/Ontario)
Structure	ABB'
Editor/Compiler	Biography:P.H. Hughes
Book/Manuscript title	Book:Gems from the Emerald Isles
Tune and/or Page number	No. 78, p. 18
Year of publication/Date of MS	c. 1860's
Artist	John J. Kimmel
Title of recording	Bonnie Kate Medley Reels
Record label/Catalogue nr.	Edison 50604 (78 RPM)
Year recorded	1918
Media	Bonnie Kate Played by: Fionnlagh Ballantine Source: Soundcloud Image: John Doherty
Score (1)	Bonnie Kate

Bonnie Kate (1)

X:1 T:Bonnie Kate [1] R:reel M:C L:1/8 K:D dB|AFdB ABAF|DFAF E2 EB|AFAd cde/f/d|cABc dcdB| AFdB ABAF|DFAF E2 EB|AFAd ((3Bcd) ((3efd)|cABc defg|| a2 fd fafd|fafd e2 ef|gfef gbag|fedc defg| a2 fd fafd|gabg fgaf|gfef gbag|1 fedc dcdB:|2 fedc d2 d2||

X:1 T:Bonny Kate T:Bonnie Kate [1] M:C L:1/8 R:Reel S:James Goodman (1828─1896) music manuscript collection, S:vol. 3, p. 128. Mid-19th century, County Cork Z:AK/Fiddler’s Companion K:D dB|AFdA BGAF|DFAF E2 EF|DFAc BABd|1 cABc d2 dB:|2 cABc defg|| a2 fd adfd|adfd e2 ef|g2 gf gbag|fedc defg| a2 fd adfd|adfd e2 ef|gfgf gbag|fedc dcdB||

X:1 T:Bonny Kate T:Bonnie Kate [1] M:C L:1/8 R:Reel S:James Goodman (1828─1896) music manuscript collection, S:vol. 3, p. 142. Mid-19th century, County Cork Z:AK/Fiddler’s Companion K:D FAAc BGAF|DFAF E2E2|FAAc B2 Bd|1 cABc dBAF:|2 cABc d2d2|| fafd dfaf|dfaf e2f2|g2 gf gbag|1 fdec defg:|2 fdec dBAF||

X:3 T:Bonnie Kate [1] M:C L:1/8 R:Reel B:P.H. Hughes -- Gems from the Emerald Isle (c. 1860's, No. 78, p. 18) Z:AK/Fiddler's Companion K:D AddA BcAF|DFAF E2E2|FDFA BGBd|1 cABc d2d2:|2 cABc defg|| agfe fgfg|agfg efgb|agfe gbag|fedc defg| agfe fgfg|agfg e2e2|gfef gbag|fedc d2 [F2d2]||

X:1 T:Irish Reel T:Bonny Kate [1] C:R. Bonney M:2/4 L:1/8 R:Reel B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 637) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:D (d/B/)|S(A/F/).d/.B/ (A/B/).A/.F/|(D/F/).A/.F/ E(E/B/)|(A/F/).A/.d/ d/c/d/B/|(A/F/).d/.B/ (A/B/).A/.F/| (A/F/).d/.B/ (A/B/).A/.F/ E(E/B/)|(A/F/).A/.d/ (B/G/).B/.d/|(c/A/).B/.c/ (d/e/).f/.a/|| af/d/ (f/a/).f/.d/|(f/a/).f/.d/ ee/f/|(g/f/).e/.f/ g/b/a/g/|f/e/d/c/ (d/e/).f/.g/| af/d/ f/a/f/d/|(f/a/)f/d/ e(e/f/)|(g/f/).e/.f/ (g/b/).a/.g/|f/e/d/c/ {e}d/c/d/B/!D.S.!||

X:1 T:Bonny Kate [1] T:Sporting Kate T:Boys of Limerick M:C L:1/8 R:Reel B:Stephen Grier music manuscript collection (Book 2, c. 1883, No. 205, p. 43) B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=42&z=77.5046%2C80.9365%2C3642.9138%2C1476.2303 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:D A2 FA Bd/B/ AF|DFAF EDEF|A2 Ac B2 Bd|cABc dcdB| A2 FA Bd/B/ AF|DFAF EDEF}A2 Ac B2 Bd}cAB defg|| a2 fd fg/a/ fd|gfed cdef|gfgf g2 bg|fdec defg| a2 fd fg/a/ fd|gfed cdef|gfgf g2 bg|fdec dcdB||

X:1 T:Bonnie Kate [1] M:C| L:1/8 R:Reel S:”Michael B. Shanahan” S:P.D. Reidy music manuscript collection, London, 1890’s (No. 26) N:”Professor” Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and “Walls N:of Limerick” ceili dances and wrote a treatise on dancing. N:Reidy told O’Neill that his source, Shanahan was a “celebrated N:violinist”, the son of a piper born in Kilrush, Co. Clare, with a N:great reputation in Kerry and Limerick in the 1860’s. It is unclear N:where Shanahan was in relation to his acquaintance with Reidy N:(i.e. in London or Ireland). F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler’s Companion K:D A2 dc (3Bcd (AF)|DFAF EA,CE|ADFA BGEd|ceAc dcdB| A2 (dc) (3Bcd (AF)|DFAF EA,CE|ADFA BGEd|ceAc defg:| |:(3fga (fd) gfgb|(3fga (fd)cdef|g2 (gf) gbag|fedc defg| (3fga fd gfgb|(3fga (fd) cdef|g2 (gf) gbag|fedc d2 (cB)||

X:2 T:Reel T:Bonnie Kate [1] M:C L:1/8 B:Joyce - Old Irish Folk Music and Songs (1909, No. 126) Z:AK/Fiddler's Companion K:D AFdB ABAF|DFAF E2 EB|AFAd cde/f/d cABc dcdB| AFdB ABAF|DFAF E2 EB|AFAd (3Bcd (3efd|cABc defg|| a2 fd fafd|fafd e2 ef|gfef gbag|fedc defg| a2 fd fafd|gabg fgaf|gfef gbag|fedc dcdB||

Bonnie Kate (1)

@@ Line 1: / Line 1: @@
-{{featured}}
 {{Abctune
 |f_tune_title=Bonnie Kate (1)
@@ Line 25: / Line 24: @@
 |f_media={{FeaturedTunes  |f_track= Bonnie Kate.mp3 |f_artwork=John-doherty-with-fiddle.jpg |f_tune_name=Bonnie Kate |f_played_by=Fionnlagh Ballantine |f_notes=John Doherty |f_source=Soundcloud |f_pix=330  |f_picpix=80  |f_piclink=Bonnie Kate (1) }}
 }}
+{{featured}}
 <!-- THIS IS FOR SEARCH ENGINE OPTIMIZATION -->
 <!-- ************ DON'T TOUCH ************* -->
@@ Line 83: / Line 84: @@
 <section begin=X4 />
 X:3
-T:Bonny Kate [1]
+T:Bonnie Kate [1]
 M:C
 L:1/8
@@ Line 95: / Line 96: @@
 <section end=X4 />
 <section begin=X5 />
+X:1
+T:Irish Reel
+T:Bonny Kate [1]
+C:R. Bonney
+M:2/4
+L:1/8
+R:Reel
+B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 637)
+B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf
+Z:AK/Fiddler’s Companion
+K:D
+(d/B/)|S(A/F/).d/.B/ (A/B/).A/.F/|(D/F/).A/.F/ E(E/B/)|(A/F/).A/.d/ d/c/d/B/|(A/F/).d/.B/ (A/B/).A/.F/|
+(A/F/).d/.B/ (A/B/).A/.F/ E(E/B/)|(A/F/).A/.d/ (B/G/).B/.d/|(c/A/).B/.c/ (d/e/).f/.a/||
+af/d/ (f/a/).f/.d/|(f/a/).f/.d/ ee/f/|(g/f/).e/.f/ g/b/a/g/|f/e/d/c/ (d/e/).f/.g/|
+af/d/ f/a/f/d/|(f/a/)f/d/  e(e/f/)|(g/f/).e/.f/ (g/b/).a/.g/|f/e/d/c/ {e}d/c/d/B/!D.S.!||
+<section end=X5 />
+<section begin=X7 />
 X:1
 T:Bonny Kate [1]
@@ Line 112: / Line 130: @@
 a2 fd fg/a/ fd|gfed cdef|gfgf g2 bg|fdec defg|
 a2 fd fg/a/ fd|gfed cdef|gfgf g2 bg|fdec dcdB||
-<section end=X5 />
+<section end=X7 />
-<section begin=X6 />
+<section begin=X8 />
 X:1
 T:Bonnie Kate [1]
@@ Line 137: / Line 155: @@
 |:(3fga (fd) gfgb|(3fga (fd)cdef|g2 (gf) gbag|fedc defg|
 (3fga fd gfgb|(3fga (fd) cdef|g2 (gf) gbag|fedc d2 (cB)||
-<section end=X6 />
+<section end=X8 />
-<section begin=X7 />
+<section begin=X10 />
 X:2
 T:Reel
@@ Line 151: / Line 169: @@
 a2 fd fafd|fafd e2 ef|gfef gbag|fedc defg|
 a2 fd fafd|gabg fgaf|gfef gbag|fedc dcdB||
-<section end=X7 />
+<section end=X10 />
 <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED -->
 <section begin=X1 />