Brown Thorn (1) (The): Difference between revisions

Find traditional instrumental music
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|f_page=No. 4, p. 2
|f_page=No. 4, p. 2
|f_theme_code_index=536 1H56
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|f_score=1
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(A<GA|B2)-G.B.c.d|(e2g2) {g}(f/e/d/>).B/|T[E4=A4c2]{Bc}B>B|{=ABc}B3 A<GA|
(A<GA|B2)-G.B.c.d|(e2g2) {g}(f/e/d/>).B/|T[E4=A4c2]{Bc}B>B|{=ABc}B3 A<GA|
(B2 G).B.c.d|(e2B).B (c/<B/).A|(G2 E>)GTF2{EF}E|E2-E||
(B2 G).B.c.d|(e2B).B (c/<B/).A|(G2 E>)GTF2{EF}E|E2-E||
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X:1
T:Brown Thorn, The
T:Oh haste and leave this sacred Isle
M:3/4
L:1/8
R:Air
Q:”Andante”
B:William Forde – 300 National Melodies of the British Isles (c. 1841, p. 2, No. 5)
B: https://www.itma.ie/digital-library/text/300-national-melodies-of-the-british-isles.-vol.-3-100.-irish-airs
N:William Forde (c.1795–1850) was a musician, music collector and scholar from County Cork
Z:AK/Fiddler’s Companion
K:F
(BAB)|c2 Acde|f2-c z/c/ (Bc/B/)|A2 FAG>F|F3||
(BAB)|c2-A Acde|f3 a g/g/f/e/d/|c3 e{e}d>c|c3 (_BAB)|
(c2 A)(cde)|f2-c z/c/ (dc/B/)|A2 FAG>F|F3||
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(cBc)|(e2B).d.e.f|(g2b) z{b}(a/g/f/>).d/|T(e4 {de}d>)d|
(cBc)|(e2B).d.e.f|(g2b) z{b}(a/g/f/>).d/|T(e4 {de}d>)d|
{^cde}d3 (c/Bc)|(d2B) .d.e.f|(g2d).d (e/<d/).c|(B2G>)(BA{GA}G)|(G2G)||
{^cde}d3 (c/Bc)|(d2B) .d.e.f|(g2d).d (e/<d/).c|(B2G>)(BA{GA}G)|(G2G)||
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c3 (fef)|(g2 e).g.a.b|(c'3 e') (d'/c'/b/a/)|g4 {b}T(a>g)|(g3 fef)|
c3 (fef)|(g2 e).g.a.b|(c'3 e') (d'/c'/b/a/)|g4 {b}T(a>g)|(g3 fef)|
(g2 e).g.a.b|(c'2 g)(g/^g/ b/a/=g/f/)|(e2 c)(.e{e}c>)c|(c2c)||
(g2 e).g.a.b|(c'2 g)(g/^g/ b/a/=g/f/)|(e2 c)(.e{e}c>)c|(c2c)||
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(A<GA)|(B2 G).B.c.d|(e2 g) {g}(f/e/d/>B/)|Tc4 {Bc}B>B|{=ABc}B3 A<GA|
(A<GA)|(B2 G).B.c.d|(e2 g) {g}(f/e/d/>B/)|Tc4 {Bc}B>B|{=ABc}B3 A<GA|
(B2 G).B.c.d|(e2B).B (c/<B/.A)|(G2 E>).G TF{EF}E|(E2 E)||
(B2 G).B.c.d|(e2B).B (c/<B/.A)|(G2 E>).G TF{EF}E|(E2 E)||
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c B>c | d2 Bd ef | g2 b2 {b}a/g/ f/e/ | e4 z>d | d3c B>c |   
c B>c | d2 Bd ef | g2 b2 {b}a/g/ f/e/ | e4 z>d | d3c B>c |   
d2 Bd ef | g2 dd ed/c/ | B2 GB A>G | G3 ||
d2 Bd ef | g2 dd ed/c/ | B2 GB A>G | G3 ||
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Revision as of 15:45, 18 September 2020


Brown Thorn (1) (The)  Click on the tune title to see or modify Brown Thorn (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Brown Thorn (1) (The)
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 Theme code Index    536 1H56
 Also known as    Draoignean Donn, St. Senanus and the Lady, Why do Lovely Virgins Mourn?, Bark is on the Swelling Wave (The), Sloe Tree (The)
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AB
 Editor/Compiler    Biography:Edward Bunting
 Book/Manuscript title    Book:A General Collection of the Ancient Music of Ireland
 Tune and/or Page number    No. 4, p. 2
 Year of publication/Date of MS    1796
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Brown Thorn (1) (The): Annotations

X:1 T:Brown Thorn [1], The M:3/4 L:1/8 R:Air Q:"Largo" B:Bunting - A General Collection of the Ancient Music of Ireland (1796, No. 4) Z:AK/Fiddler’s Companion K:Eb |:(A<GA|B2)-G.B.c.d|Te2 {de}.B.B (c/)GT(F{EF}E)|(E2E):|| (A<GA|B2)-G.B.c.d|(e2g2) {g}(f/e/d/>).B/|T[E4=A4c2]{Bc}B>B|{=ABc}B3 A<GA| (B2 G).B.c.d|(e2B).B (c/)GTF2{EF}E|E2-E||


X:1 T:Brown Thorn, The T:Oh haste and leave this sacred Isle M:3/4 L:1/8 R:Air Q:”Andante” B:William Forde – 300 National Melodies of the British Isles (c. 1841, p. 2, No. 5) B: https://www.itma.ie/digital-library/text/300-national-melodies-of-the-british-isles.-vol.-3-100.-irish-airs N:William Forde (c.1795–1850) was a musician, music collector and scholar from County Cork Z:AK/Fiddler’s Companion K:F (BAB)|c2 Acde|f2-c z/c/ (Bc/B/)|A2 FAG>F|F3|| (BAB)|c2-A Acde|f3 a g/g/f/e/d/|c3 e{e}d>c|c3 (_BAB)| (c2 A)(cde)|f2-c z/c/ (dc/B/)|A2 FAG>F|F3||


X:1 T:Brown Thorn [1], The M:3/4 L:1/8 R:Air Q:"Largo" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 65, p. 33) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:G (c<Bc|d2 B).d.e.f|T(g2{fg}d).d (e/<d/.c)|(B2 G>B) T(AG)| G2-G> (c/Bc)|(d2 B).d.e.f|T(g2{fg}d).d (e/<d)c|(B2G>B)(AG)|(G2G)|| (cBc)|(e2B).d.e.f|(g2b) z{b}(a/g/f/>).d/|T(e4 {de}d>)d| {^cde}d3 (c/Bc)|(d2B) .d.e.f|(g2d).d (e/<d/).c|(B2G>)(BA{GA}G)|(G2G)||


X:1 T:Brown Thorn [1], The M:3/4 L:1/8 R:Air Q:"Moderate time" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 68, p. 34) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:C (fef)|.(g2 e).g.a.b|(c'2 g)(g{ag^fg}ag/=f/)|(e2 c).e-{e}(d>c)| c3 (fef)|(g2 e).g.a.b|(c'3 e') (d'/c'/b/a/)|g4 {b}T(a>g)|(g3 fef)| (g2 e).g.a.b|(c'2 g)(g/^g/ b/a/=g/f/)|(e2 c)(.e{e}c>)c|(c2c)||


X:1 T:Brown Thorn [1], The M:3/4 L:1/8 R:Air Q:"Largo" B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 57, p. 24) Z:AK/Fiddler’s Companion K:Eb (A/GA)|(B2 G).B.c.d|T(e2 {de}B2) c/)GT(F{EF}E)|(E2E)|| (A<GA)|(B2 G).B.c.d|(e2 g) {g}(f/e/d/>B/)|Tc4 {Bc}B>B|{=ABc}B3 A<GA| (B2 G).B.c.d|(e2B).B (c/).G TF{EF}E|(E2 E)||


X:1 T:Brown Thorn [1], The M:3/4 L:1/8 R:Air Q:"Slow" S:O'Neill - Music of Ireland (1903), No. 31 Z:AK/Fiddler's Companion K:G c B>c | d2 Bd ef | gf/g/ dd ed/c/ | B2 GB A>G | G2 Gc Bc | d2 Bd ef | gf/g/ dd ed/c/ | B2 GB A>G | G3 || c B>c | d2 Bd ef | g2 b2 {b}a/g/ f/e/ | e4 z>d | d3c B>c | d2 Bd ef | g2 dd ed/c/ | B2 GB A>G | G3 ||


Brown Thorn (1) (The): Annotations

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