Annotation:My Little Girl: Difference between revisions
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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:My_Little_Girl > | |||
'''MY LITTLE GIRL.''' AKA and see "[[My Pretty Girl]]," "[[Tucker's Waltz]]." Canada, New England, Dance Tune (4/4 time). G Major. Standard tuning (fiddle). One part. A singing square dance call from the mid-20th century. It was popular in the old New England dances that predated the "contra" moniker, and was in the repertory of such "pre-revival" legends as Glenn Pease and Duke Miller. | |f_annotation='''MY LITTLE GIRL.''' AKA and see "[[My Pretty Girl]]," "[[Tucker's Waltz]]." Canada, New England, Dance Tune (4/4 time). G Major. Standard tuning (fiddle). One part. A singing square dance call from the mid-20th century. It was popular in the old New England dances that predated the "contra" moniker, and was in the repertory of such "pre-revival" legends as Glenn Pease and Duke Miller. | ||
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|f_see_also_listing=See/hear the dance/tune by Tony Parkes, 2011 [http://www.youtube.com/watch?v=C2RctH-_Snc]<br> | |||
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See/hear the dance/tune by Tony Parkes, 2011 [http://www.youtube.com/watch?v=C2RctH-_Snc]<br> | |||
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Revision as of 03:50, 18 November 2020
X:1 T:My Little Girl C:Albert Von Tilzer N:The chorus of a popular song, written in 1915 M:2/4 L:1/8 R:Two-Step N:Transcribed by Frank Maloy, who recalled fiddler J.W. "Jimbo" N:Smith playing the tune over WSB Atlanta, Georgia, in the 1930's. B:Stephen F. Davis - Devil's Box, vol. 28, No. 3, Fall 1994 (p. 30) Z:AK/Fiddler's Companion K:C E F^F|"C"G2 G2-|GGAB|d2c2-|c2 Bc|d2c2|G2A2| "G7"B4-|BDDE|F2 F2-|FGAB|e2 d2-|"G7"d2 ^cd| "G7"e2d2|B2A2|"C"G4-|GEF^F|G2 G2-|GGAB|d2c2-| "C"c2 cd|d2c2|e2c2|"F"A4-|AA^GA|"A7"f2f2-| "A7"fe^cA|"D7"e2d2-|d2 cd|"G7"e2d2|B2G2|"C"cAGE|C|]
MY LITTLE GIRL. AKA and see "My Pretty Girl," "Tucker's Waltz." Canada, New England, Dance Tune (4/4 time). G Major. Standard tuning (fiddle). One part. A singing square dance call from the mid-20th century. It was popular in the old New England dances that predated the "contra" moniker, and was in the repertory of such "pre-revival" legends as Glenn Pease and Duke Miller.
