Annotation:Patrick O'Connor: Difference between revisions
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< | |f_tune_annotation_title= <this field must be exactly the title in the URL – for example: https://tunearch.org/wiki/Annotation:Jackie_Layton > | ||
'''PATRICK O'CONNOR.''' Irish, Air (6/8 time). G Major. Standard tuning (fiddle). ABB. Dr. William Elliot Hudson remarks: | |f_annotation='''PATRICK O'CONNOR.''' Irish, Air (6/8 time). G Major. Standard tuning (fiddle). ABB. Dr. William Elliot Hudson remarks: | ||
<blockquote> | <blockquote> | ||
''This comes also from our “Miscellaneous Collection,” and the individuality of the name,'' | ''This comes also from our “Miscellaneous Collection,” and the individuality of the name,'' | ||
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''part of his music.'' | ''part of his music.'' | ||
</blockquote> | </blockquote> | ||
Neither tune nor melody appear in Donal O'Sullivan's definitive '''Carolan: Life, Times and Music of an Irish Harper''' (1958). | Neither tune nor melody appear in Donal O'Sullivan's definitive '''Carolan: Life, Times and Music of an Irish Harper''' (1958). In fact, the piece was the work of Dublin dentist, music editor, and collector [[biography:Henry Hudson]] (1798-1886), who somewhat disingenuously present his work in a traditional context, in a style and title suggestive of Carolan. | ||
|f_source_for_notated_version= | |||
|f_printed_sources='''The Dublin Magazine''' December, 1842. | |||
|f_recorded_sources= | |||
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Revision as of 00:35, 24 December 2020
X:1 T:Patrick O’Connor C:Henry Hudson M:6/8 L:1/8 R:Air Q:"Moderato" B:The Dublin Magazine (December, 1842, No. 44) Z:AK/Fiddler’s Companion K:G d|Bde dBA|GED EGG|ABd BAB|Eee e2 f/e/| dBA GgG|g>ab/a/ ged|eEe e>fg/e/|d>ed/c/ BGE| G>AB/A/ GAB|A>GE/D/ EFG|D>ED/C/ B,A,B,|G,GG G2|| |:D|A,B,D EB,G|DB,A, G,GG,|G>AB/A/ GDG|Eee e2d| B>AG/A/ Bge|d>BA/G/ ABG|g>ag/e/ dBA|GBA GED| EGA B>A/B/G/|A>G/A/B/ d>ed/B/|e>dB/G/ A>GF/E/|DGG G2:|]
PATRICK O'CONNOR. Irish, Air (6/8 time). G Major. Standard tuning (fiddle). ABB. Dr. William Elliot Hudson remarks:
This comes also from our “Miscellaneous Collection,” and the individuality of the name, Patrick O’Connor, and its style, both tend to convince us that it is Carolan’s, though not handed down to us as such. Here are his two parts, each of them in three phrases of four bars; composed, not in the vocal flow of the last air, but racy of that wild harp-touch, which characterizes the greater part of his music.
Neither tune nor melody appear in Donal O'Sullivan's definitive Carolan: Life, Times and Music of an Irish Harper (1958). In fact, the piece was the work of Dublin dentist, music editor, and collector biography:Henry Hudson (1798-1886), who somewhat disingenuously present his work in a traditional context, in a style and title suggestive of Carolan.
