Annotation:Cold Frosty Morning (2): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Cold_Frosty_Morning_(2) > | |||
'''COLD FROSTY MORNING [2], A'''. AKA and see "[[I Am Asleep and Don't Waken Me (2)]]," "[[Past One O'Clock]]." Scottish, Slow Air or Waltz (3/4 time). F Major. Standard tuning (fiddle). AAB. The air first appears in John Playford’s '''Apollo’s Banquet''', 5th edition (London, 1687), under the title “At past Twelve a Clock, and a fine Summer’s Morning” and in the opera '''Flora''' (London, 1737) by John Hippisley, as “At Past One a Clock, and a Cold Frosty Morning.” Scots versions can be found in James Oswald's '''Caledonian Pocket Companion | |f_annotation='''COLD FROSTY MORNING [2], A'''. AKA and see "[[I Am Asleep and Don't Waken Me (2)]]," "[[Past One O'Clock]]." Scottish, Slow Air or Waltz (3/4 time). F Major. Standard tuning (fiddle). AAB. The air first appears in John Playford’s '''Apollo’s Banquet''', 5th edition (London, 1687), under the title “At past Twelve a Clock, and a fine Summer’s Morning” and in the opera '''Flora''' (London, 1737) by John Hippisley, as “At Past One a Clock, and a Cold Frosty Morning.” Scots versions can be found in James Oswald's '''Caledonian Pocket Companion, vol. 4''' (1760, p. 16) and Francis Peacock's '''Fifty Scotch Airs''' (Aberdeen, 1762). An American musician, Andrew Wilson, included it in his 1782 commonplace book entitled "Brose and Butter" [Library of Congress]. See notes for "[[Annotation:I Am Asleep and Don't Waken Me (2)]]" and "[[Annotation:Past One O'Clock]]" for more. | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Carlin ('''The Gow Collection'''), 1986; No. 588. Gow ('''Complete Repository, Part 2'''), 1802; p. 4. Oswald ('''Caledonian Pocket Companion, vol. 4'''), 1760; p. 16. | |||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
}} | |||
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Latest revision as of 17:55, 17 August 2021
X:1 T:Cold frostie morning [2] M:3/4 L:1/8 R:Air B:James Oswald – Caledonian Pocket Companion, vol. 4 (1760, p. 16) Z:AK/Fiddler’s Companion K:G D2|(DE) G2G2|G3A G2|A2 (cB)(AG)|TE4 D2|(DE)G2A2| B2d2 (e/f/g)|TA3G (AB)|G4 (AB)|c2 (dc)(BA)|B2 (cB)(AG)| (AB) (dB) (AG)|TE4 D2|E2G2A2|B2d2 (e/f/g)|TA3G (AB)|G4:| |:de|=f3a Tg>f|{f}Te4 d2|d2e2ga|Tg2e2d2|(=fe)fagf| (ed)(Bd)(eg)|deBdAB|GAGE D2|(DE)G2A2|B2 (ge) (dB)| TA3G (AB)|G4:||:D2|(DE) G2 (AB)|(AG) G2 (AB)|(d<B) (A<G) (A<B)| TE4 D2|DE G2AB|(g<e)(d<B) (A<G)|D2 (d<B) (A>B)|G4 (AB)| c2 (d/c/d/e/) (ge/d/)|Bg (d<B) T(A>G)|(A/G/A/B/) dB (A/G/A/B/)| TE4 D2|DE G2A2|(B/d/e/f/) gdBG|D3B (A/G/A/B/) G4:| |:(de)|=fF f a2 (g/f/)|Te3 (d/e/) (g/e/d/B/)|d2 b2 a/(g/a/b/)|Tg2 T(e/d/e/g/) d2| T(=f/e/f/g/ Tf/e/f/g/ Tf/a/g/f)|T(e/d/e/g/ Te/d/e/g/ Te/d/e/g/)|(d/e/g/e/) (d/e/d/B/) (d/B/A/B/)| L:1/16 G4 T(E3D/E/) D4|\ L:1/8 =f2 (a/g/f) (a/g/f)|(g<e) e2 (a/g/e)|(d>e) (g/e/d/B/) (d/B/A/B/)| G2TE2D2|(DE) G2A2|(B/d/e/f/) (g/f/e/d/) (c/B/A/G/)|TA3G (AB)|G4:|]
COLD FROSTY MORNING [2], A. AKA and see "I Am Asleep and Don't Waken Me (2)," "Past One O'Clock." Scottish, Slow Air or Waltz (3/4 time). F Major. Standard tuning (fiddle). AAB. The air first appears in John Playford’s Apollo’s Banquet, 5th edition (London, 1687), under the title “At past Twelve a Clock, and a fine Summer’s Morning” and in the opera Flora (London, 1737) by John Hippisley, as “At Past One a Clock, and a Cold Frosty Morning.” Scots versions can be found in James Oswald's Caledonian Pocket Companion, vol. 4 (1760, p. 16) and Francis Peacock's Fifty Scotch Airs (Aberdeen, 1762). An American musician, Andrew Wilson, included it in his 1782 commonplace book entitled "Brose and Butter" [Library of Congress]. See notes for "Annotation:I Am Asleep and Don't Waken Me (2)" and "Annotation:Past One O'Clock" for more.
