Annotation:Badin (Le): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Badin_(Le) > | |||
'''BADIN LE'''. AKA and see "[[Carle He came through the Croft (2) (The)]]." The melody first appears in Rutherford's '''Choice Collection of Sixty of the Most Celebrated Country Dances''' (London, 1750). Although the tunes are different, it may have been modeled after a French country dance called "La Badine" that appears in early 18th century Continental publications. | |f_annotation='''BADIN LE'''. AKA and see "[[Carle He came through the Croft (2) (The)]]." The melody first appears in Rutherford's '''Choice Collection of Sixty of the Most Celebrated Country Dances''' (London, 1750). Although the tunes are different, it may have been modeled after a French country dance called "La Badine" that appears in early 18th century Continental publications. | ||
|f_source_for_notated_version=William Vickers' 1770 music manuscript collection (Northumberland) [Seattle]. | |||
|f_printed_sources=Seattle ('''Great Northern Tune Book/William Vickers'''), 2008; No. 520. | |||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
}} | |||
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Revision as of 18:36, 6 October 2021
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BADIN LE. AKA and see "Carle He came through the Croft (2) (The)." The melody first appears in Rutherford's Choice Collection of Sixty of the Most Celebrated Country Dances (London, 1750). Although the tunes are different, it may have been modeled after a French country dance called "La Badine" that appears in early 18th century Continental publications.
