Annotation:Kerry Mills Barn Dance (2): Difference between revisions
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|f_annotation='''KERRY MILLS (BARN DANCE) [2], THE'''. AKA and see "[[Francie Mooney's German]]," "[[John McKenna's]]," "[[Maggie's Lilt]]," "[[McCusker's Barndance]]," "[[Paddy Candy]]," "[[Paddy Joe Gormley's]]," "[[Paddy Taylor's Barndance]]," "[[Peggy Thought She'd Marry." Irish, Barndance (4/4 time). D Major. Standard tuning (fiddle). AABB. The 'Kerry Mills' title was accordion player Terry Teahan's (1905-1989) name for the tune, which goes by several titles. However, researcher Conor Ward has identified the tune as a derivative of the light classical 19th century piece "[[Silver Bells Schottishe]]." The schottische has acquired a large number of names, but no one title seems dominant. | |f_annotation='''KERRY MILLS (BARN DANCE) [2], THE'''. AKA and see "[[Francie Mooney's German]]," "[[John McKenna's]]," "[[Maggie's Lilt]]," "[[McCusker's Barndance]]," "[[Paddy Candy]]," "[[Paddy Joe Gormley's]]," "[[Paddy Taylor's Barndance]]," "[[Peggy Thought She'd Marry]]." Irish, Barndance (4/4 time). D Major. Standard tuning (fiddle). AABB. The 'Kerry Mills' title was accordion player Terry Teahan's (1905-1989) name for the tune, which goes by several titles. However, researcher Conor Ward has identified the tune as a derivative of the light classical 19th century piece "[[Silver Bells Schottishe]]." The schottische has acquired a large number of names, but no one title seems dominant. | ||
|f_recorded_sources=Globestyle CDORBD 092, Terry Teahan (various artists) - "Happy to Meet Sorry to Part." Mairead Mooney and Frankie Kennedy - "Ceol Aduaidh" (untitled first tune of the Germans set, learned from Mairead's father Francie Mooney). | |f_recorded_sources=Globestyle CDORBD 092, Terry Teahan (various artists) - "Happy to Meet Sorry to Part." Mairead Mooney and Frankie Kennedy - "Ceol Aduaidh" (untitled first tune of the Germans set, learned from Mairead's father Francie Mooney). | ||
|f_see_also_listing=Alan Ng's Irishtune.info [https://www.irishtune.info/tune/2096/] | |f_see_also_listing=Alan Ng's Irishtune.info [https://www.irishtune.info/tune/2096/] | ||
Revision as of 15:33, 22 October 2021
X:89 T:Kerry Mills [2] M:4/4 L:1/8 R:Barndance K:D AB c/B/A f2f2|AB c/B/A f2f2|gfed c2Be|edcB A2A2|| AB c/B/A f2f2|AB c/B/A f2f2|gfed cA B/c/d|e/f/e d2 d4:| |a2 ba f2 f2|ad'ba f2 f2|gfed c2 B2|edcB A2 A2|| |:a2 ba f2 f2|ad'ba f2 f2|gfed cA B/c/d|e/f/e d2 d4:||
KERRY MILLS (BARN DANCE) [2], THE. AKA and see "Francie Mooney's German," "John McKenna's," "Maggie's Lilt," "McCusker's Barndance," "Paddy Candy," "Paddy Joe Gormley's," "Paddy Taylor's Barndance," "Peggy Thought She'd Marry." Irish, Barndance (4/4 time). D Major. Standard tuning (fiddle). AABB. The 'Kerry Mills' title was accordion player Terry Teahan's (1905-1989) name for the tune, which goes by several titles. However, researcher Conor Ward has identified the tune as a derivative of the light classical 19th century piece "Silver Bells Schottishe." The schottische has acquired a large number of names, but no one title seems dominant.
