Annotation:Tadgh's Ailment: Difference between revisions

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{{TuneAnnotation
|f_annotation='''TADGH'S AILMENT.''' AKA and see "[[Stack's Hornpipe]]."  Irish, Hornpipe (4/4 time). D Major. Standard tuning (fiddle). AABB.   
|f_annotation='''TADGH'S AILMENT.''' AKA and see "[[Stack's Hornpipe]]."  Irish, Hornpipe (4/4 time). D Major. Standard tuning (fiddle). AABB.  "Tadgh's Ailment" is a hornpipe cognate with an unnamed hornpipe in the repertory of Chicago fiddler Patrick Stack, called simply "Stack's Hornpipe" in Francis O'Neill's '''Waifs and Strays of Gaelic Melody''' (1922, No. 313). The tunes are not identical, however, and there is a noticeable difference in the third/seventh measures of each part of "Tadgh," which goes to the dominant chord of the key, while "Stack's" remains in the tonic key. The relationship between the two is quite apparent in the rest of the tunes, however.   
|f_printed_sources=Paul Deloughery ('''Sliabh Luachra on Parade'''), 1988; No. 161.
|f_printed_sources=Paul Deloughery ('''Sliabh Luachra on Parade'''), 1988; No. 161.
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Tadgh's_Ailment >
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Tadgh's_Ailment >

Revision as of 03:32, 28 October 2021


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X:161 T:Tadgh's Ailment M:4/4 L:1/8 R:Hornpipe K:D A/B/c|ddcA BFAF|DFAF G/B/G F/A/F|Eeee eABc|ddcB A2Bc| ddcA BFAF|DFAF G/B/G F/A/F|Eeed cABc|d2dc d2:| |:d2|Acec Acec|Adfd Adfd|eeee eABc|ddcB A2Bc| ddcA BFAF|DFAF G/B/G F/A/F|Eeed cABc|d2dc d2:|



TADGH'S AILMENT. AKA and see "Stack's Hornpipe." Irish, Hornpipe (4/4 time). D Major. Standard tuning (fiddle). AABB. "Tadgh's Ailment" is a hornpipe cognate with an unnamed hornpipe in the repertory of Chicago fiddler Patrick Stack, called simply "Stack's Hornpipe" in Francis O'Neill's Waifs and Strays of Gaelic Melody (1922, No. 313). The tunes are not identical, however, and there is a noticeable difference in the third/seventh measures of each part of "Tadgh," which goes to the dominant chord of the key, while "Stack's" remains in the tonic key. The relationship between the two is quite apparent in the rest of the tunes, however.


Additional notes



Printed sources : - Paul Deloughery (Sliabh Luachra on Parade), 1988; No. 161.






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