White Cockade (1) (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=White Cockade (1) (The) | |f_tune_title=White Cockade (1) (The) | ||
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|f_media={{FeaturedTunes |f_track=White Cockade.mp3 |f_artwork=Bonnie Prince Charlie's white cockade.jpg |f_tune_name=The White Cockade |f_played_by=Angus Folk Community Singing Group |f_notes=Prince Charles Edward Stuart with the white cockade |f_source=[https://soundcloud.com/user-797837175/white-cockade Soundcloud] |f_pix=220 |f_picpix=80 |f_piclink=White_Cockade_(1)_(The) }} | |f_media={{FeaturedTunes |f_track=White Cockade.mp3 |f_artwork=Bonnie Prince Charlie's white cockade.jpg |f_tune_name=The White Cockade |f_played_by=Angus Folk Community Singing Group |f_notes=Prince Charles Edward Stuart with the white cockade |f_source=[https://soundcloud.com/user-797837175/white-cockade Soundcloud] |f_pix=220 |f_picpix=80 |f_piclink=White_Cockade_(1)_(The) }} | ||
}} | }} | ||
{{featured}} | |||
<!-- THIS IS FOR SEARCH ENGINE OPTIMIZATION --> | <!-- THIS IS FOR SEARCH ENGINE OPTIMIZATION --> | ||
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G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|] | G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|] | ||
<section end=X2 /> | <section end=X2 /> | ||
<section begin= | <section begin=X5 /> | ||
X:43 | |||
C:Page 22 | |||
T:White Cockade. MBe.43, The | |||
A:England;Cumbria;Towcett | |||
B:Matthew Betham MS, Towcett Cumbria, 1815 | |||
Z:VMP - Hugh Taylor, 2012 | |||
M:2/4 | |||
L:1/8 | |||
Q:1/4=100 | |||
R: | |||
N:Well known in the district as a tune to play for Westmorland Style step dancing | |||
N:Not the same as the White Cockade MBe.27 on page 13 | |||
K:G | |||
g|dB BA/G/|BBBg|dB BA/G/|BA AG/A/| | |||
BB BA/B/|{A}G"sic"G>ga|(b/a/g/f/) (a/g/f/e/)|dB BB:| | |||
|:c|{e}dBgB|ddde|{e}dc/B/ {a}~gf/g/|gA AG/A/| | |||
BB BA/B/|GGga|(b/a/g/f/) (a/g/f/e/)|dB BB:| | |||
<section end=X5 /> | |||
<section begin=X8 /> | |||
X:3 | X:3 | ||
T:White Cockade [1] | T:White Cockade [1] | ||
Line 74: | Line 94: | ||
G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:| | G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:| | ||
|:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|] | |:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|] | ||
<section end= | <section end=X8 /> | ||
<section begin= | <section begin=X11 /> | ||
X:4 | X:4 | ||
T:White Cockade [1] (Scotch) | T:White Cockade [1] (Scotch) | ||
Line 89: | Line 109: | ||
AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA| | AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA| | ||
B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2|| | B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2|| | ||
<section end= | <section end=X11 /> | ||
<section begin= | <section begin=X15 /> | ||
X:5 | X:5 | ||
T:White Cockade | T:White Cockade | ||
Line 103: | Line 123: | ||
|:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA G/A/| | |:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA G/A/| | ||
B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|] | B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|] | ||
<section end= | <section end=X15 /> | ||
<section begin= | <section begin=X18 /> | ||
X:6 | X:6 | ||
T:White Cockade, The | T:White Cockade, The | ||
Line 120: | Line 140: | ||
(dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)| | (dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)| | ||
.B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B|| | .B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B|| | ||
<section end= | <section end=X18 /> | ||
<section begin= | <section begin=X21 /> | ||
X:7 | X:7 | ||
T:White Cockade [1], The | T:White Cockade [1], The | ||
Line 135: | Line 155: | ||
Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)| | Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)| | ||
.B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2|| | .B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2|| | ||
<section end= | <section end=X21 /> | ||
<section begin= | <section begin=X24 /> | ||
X:8 | X:8 | ||
T:White Cockade [1], The | T:White Cockade [1], The | ||
Line 149: | Line 169: | ||
|:c2|d3B g3B|dedB d3e|e2dB g2fg|a3A AGAB| | |:c2|d3B g3B|dedB d3e|e2dB g2fg|a3A AGAB| | ||
BBed B2AG|AGAB g2fg|a2gf efge|d2B2 BB2:|] | BBed B2AG|AGAB g2fg|a2gf efge|d2B2 BB2:|] | ||
<section end= | <section end=X24 /> | ||
<section begin= | <section begin=X27 /> | ||
X:9 | X:9 | ||
T:White Cockade, The, with Variations | T:White Cockade, The, with Variations | ||
Line 175: | Line 195: | ||
ge|dB BB/B/ GG GG/G/|DB BB/B/ GB BB/B/|dB BB/B/ GBGB|AcBd cBAg| | ge|dB BB/B/ GG GG/G/|DB BB/B/ GB BB/B/|dB BB/B/ GBGB|AcBd cBAg| | ||
dB BB/B/ GG GG/G/|DB BB/B/ GBdg|bagf ag/f/ gf/e/|d2B2B2|| | dB BB/B/ GG GG/G/|DB BB/B/ GBdg|bagf ag/f/ gf/e/|d2B2B2|| | ||
<section end= | <section end=X27 /> | ||
<section begin= | <section begin=X30 /> | ||
X:10 | X:10 | ||
T:White Cockade, The | T:White Cockade, The | ||
Line 189: | Line 209: | ||
|:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA| | |:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA| | ||
B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|] | B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|] | ||
<section end= | <section end=X30/> | ||
<section begin= | <section begin=X33 /> | ||
X:11 | X:11 | ||
T:White Cockade [1] | T:White Cockade [1] | ||
Line 205: | Line 225: | ||
|:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2| | |:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2| | ||
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|] | BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|] | ||
<section end= | <section end=X33 /> | ||
<section begin= | <section begin=X36 /> | ||
X:12 | X:12 | ||
T:The White Cockade | T:The White Cockade | ||
Line 218: | Line 238: | ||
G/A/|BB c/B/A/G/ dB Bg/e/|dB B/A/G/A/ BA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:| | G/A/|BB c/B/A/G/ dB Bg/e/|dB B/A/G/A/ BA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:| | ||
|:B/c/|dB g/d/B/c/ dB BB/c/|dB gf/g/ aA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:|| | |:B/c/|dB g/d/B/c/ dB BB/c/|dB gf/g/ aA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:|| | ||
<section end= | <section end=X36/> | ||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
<section begin=X1 /> | <section begin=X1 /> |
Revision as of 01:05, 26 April 2022
X:1 T:White Cockade [1] M:C| L:1/8 R:March S:fifer Thomas Nixon Jr./Joseph Long copybook (c. 1776-78. pp. 90-91) Z:AK/Fiddler's Companion K:G GA|B2 Bc B2 AG|d2B2B2g2|d2 Bc B2 AG|FGAB A2 GA| B2 Bc B2 AG|A2B2 g4|a2 f2 g2e2|d2B2 B3:| |:Bc|d2 Bc g2 Bc|d2 de d4|edef gfga|b2 e2 e2 d>c/B/4| g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:||
X:2
T:Second to the White Cockcade
S:Thomas Calvert Collection, Kelso, Scotland (1799)
Z:Jack Campin May 2001
M:C
L:1/8
N:bars 7 and 15 are written |g/f/e/d/ c/B/A/G/| in the book
K:G
BA|G2B2 dBAB|d2G2 G2Bc|B2G2 G2F2|G2[F2A2] [F2A2]Bc|
G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2||
GA|B2G2 d2G2|B2ge d2Bc|B2G2 B2AB|c2 A2 [F2A2]BA|
G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|]
X:43
C:Page 22
T:White Cockade. MBe.43, The
A:England;Cumbria;Towcett
B:Matthew Betham MS, Towcett Cumbria, 1815
Z:VMP - Hugh Taylor, 2012
M:2/4
L:1/8
Q:1/4=100
R:
N:Well known in the district as a tune to play for Westmorland Style step dancing
N:Not the same as the White Cockade MBe.27 on page 13
K:G
g|dB BA/G/|BBBg|dB BA/G/|BA AG/A/|
BB BA/B/|{A}G"sic"G>ga|(b/a/g/f/) (a/g/f/e/)|dB BB:|
|:c|{e}dBgB|ddde|{e}dc/B/ {a}~gf/g/|gA AG/A/|
BB BA/B/|GGga|(b/a/g/f/) (a/g/f/e/)|dB BB:|
X:3
T:White Cockade [1]
M:C
L:1/8
Q:"Allegretto"
B:Wilson - Companion to the Ball Room (1816, p. 39)
Z:AK/Fiddler's Companion
K:G
G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|
|:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|]
X:4
T:White Cockade [1] (Scotch)
M:C
L:1/8
Q:"Allegretto"
R:Country Dance
B:Thomas Wilson - Companion to the Ball Room (1816, p. 54)
Z:AK/Fiddler's Companion
K:G
GA|B2B2 B2 AG|d2B2B2 GA|B2B2B2 AG|B2A2A2 GA|
B2B2B2 AG|A2B2 g3a|bagf efge|d2B2B2||
AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA|
B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2||
X:5
T:White Cockade
M:2/4
L:1/8
R:Country Dance Tune
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 154)
Z:AK/Fiddler's Companion
K:G
gf|e/d/c/B/ d/B/A/G/|BB Bg/f/|e/d/c/B/ d/B/A/G/|BA AG/A/|
B/G/B/d/ c/B/A/G/|AB !fermata!ga|b/a/g/f/ e/f/g/e/|d/B/A/B/ A:|
|:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA G/A/|
B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|]
X:6
T:White Cockade, The
M:2/4
L:1/8
Q:"Allegro Spiritoso"
R:Country Dance
B:J. Clinton - Gems of Ireland:200 Airs (1841, No. 199, p. 104)
Z:AK/Fiddler's Companion
K:G
(G/A/)|.B.B.B (A/G/)|.B.B.B .g|.d.B (c/B/)(A/G/)|(BA).A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d.g (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B ||
(B/c/)|.d.B.g (B/c/)|{e}(d/^c/)(c/d/) .d(B/=c/)|.d.B.g (f/g/)|.a.A.A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d. g(g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B (B/c/)|
(dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B||
X:7
T:White Cockade [1], The
M:C|
L:1/8
Q:"Spiritoso"
R:Country Dance
B:P.M. Haverty - One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9)
Z:AK/Fiddler's Companion
K:G
GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA|
.B2 Bd cBAG|(Bd)(ef) gfga|(ba)gf (agf)e|d2B2B2||
Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)|
.B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2||
X:8
T:White Cockade [1], The
M:2/4
L:1/16
R:Pipe March
B:William Ross - Ross's Collection of Pipe Music (1869, No. 107, p. 99)
Z:AK/Fiddler's Companion
K:G
e2|G3B B2AB|G3B B>Bg/|G3B B2AG|B2A2 A2GA|
B<Bed B2AG|AGAB g2fg|a2gf efge|d3B BB3:|
|:c2|d3B g3B|dedB d3e|e2dB g2fg|a3A AGAB|
BBed B2AG|AGAB g2fg|a2gf efge|d2B2 BB2:|]
X:9
T:White Cockade, The, with Variations
M:C
L:1/8
R:Hornpipe
B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 30, p. 10)
B: http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=9&z=106.4282%2C299.3808%2C3343.425%2C1294.4477
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler's Companion
K:G
GA|B2 Bd cBAB|GBBA Bgge|dBGB cBAG|FGAF DFAF|
GBdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2||
Bc|d2B2g2B2|dcde d2 ge|dcBc defg|agab a2 GA|
BcdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2||
P:1st Variation
DGBG DGBG|DGBG cBAG|DGBG DGBG|ABcB cBAG|
DGBG DGBG|DGBd g2a2|bagf ag/f/ gf/e/ |d2B2B2||
P:2nd Variation
ge|dBGB dgfg|bgfg dcBc|dBGB defg|agab agfe|
dBGB dgfg|bgfg dcBd|c'bc'b c'bag|f2d2d2||
P:3rd Variation
ge|dB BB/B/ GG GG/G/|DB BB/B/ GB BB/B/|dB BB/B/ GBGB|AcBd cBAg|
dB BB/B/ GG GG/G/|DB BB/B/ GBdg|bagf ag/f/ gf/e/|d2B2B2||
X:10
T:White Cockade, The
L:1/8
M:C|
R:Country Dance
B:Stewart-Robertson - The Athole Collection (1884)
Z:AK/Fiddler's Companion
K:G
GA|B2B2B2 AB|G2B2B2 ge|d2B2B2 AG|B2A2A2 GA|
B2 Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|
|:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA|
B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|]
X:11
T:White Cockade [1]
M:2/4
L:1/8
R:Air and Reel
N:”As played by David R. Hamblon” (1809-1893, originally from Cumberland
N:Gap, Lee County, western Virginia, as transcribed by his grandson, A. Porter Hamblon.
N:The key signature in the MS is (inexplicably) E Major.
Z:AK/Fiddler's Companion
K:G
G/A/|BB B/A/G/B/|dB Bg/e/|dB B/A/G/A/|BA A2 G/A/|
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|
|:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2|
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|]
X:12
T:The White Cockade
M:4/4
L:1/8
R:March
B:Deloughery - Sliabh Luachra on Parade (1980, No. 125)
N:From the playing of Terry Teahan
Z:Patrick Cavanagh
K:G
G/A/|BB c/B/A/G/ dB Bg/e/|dB B/A/G/A/ BA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:|
|:B/c/|dB g/d/B/c/ dB BB/c/|dB gf/g/ aA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:||