Annotation:Andy Renwick's Ferret: Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Andy_Renwick's_Ferret > | |||
'''ANDY RENWICK'S FERRET'''. | |f_annotation='''ANDY RENWICK'S FERRET'''. Scottish, Reel (cut time). A Dorian. Standard tuning (fiddle). AABB'. | ||
The ferret of the title supposedly refers to a human being. Composer credits for this modern melody are usually attributed to piper Gordon Duncan (Craob Rua), although a United Kingdom musician named "Gordon Lincoln" is (erroneously) credited by Perlman. | The ferret of the title supposedly refers to a human being. Composer credits for this modern melody are usually attributed to piper Gordon Duncan (1965-2005, of the band Craob Rua), although a United Kingdom musician named "Gordon Lincoln" is (erroneously) credited by Perlman. Paul Stewart Cranford (2015) points out that the piece employs 'c' natural notes, a pitch that is difficult to render accurately on the pipes and involves a complicated control of the fingers on the chanter. | ||
|f_source_for_notated_version=Paul MacDonald (b. 1974, Charlottetown, Queens County, Prince Edward Island) [Perlman]. | |||
|f_printed_sources= Perlman ('''The Fiddle Music of Prince Edward Island'''), 1996; p. 105. | |||
|f_recorded_sources=The Grapevine Label GRACD 20, Nomos - "I won't be Afraid Any More" (1995). Lochshore CDLDL 1215, Craob Rua – "The More That's Said the Less the Better" (1992). | |||
Lochshore CD, Ian Powrie – "Legend of the Fiddle." Hot Toddy - "Three Sheets to the Wind" (1997). Temple Records TP 027, Battlefield Band - "Celtic Hotel" (1987). | |||
|f_see_also_listing=Alan Snyder's Cape Breton Fiddle Recordings Index [https://www.cbfiddle.com/rx/tune/t885.html]<br> | |||
Alan Ng's Irishtune.info [https://www.irishtune.info/tune/74/]<br> | |||
}} | |||
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Lochshore CDLDL 1215, Craob Rua – "The More That's Said the Less the Better" (1992). | |||
Lochshore CD, Ian Powrie – "Legend of the Fiddle." | |||
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Revision as of 02:10, 18 May 2022
X:1 T:Andy Renwick's Ferret C:Gordon Duncan R:reel M:C| L:1/8 K:Ador cA~A2 ABcd|eaag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|1 edgB A2AB:|2 edgB A2Bd|| eaag ageg|a2ag agef|gd~d2 egde|degd egdg| eaag ageg|a2ag agef|gd~d2 efgd|edgB A2Bd| eaag ageg|a2ag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|edgB A2AB|| |:cA~A2 ~A2cA|~A2cA agef|gd~d2 ^cdcd|~d2^cd cddB| cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|1 edgB A2AB:|2 edgB A2Bd|| eaag ageg|ageg ~a3f|gd~d2 eggd|^cdgd eggd| eaag ageg|ageg ~a3f|gd~d2 efgd|edgB A2Bd| eaag ageg|ageg ~a3f|gd~d2 eggd|^cdgd eggd| cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|edgB A2AB||
ANDY RENWICK'S FERRET. Scottish, Reel (cut time). A Dorian. Standard tuning (fiddle). AABB'. The ferret of the title supposedly refers to a human being. Composer credits for this modern melody are usually attributed to piper Gordon Duncan (1965-2005, of the band Craob Rua), although a United Kingdom musician named "Gordon Lincoln" is (erroneously) credited by Perlman. Paul Stewart Cranford (2015) points out that the piece employs 'c' natural notes, a pitch that is difficult to render accurately on the pipes and involves a complicated control of the fingers on the chanter.
