Annotation:Jackson's Maid (2): Difference between revisions

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'''JACKSON'S MAID [2]'''. Irish. The tune is attributed by Goodman to the 18th century gentleman-piper Walker 'Piper' Jackson, of the townland of Lisdaun, parish of Ballingarry, Aughrim, County Limerick.  
|f_annotation='''JACKSON'S MAID [2]'''. Irish, Jig (6/8 time). G Major. Standard tuning (fiddle). AABB. The tune, like many with 'Jackson' in the title, is attributed by County Cork cleric and uilleann piper [[wikipedia: James_Goodman_(musicologist)]] to the 18th century gentleman-piper Walker 'Piper' Jackson, of the townland of Lisdaun, parish of Ballingarry, Aughrim, County Limerick. Whether Jackson actually composed all the tunes with his name in the title is doubtful, however. Goodman entered the jig into volume 2 of his extensive mid-19th century music manuscript collection (p. 92).  
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''Source for notated version'': the mid-19th century music manuscript collection of Church of Ireland cleric and uilleann piper James Goodman (Co. Cork).  
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''Printed sources'': '''Goodman, vol. 2'''; p. 92.
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Latest revision as of 19:49, 9 June 2022




X:1 T:Jackson’s Maid [2] M:6/8 L:1/8 R:Jig B:James Goodman music manuscript collection, vol. 2 (mid-19th B:century, County Cork, p. 92) F:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=95&z=-834.2199%2C1487.3298%2C9496.4607%2C3216 F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie Z:AK/Fiddler’s Companion K:G D|DGG B2d|cAG FGA|B2G AFD|DGG G2:| B|ded dcB|cdc cBc|ded fef|dgf g2a| bag fed cAG FGA|B2G AFD|DGG G2||



JACKSON'S MAID [2]. Irish, Jig (6/8 time). G Major. Standard tuning (fiddle). AABB. The tune, like many with 'Jackson' in the title, is attributed by County Cork cleric and uilleann piper wikipedia: James_Goodman_(musicologist) to the 18th century gentleman-piper Walker 'Piper' Jackson, of the townland of Lisdaun, parish of Ballingarry, Aughrim, County Limerick. Whether Jackson actually composed all the tunes with his name in the title is doubtful, however. Goodman entered the jig into volume 2 of his extensive mid-19th century music manuscript collection (p. 92).


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