Annotation:Walls of Liscarroll (1): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Walls_of_Liscarroll_(1) > | |||
'''WALLS OF LISCARROLL [1]''' (Ballaide Lios-Cearbaill). AKA and see "[[Andy Hehir's Jig]]," "[[Ballaí Lios Chearbhaill]]," "[[Lads on the Mountain]].” Irish, Double Jig. D Mixolydian (most versions): E Dorian (Roche). Standard tuning (fiddle). AABC (Miller & Perron): AABB (O'Neill {all versions}, Roche, Taylor): AABB’ (Harker/Rafferty). The town of Liscarrol, meaning ‘Fort of Cearull,’ is located in the county of Cork, near the border with Limerick about halfway between the cities of Limerick and Cork, and dates from the early Middle Ages. There is a ruined castle there to which the title may refer, or it may perhaps reference a battle that occurred at Liscarroll in the 17th century. Williamson (1976) reports that one of the lords of the castle, Sir John Purcell of Hightort, “is remembered for his feat of slaying, when armed only with a carving knife, eight armed robbers as they forced their way into his bedroom.” There is a 4/4 time version of the tune in the American old time tradition called "[[Muddy Water (1)]]" (AKA and see). It has been suggested (by, for one, Louie W. Attebery in his article "The Fiddle Tune: An American Artifact" {1979}) that the name change from "Walls of Liscarroll" to "Muddy Water" came about in a process of naturalization due to anti-British sentiments during the War of 1812. Caoimhin Mac Aoidh, writing in the liner notes of Glackin & Hannan’s CD “Whirlwind” (1995) states the tune has a Munster provenance. Towards the end of the 20th century, he says, musicians frequently played the tune in higher pitched keys than was formerly the custom. John Kelly, for one, always preferred the older, lower version. See also the related “[[Little Black Pig]]” and the second part of “[[Matt Teahan's Delight]].” | |f_annotation='''WALLS OF LISCARROLL [1]''' (Ballaide Lios-Cearbaill). AKA and see "[[Andy Hehir's Jig]]," "[[Ballaí Lios Chearbhaill]]," "[[Lads on the Mountain]].” Irish, Double Jig. D Mixolydian (most versions): E Dorian (Roche). Standard tuning (fiddle). AABC (Miller & Perron): AABB (O'Neill {all versions}, Roche, Taylor): AABB’ (Harker/Rafferty). The town of Liscarrol, meaning ‘Fort of Cearull,’ is located in the county of Cork, near the border with Limerick about halfway between the cities of Limerick and Cork, and dates from the early Middle Ages. There is a ruined castle there to which the title may refer, or it may perhaps reference a battle that occurred at Liscarroll in the 17th century. Williamson (1976) reports that one of the lords of the castle, Sir John Purcell of Hightort, “is remembered for his feat of slaying, when armed only with a carving knife, eight armed robbers as they forced their way into his bedroom.” There is a 4/4 time version of the tune in the American old time tradition called "[[Muddy Water (1)]]" (AKA and see). It has been suggested (by, for one, Louie W. Attebery in his article "The Fiddle Tune: An American Artifact" {1979}) that the name change from "Walls of Liscarroll" to "Muddy Water" came about in a process of naturalization due to anti-British sentiments during the War of 1812. Caoimhin Mac Aoidh, writing in the liner notes of Glackin & Hannan’s CD “Whirlwind” (1995) states the tune has a Munster provenance. Towards the end of the 20th century, he says, musicians frequently played the tune in higher pitched keys than was formerly the custom. John Kelly, for one, always preferred the older, lower version. See also the related “[[Little Black Pig]]” and the second part of “[[Matt Teahan's Delight]].” | ||
|f_source_for_notated_version=Chieftains (Ireland) [Miller & Perron]; [[biography:John Carey]], a native of Limerick [O’Neill]; set dance music recorded live at Na Píobairí Uilleann, mid-1980’s [Taylor]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker]. | |||
|f_printed_sources=Harker ('''300 Tunes from Mike Rafferty'''), 2005; No. 185, p. 58. | |||
Harker ('''300 Tunes from Mike Rafferty'''), 2005; No. 185, p. 58. | |||
Miller & Perron ('''Irish Traditional Fiddle Music, vol. 1'''), 1977; No. 24. | Miller & Perron ('''Irish Traditional Fiddle Music, vol. 1'''), 1977; No. 24. | ||
Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 41. | Miller & Perron ('''Irish Traditional Fiddle Music'''), 2nd Edition, 2006; p. 41. | ||
| Line 24: | Line 15: | ||
Vallely ('''Learn to Play the Tin Whistle with Armagh Pipers Club, vol. 2'''); No. 9, p. 7. | Vallely ('''Learn to Play the Tin Whistle with Armagh Pipers Club, vol. 2'''); No. 9, p. 7. | ||
Williamson ('''English, Welsh, Scotch and Irish Fiddle Tunes'''), 1976; p. 79. | Williamson ('''English, Welsh, Scotch and Irish Fiddle Tunes'''), 1976; p. 79. | ||
|f_recorded_sources=Columbia 33202-F (78 RPM), Patrick Doran, Joseph Sullivan, Joe Owens (1927. Appears as "Lark in the Meadow"). | |||
Gael-Linn CEF 068, Martin Hayes – “An Fhidil, Vol. 1” (1976). | Gael-Linn CEF 068, Martin Hayes – “An Fhidil, Vol. 1” (1976). | ||
Shanachie 79021, “The Chieftains I.” | Shanachie 79021, “The Chieftains I.” | ||
Shanachie 79093, Paddy Glackin & Robbie Hannan – “The Whirlwind” (1995). | Shanachie 79093, Paddy Glackin & Robbie Hannan – “The Whirlwind” (1995). | ||
|f_see_also_listing=Jane Keefer’s Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/w02.htm#Walofli]<br> | |||
Jane Keefer’s Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/w02.htm#Walofli]<br> | |||
Alan Ng’s Irishtune.info [https://www.irishtune.info/tune/2031/]<br> | Alan Ng’s Irishtune.info [https://www.irishtune.info/tune/2031/]<br> | ||
Alan Snyder's Cape Breton Fiddle Recordings Index [http://www.cbfiddle.com/rx/tune/t3970.html]<br> | Alan Snyder's Cape Breton Fiddle Recordings Index [http://www.cbfiddle.com/rx/tune/t3970.html]<br> | ||
Hear the tune played by Mrs. Elizabeth Crotty at the Comhaltas Archive [http://comhaltasarchive.ie/search?tab=tracks&q=liscarroll#/tracks/5777]<br> | Hear the tune played by Mrs. Elizabeth Crotty at the Comhaltas Archive [http://comhaltasarchive.ie/search?tab=tracks&q=liscarroll#/tracks/5777]<br> | ||
Hear the tune played by Bobby Gardiner at the Comhaltas Archive [http://comhaltasarchive.ie/search?tab=tracks&q=liscarroll#/tracks/7999]<br> | Hear the tune played by Bobby Gardiner at the Comhaltas Archive [http://comhaltasarchive.ie/search?tab=tracks&q=liscarroll#/tracks/7999]<br> | ||
}} | |||
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Revision as of 18:05, 4 September 2022
X:1 T:Walls of Liscarroll [1] M:6/8 L:1/8 R:Jig S:O’Neill – Dance Music of Ireland: 1001 Gems (1907), No. 8 Z:AK/Fiddler’s Companion K:D A|d>cA A>GE|G>EE D2E|G>EE =c>EE|GAB =c2e| d>cA A>GE|G>EE D2E|G>EE =c>EE|D>ED D2:| |:A|d>cd ecA|d>cd ecA|=c>dc cBA|G>AB =cGE| A>de fed|e>dc dcA|G>EE =c>EE|D>ED D2:|]
WALLS OF LISCARROLL [1] (Ballaide Lios-Cearbaill). AKA and see "Andy Hehir's Jig," "Ballaí Lios Chearbhaill," "Lads on the Mountain.” Irish, Double Jig. D Mixolydian (most versions): E Dorian (Roche). Standard tuning (fiddle). AABC (Miller & Perron): AABB (O'Neill {all versions}, Roche, Taylor): AABB’ (Harker/Rafferty). The town of Liscarrol, meaning ‘Fort of Cearull,’ is located in the county of Cork, near the border with Limerick about halfway between the cities of Limerick and Cork, and dates from the early Middle Ages. There is a ruined castle there to which the title may refer, or it may perhaps reference a battle that occurred at Liscarroll in the 17th century. Williamson (1976) reports that one of the lords of the castle, Sir John Purcell of Hightort, “is remembered for his feat of slaying, when armed only with a carving knife, eight armed robbers as they forced their way into his bedroom.” There is a 4/4 time version of the tune in the American old time tradition called "Muddy Water (1)" (AKA and see). It has been suggested (by, for one, Louie W. Attebery in his article "The Fiddle Tune: An American Artifact" {1979}) that the name change from "Walls of Liscarroll" to "Muddy Water" came about in a process of naturalization due to anti-British sentiments during the War of 1812. Caoimhin Mac Aoidh, writing in the liner notes of Glackin & Hannan’s CD “Whirlwind” (1995) states the tune has a Munster provenance. Towards the end of the 20th century, he says, musicians frequently played the tune in higher pitched keys than was formerly the custom. John Kelly, for one, always preferred the older, lower version. See also the related “Little Black Pig” and the second part of “Matt Teahan's Delight.”
