Annotation:Miss McDonald's (5) Reel: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''MISS McDONALD'S [5] REEL.''' English, Reel (2/4 or cut time). G Major. Standard tuning (fiddle). AABB. The tune is similar in the first strain to "," however, the resemblance is based on arpeggiated chords and predicable harmonic structure and the tunes are not considered related. | |f_annotation='''MISS McDONALD'S [5] REEL.''' English, Reel (2/4 or cut time). G Major. Standard tuning (fiddle). AABB. The tune is similar in the first strain to Howe's "[[Patrick O'Dermot]]," Ryans's "[[After the Hare]]," and O'Neill's "[[Ugly Customer (An)]]," however, the resemblance is based on arpeggiated chords and predicable harmonic structure and the tunes are not considered related. | ||
|f_source_for_notated_version=Matthew Betham music manuscript collection (1815, Towcett, Cumbria) [Offord]. | |f_source_for_notated_version=Matthew Betham music manuscript collection (1815, Towcett, Cumbria) [Offord]. | ||
|f_printed_sources=John Offord ('''Bonny Cumberland'''), 2018; p. 9. | |f_printed_sources=John Offord ('''Bonny Cumberland'''), 2018; p. 9. | ||
}} | }} | ||
Latest revision as of 01:30, 14 November 2022
X:93 C:Page 46 T:Miss McDonald’s Reel. MBe.93 S:Matthew Betham MS, Towcett Cumbria, 1815 O:England;Cumbria;Towcett Z:VMP – Hugh Taylor, 2012 M:2/4 L:1/8 Q:1/4=100 R:.Reel N:No time signature given, and 2/4 assumed. N:As written, the B part has only 6 bars. I have shown this and then taken the liberty of showing a N:re-constructed B part by changing the semiquavers to quavers and moving the bar lines appropriately. This N:then gives an 8 bar B. K:Gmix P:“^As written” G|DGBG|dGBG|DGBG|cAAB|DGBG|dGBG|AGAB|G2 G2:| |:d|g/g/b/g/ d/d/ d|g/g/b/g/ e/e/ e|gbeg|dgBg|BABc|GG G2:| K:C P:“^Re-construction by H.T.” G|DGBG|dGBG|DGBG|cAAB|DGBG|dGBG|AGAB|G2 G2:| |:d|ggbg|dd d2|ggbg|ee e2|gbeg|dgBg|BABc|GG “Crot”G:|
MISS McDONALD'S [5] REEL. English, Reel (2/4 or cut time). G Major. Standard tuning (fiddle). AABB. The tune is similar in the first strain to Howe's "Patrick O'Dermot," Ryans's "After the Hare," and O'Neill's "Ugly Customer (An)," however, the resemblance is based on arpeggiated chords and predicable harmonic structure and the tunes are not considered related.
