Annotation:Crested Hens (The): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Crested_Hens_(The) > | |||
'''CRESTED HENS, THE''' (Les Poules huppées). French, Bourrée à 3 temps (3/8 time). E Dorian. Standard tuning (fiddle). Composed in 1983 by French national and hurdy-gurdy (''vielle a roue'') player, Gilles Chabenat, who remarks that some bars of a Debussy composition served as inspiration for the germ of the tune. It is of a type from central France, where it is also a folk dance, and is usually played at a medium tempo, although this tune is often heard played slower (a la the Irish group Solas who popularized the tune and translated the title). Gilles remarks that the title was a kind of nonsense play, from his teenage years. The tune is often mistakenly ascribed Breton origins, and to varying degrees of antiquity, however, it is a modern composition by Chabenat. | |f_annotation='''CRESTED HENS, THE''' (Les Poules huppées). French, Bourrée à 3 temps (3/8 time). E Dorian. Standard tuning (fiddle). Composed in 1983 by French national and hurdy-gurdy (''vielle a roue'') player, Gilles Chabenat, who remarks that some bars of a Debussy composition served as inspiration for the germ of the tune. It is of a type from central France, where it is also a folk dance, and is usually played at a medium tempo, although this tune is often heard played slower (a la the Irish group Solas who popularized the tune and translated the title). Gilles remarks that the title was a kind of nonsense play, from his teenage years. The tune is often mistakenly ascribed Breton origins, and to varying degrees of antiquity, however, it is a modern composition by Chabenat. | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Stevens ('''Massif Central Tune Book No. 1'''), 1987; No. 34. | |||
|f_recorded_sources=Karen Ashbrook - "Knock on the Door" (learned at the Victoria Pub, London). Shanachie 78002, "Solas." | |||
|f_see_also_listing=Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/c13.htm#Crehe]<br> | |||
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/c13.htm#Crehe]<br> | |||
Hear Solas's recording on youtube.com [https://www.youtube.com/watch?v=GPQwyJaCyg8]<br> | Hear Solas's recording on youtube.com [https://www.youtube.com/watch?v=GPQwyJaCyg8]<br> | ||
}} | |||
Revision as of 17:05, 1 December 2022
X:1 T:Les poules huppées M:3/8 L:1/16 C:Gilles Chabenat R:Bourrée A:France K:d dor D2DFED|A4 AB|cBAdcB|cBABAG|D2DFED|A4 AB| cBAdcd|1A6 :|2A4 de|:f2AfAe|_B4 de|fdgfed| ^c2d2e2|f2AfAe|_B4 de|fdgfe^c|1d4 de:|2d6 ||
CRESTED HENS, THE (Les Poules huppées). French, Bourrée à 3 temps (3/8 time). E Dorian. Standard tuning (fiddle). Composed in 1983 by French national and hurdy-gurdy (vielle a roue) player, Gilles Chabenat, who remarks that some bars of a Debussy composition served as inspiration for the germ of the tune. It is of a type from central France, where it is also a folk dance, and is usually played at a medium tempo, although this tune is often heard played slower (a la the Irish group Solas who popularized the tune and translated the title). Gilles remarks that the title was a kind of nonsense play, from his teenage years. The tune is often mistakenly ascribed Breton origins, and to varying degrees of antiquity, however, it is a modern composition by Chabenat.
