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Annotated index of all four volumes of the Goodman collection in the order of the manuscripts by Hugh & Lisa Shields.

Colonel McBain's

Played by: Hasse Jonsson
Source: Soundcloud
Notes: The tune was first recorded by Galway melodeon player Peter Conlon in 1921, under the title "McBan's Reel" (thought the different spelling may be due to an error by the record company).

Colonel McBain's

The reel's popularity was not confined to Scotland for we find it named 'Duke of Clarence Reel (The)' in Lavenu's New Country Dances for the Year 1798, published at London. "Colonel Mac Bean's Reel" is also contained in vol. 2 (p. 156)[1] of the large c. mid-19th century music manuscript collection of County Cork cleric and uilleann piper James Goodman, who had obtained it from a manuscript provided him by Dublin bookseller John O'Daly, according to Hugh & Lisa Shields[2] (Goodman's "Miss Westrop's Reel", in volume 1 of his mss. is cognate with "Colonel McBain's" in the first strain only).

The reel also was entered in to Goodman's contemporary, fiddler and piper Stephen Grier (c. 1824-1894) x, 1883 music manuscript collection as "Captain McBain."

A setting of this noted reel as played by the experts of the Irish Music Club of Chicago may be found on page 116 of O'Neill's Dance Music of Ireland.

In composition and fluency of rhythm the variant above presented compares very favorably with the original especially when given expression on the fiddle in the inimitable style of the genial Paddy Stack from whom the manuscript was obtained."

...more at: Colonel McBain's - full Score(s) and Annotations

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X:1 T:Colln. MacBain's Reel M:C L:1/8 R:Reel B:Robert Bremner - "For the year 1769 a collection of scots reels, or country dances" (p. 101) Z:AK/Fiddlers Companion K:Gdor V:1 clef=treble name="0." [V:1] c|(B/c/d) Gd BGdB|(A/B/c) Fc AFcA|(B/c/d) Gd BGdG|(^F/G/A) DF G2-G:| =f|f2 Bf B/B/B fB|c>dT(cB) ABcA|Gg-ga bag^f|gb (a/g/^f) g2-ga| (g/a/b) fd Bdfd|cdTcB ABcA|Bdg^f gdc_e|dBcA G2-G||

Latest Tunes <news onlynew="true" unique limit="10" nominor categories="tune"> * [[{{{pagename}}}]] - ({{{timeanddate}}}) </news> Who Builds the TTA Although we are not trained musicologists and make no pretense to the profession, we have tried to apply such professional rigors to this Semantic Abc Web as we have internalized through our own formal and informal education. This demands the gathering of as much information as possible about folk pieces to attempt to trace tune families, determine origins, influences and patterns of aural/oral transmittal, and to study individual and regional styles of performance. Many musicians, like ourselves, are simply curious about titles, origins, sources and anecdotes regarding the music they play. Who, for example, can resist the urge to know where the title Blowzabella came from or what it means, or speculating on the motivations for naming a perfectly respectable tune Bloody Oul' Hag, is it Tay Ye Want? Knowing the history of the melody we play, or at least to have a sense of its historical and social context, makes the tune 'present' in the here and now, and enhances our rendering of it. Andrew Kuntz & Valerio Pelliccioni Please register as a user to make the most of the many functions of the TTA, and enjoy the many ways that information about traditional tunes can be elicited and combined, from simple to complex situations. Users may make contributions, which, when reviewed by an editor, become part of this community project. Serious user/contributors may become editors through the TTA's promotion process, in which quantity and quality of entries allows increased levels of permission to edit and review the entire index. Above all, the developers wish you joy in the use of the TTA.