Cork Hornpipe (1) (The): Difference between revisions
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D/A/F/A/ D/A/F/A/|d/f/(3e/c/A/ d/c/{c}B/A/|e/A/f/A/ g/A/f/A/|(3e/f/e/c/e/ d:|| | D/A/F/A/ D/A/F/A/|d/f/(3e/c/A/ d/c/{c}B/A/|e/A/f/A/ g/A/f/A/|(3e/f/e/c/e/ d:|| | ||
<section end=X1 /> | <section end=X1 /> | ||
<section begin=X5 /> | |||
X:1 | |||
T:Cork Hornpipe | |||
C:Andy Conroy | |||
N:Conroy (1911-1999) was a piper originally from Lough Glynn, Co. Roscommon, | |||
N:who lived in Dublin as a young man, taking lessons from Leo Rowsome. He | |||
N:was profoundly influenced by the tght Connaught style piping | |||
N:of Patsy Tuohey. Conroy lived for 22 years in New York City playing | |||
N:with the mid-20th century great players of the time in the city. After | |||
N:he retired he returned to Ireland. | |||
M:C | |||
L:1/8 | |||
B:Ceol II, vol. 1 (1965) | |||
Z:AK/Fiddler's Companion | |||
K:D | |||
AF|DAFA DAFA|dfec dcBA|(3fga fa (3gag (3fgf|edcB (3ABA (3GFE| | |||
DAFA DAFA|dfec dcBA|(3efg fa gece|(3dcA (3DFA d2:| | |||
|:cd|eA ~A2 fA ~A2|(3gag (3fgf eA~A2|egfa .g2 (3fgf|(3efe (3dcB (3ABA (3GFE| | |||
DAFA DAFA|dfec dcBA|(3efg fa gece|dfec d2:| | |||
|:AF|DA (3FGA DAFA|dfec dcBA|(3ecA (3fcA (3gcA (3fcA|(3efe (3dcB (3ABA (3GFE| | |||
DA (3FGA DA (3FGA|dfec dcBA|(3ecZ (3fcA (3gfe ce|dfec d2:| | |||
|:(3Bcd|eA (3BcA fA (3BcA|(3ecA (3fcA eA (3BcA|(3ecA (3fcA (3gec (3fcA|(3efe (3dcB (3ABA (3GFE| | |||
DA (3FGA DA (3FGA|Bfec dcBA|(3efg fa gece|dfec d2:| | |||
<section end=X5 /> | |||
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Revision as of 05:45, 6 March 2023
X:1 T:Cork Hornpipe [1], The T:Harvest Home M:C L:1/8 R:Hornpipe S:Levey - Dance Music of Ireland, 2nd Collection (1873) Z:AK/Fiddler's Companion K:D DAFD DAFA | dfed dcBA | eAfA gAfA | (3efd (3cdB (3ABG (3FGE | DAFA DAFA | dfed dcBA | efge aece | d2d2d2 z2 :| |:eAAA fAAA | gAAA aAAA | eA fA gA aA | (3efd (3cdB (3ABG (3FGE | DAFA DAFA | dfed dcBA | dfaf bgec | d2d2d2 z2 :||
X:1
T:Cork Hornpipe [1], The
M:2/4
L:1/8
R:Hornpipe
S:Belfast piper R.L. O'Mealy (1873-1947) music transcription c. 1945
N:Robbie Hannan notes O'Mealy recorded the tune for the BBC in Belfast in 1943,
N:and it appears to have been his curtain-call piece.
B:Séan Reid Society Journal No. 1 (March, 1999)
Z:AK/Fiddler's Companion
K:D
{A}F/E/|D/A/F/A/ D/A/F/A/|d/f/ (3/c/A/ d/c/{c}B/A/|e/A/f/A/ g/A/f/A/|
(3e/f/e/ (3d/c/B/ (3A/G/F/ {A}(3G/F/E/|D/A/F/A/ D/A/F/A/|d/f/ (3e/c/A/ d/c/{c}B/A/|
e/A/f/A/ g/A/f/A/|(3e/f/e/c/e/ d::c/d/|e/A/ (3{B}A/G/A/ f/A/ {B}(3A/G/A/|
(3e/f/g/ f/e/ e/A/ {B}(3A/G/A/|e/A/f/A/ g/A/f/A/|(3e/f/e/ (3d/c/B (3A/G/F/ {A}(3G/F/E/|
D/A/F/A/ D/A/F/A/|d/f/(3e/c/A/ d/c/{c}B/A/|e/A/f/A/ g/A/f/A/|(3e/f/e/c/e/ d:||
X:1
T:Cork Hornpipe
C:Andy Conroy
N:Conroy (1911-1999) was a piper originally from Lough Glynn, Co. Roscommon,
N:who lived in Dublin as a young man, taking lessons from Leo Rowsome. He
N:was profoundly influenced by the tght Connaught style piping
N:of Patsy Tuohey. Conroy lived for 22 years in New York City playing
N:with the mid-20th century great players of the time in the city. After
N:he retired he returned to Ireland.
M:C
L:1/8
B:Ceol II, vol. 1 (1965)
Z:AK/Fiddler's Companion
K:D
AF|DAFA DAFA|dfec dcBA|(3fga fa (3gag (3fgf|edcB (3ABA (3GFE|
DAFA DAFA|dfec dcBA|(3efg fa gece|(3dcA (3DFA d2:|
|:cd|eA ~A2 fA ~A2|(3gag (3fgf eA~A2|egfa .g2 (3fgf|(3efe (3dcB (3ABA (3GFE|
DAFA DAFA|dfec dcBA|(3efg fa gece|dfec d2:|
|:AF|DA (3FGA DAFA|dfec dcBA|(3ecA (3fcA (3gcA (3fcA|(3efe (3dcB (3ABA (3GFE|
DA (3FGA DA (3FGA|dfec dcBA|(3ecZ (3fcA (3gfe ce|dfec d2:|
|:(3Bcd|eA (3BcA fA (3BcA|(3ecA (3fcA eA (3BcA|(3ecA (3fcA (3gec (3fcA|(3efe (3dcB (3ABA (3GFE|
DA (3FGA DA (3FGA|Bfec dcBA|(3efg fa gece|dfec d2:|