De'il Take the Wars: Difference between revisions
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E2 G2 (G/A/)G cG|EG G/A/ G G3G|A2 B>c d3c| | E2 G2 (G/A/)G cG|EG G/A/ G G3G|A2 B>c d3c| | ||
d>e dc B3A|G2 (GE) G2 (cd)|(fe) (d>c) c4|| | d>e dc B3A|G2 (GE) G2 (cd)|(fe) (d>c) c4|| | ||
</ | |||
< | X:9 | ||
T:De'l take the Wars. Ca1758.033 | |||
M:C| | |||
L:1/8 | |||
Q:1/4=100 | |||
B:Cahusac,T. 24 Country Dances for the Year 1758 | |||
Z:vmp.Mike Hicken 2015 www.village-music-project.org.uk | |||
N:* There is no repeat sign shown here in the original. | |||
K:D | |||
d2 (d//e//f3/) (f<e)(d<c)|(d<A) (B//c//d3/) (B<A)(G<F)|(F<A)(A<d) (d<e) (e//f//g3/)|(f//g//a3/) gf Tf2e2| | |||
d2 (d//e//f3/) f<ed<c|d<A (B//c//d3/) (B<A)(G<F)|(F<A)(A<d) (d<e) (e//f//g3/)|(e//g//a3/) gf (e//d//c3/) d2 :| | |||
|:f2 (f//g//a) (f<d)(f<d)|e2 (f//^g//a3/) (e<c)(e<c)|f>gf>d e>fe>c|d>ed>c B2 cd|A>BA>F A2 (B//c//d3/)| | |||
G<FE<D A2A2|B>cB>G B2 ef|g<fe<d {d}c2B2|ABAF A2 fg|a<fg<e d4"*" :| | |||
W: | |||
W: The 1st. Cu. cross over and turn the 2d. Cu. do the same .| | |||
W: the 1st. Man heys on his own side turn his Partner with | |||
W: his Right hand into his own Place the 2d. Man with his | |||
W: Left in his Partners Place then the 2d. Wo. then the 3d. Man | |||
W: and turn the 3d. Wo. with both hands into contrary Places :| | |||
W: the 1st. Wo. heys on her own side then turn Right hand | |||
W: Left untill she has replaced them into their own Places and | |||
W: turns her Partner with both hands :| | |||
W: NB To begin again Lead up one Cu. and cast off and turn. | |||
W: First Strain once. (unable to read this line) | |||
X:2 | X:2 | ||
% | % |
Revision as of 04:46, 9 September 2023
De'il Take the Wars: Annotations
X:1 % T:De'il Take the Wars M:C| L:1/8 S:Playford - Supplement to the 9th edition of the Dancing Master (1696) K:C c2 c/d/e d3c|cGA/B/c G2E2|EGGc cdde|fedc d4|c2 c/d/e d3c| cG A/B/c G2E2|EGGc cdde|g/f/e d>c c4::e2 e/f/g ecec|B2 B/c/d dBdB| e2 ec d2 dB|c2 d/c/B/A/ A3G|E2G2 G/A/G cG|EG G/A/G G3G| A2c2d3A|d>e dc B3A|G2 GE G2 cd|ge d>c c4:|
X:1 % T:De’il take the Wars M:C| L:1/8 N:”Longways for as many as will.” B:John Walsh – Complete Country Dancing-Master, Volume the Fourth B: (London, 1740, No. 164) Z:AK/Fiddler’s Companion K:C c2 (c/d/) e d3c|cA (A/B/) c G2E2|(EG) (Gc) (cd) (de)|(fe)(ed) d4| c2 (c/d/) e d3c|cA (A/B) c G2E2|(EG) (Gc) (cd) (de)|(g/f/)e (d>c) c4|| e2 (e/f/)g ec ec|B2 (B/c/) d dBdB|e2 ec d2 dB|c(d/c/) (B/A/) A3G| E2 G2 (G/A/)G cG|EG G/A/ G G3G|A2 B>c d3c| d>e dc B3A|G2 (GE) G2 (cd)|(fe) (d>c) c4|| X:9 T:De'l take the Wars. Ca1758.033 M:C| L:1/8 Q:1/4=100 B:Cahusac,T. 24 Country Dances for the Year 1758 Z:vmp.Mike Hicken 2015 www.village-music-project.org.uk N:* There is no repeat sign shown here in the original. K:D d2 (d//e//f3/) (f<e)(d<c)|(d<A) (B//c//d3/) (B<A)(G<F)|(F<A)(A<d) (d<e) (e//f//g3/)|(f//g//a3/) gf Tf2e2| d2 (d//e//f3/) f<ed<c|d<A (B//c//d3/) (B<A)(G<F)|(F<A)(A<d) (d<e) (e//f//g3/)|(e//g//a3/) gf (e//d//c3/) d2 :| |:f2 (f//g//a) (f<d)(f<d)|e2 (f//^g//a3/) (e<c)(e<c)|f>gf>d e>fe>c|d>ed>c B2 cd|A>BA>F A2 (B//c//d3/)| G<FE<D A2A2|B>cB>G B2 ef|g<fe<d {d}c2B2|ABAF A2 fg|a<fg<e d4"*" :| W: W: The 1st. Cu. cross over and turn the 2d. Cu. do the same .| W: the 1st. Man heys on his own side turn his Partner with W: his Right hand into his own Place the 2d. Man with his W: Left in his Partners Place then the 2d. Wo. then the 3d. Man W: and turn the 3d. Wo. with both hands into contrary Places :| W: the 1st. Wo. heys on her own side then turn Right hand W: Left untill she has replaced them into their own Places and W: turns her Partner with both hands :| W: NB To begin again Lead up one Cu. and cast off and turn. W: First Strain once. (unable to read this line) X:2 % T:Mark Yonder Pomp of Costly Fashions, or Deil Tak the Wars M:2/4 L:1/8 S:John Rook music manuscript (Warerton, 1840) K:D d2 df|{f}e3d|d>A Bc/d/|BAGF|FAAd|d2 de|fg/a/gf|f2e2| d2df|fedc|d>A Bc/d/|BAGF|FAAd|d2 ag|f2 e>d/e/4|d2 zf| fdfa|fd zd|ecea|ec ze|f2 fd|e2 ec|d>e f/e/d/c/|B3 d|A>BAF|A2 zA| A>BAF|A2z A|Aeef|e3 f|gfed|{d}c3B|A>BAF|A2 ag|f2 e>d/e/4|d4||