Annotation:Lady of the Desert (The): Difference between revisions

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{{TuneAnnotation
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|f_tune_annotation_title=    <this field must be exactly the title in the URL – for example:      https://tunearch.org/wiki/Annotation:Jackie_Layton >
'''LADY OF THE DESERT, THE'''. Irish, Air (3/4 time). G Major. Standard tuning (fiddle). AABBCDEFGHIJK (O'Neill).  
|f_annotation='''LADY OF THE DESERT, THE'''. Irish, Air (3/4 time). G Major. Standard tuning (fiddle). AABBCDEFGHIJK (O'Neill).  
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|f_source_for_notated_version=
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|f_printed_sources=John Bowie ('''Collection of strathspey reels & country dances &c.'''), Edinburgh, c. 1789; pp. 30-31. Manson ('''Hamilton's Universal Tune Book, vol. 1'''), 1844; p. 33. O'Neill ('''O'Neill's Irish Music'''), 1915; No. 47, pp. 31-32.
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|f_see_also_listing=
''Source for notated version'':
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''Printed sources'': Manson ('''Hamilton's Universal Tune Book, vol. 1'''), 1844; p. 33. O'Neill ('''O'Neill's Irish Music'''), 1915; No. 47, pp. 31-32.
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''Recorded sources'': <font color=teal></font>
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=='''Back to [[{{BASEPAGENAME}}]]'''==

Revision as of 03:38, 17 October 2023




X:1 T:Lady of the Desart, The M:3/4 L:1/8 Q:"Slow" O:"Irish Air" B:Manson - Hamilton's Universal Tune Book, vol. 1 (1844, p. 33) Z:AK/Fiddler's Companion K:G d/e/f|g2d2 g>a|{g}f2 edef|g2 gbag|{g}f4 (ed)|e2 egfe|\ L:1/16 d8 e/f/g3|\ L:1/8 {g}fedcBA|G4:| |:G/A/B|d2d2 e/d/B/d/|{d}e2 d/B/G G2|g2 g2 b/a/g|{g}f4 ed|{d}e2e2 e/d/B| {B}d4 B>d|{d}e2 dB A>G|G4:||:G/A/B|d2d2 e/d/B/c/|B/d/e e/d/B/G/ G2| g2g2 b/a/g|f2f2 ed|e2e2 e/d/B|d2d2 Bd|\ L:1/16 B/d/e3 {e}d2B2 A3G|G12:| L:1/8 |:"Quick"g>dgba>g|{g}Tfedefd|Tgdgbag|Tfefgfg|Tedefge|TdBABde| TgedBA>G|G6:||:{e}TdcBcde|TdcBcdG|Tgdgbag| Tfefgfg|Tedefgf|TdBABde|TgedBA>G|G6:|



LADY OF THE DESERT, THE. Irish, Air (3/4 time). G Major. Standard tuning (fiddle). AABBCDEFGHIJK (O'Neill).


Additional notes



Printed sources : - John Bowie (Collection of strathspey reels & country dances &c.), Edinburgh, c. 1789; pp. 30-31. Manson (Hamilton's Universal Tune Book, vol. 1), 1844; p. 33. O'Neill (O'Neill's Irish Music), 1915; No. 47, pp. 31-32.






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