Annotation:Honeyman's Jig: Difference between revisions

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'''HONEYMAN'S JIG'''. Scottish, Jig. A Major. Standard tuning (fiddle). AA'BB. Composed by William C. Honeyman (1845-1919), a Scottish fiddler/violinist, contemporary of J. Scott Skinner, who wrote numerous histories and tutorials, including '''The Violin: How to Master It''', '''Strathspey Players Past and Present,''' and  '''The Young Violinist's Tutor and Duet Book''', among others. It was his opinion the Scottish music ‘defies all rule’, as it breaks the rules of conventional harmony in its somewhat quirky construction.
|f_annotation='''HONEYMAN'S JIG'''. Scottish, Jig (6/8 time). A Major. Standard tuning (fiddle). AA'BB. Composed by [[biography:William C. Honeyman]] (1845-1919), a Scottish fiddler/violinist, contemporary of [[wikipedia:James_Scott_Skinner]], who wrote numerous histories and tutorials, including '''The Violin: How to Master It''', '''Strathspey Players Past and Present,''' and  '''The Young Violinist's Tutor and Duet Book''', among others. It was his opinion the Scottish music ‘defies all rule’, as it breaks the rules of conventional harmony in its somewhat quirky construction.
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|f_printed_sources=Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 30.
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''Source for notated version'':
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''Printed sources'': Honeyman ('''Strathspey, Reel and Hornpipe Tutor'''), 1898; p. 30.
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''Recorded sources'': <font color=teal></font>
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Revision as of 05:33, 18 October 2023



Back to Honeyman's Jig


X:1 T:Honeyman's Jig M:6/8 L:1/8 C:William C. Honeyman B:Strathspey, Reel & Hornpipe Tutor (1898) Z:AK/Fiddler's Companion K:A e|:{e/f/g/}a2e c2A|c2e cBA|{f/g/a/}b2f d2B|d2f dcB| c2e a2g|f2d b2a|gfe dcB|1 AGB Ace:|2 Ace a2|| |:e|acc gcc|fcc ecc|d2b c2a|B2a gfe| fcc ecc|fcc ecc|B2d cBA|GAB A2:||



HONEYMAN'S JIG. Scottish, Jig (6/8 time). A Major. Standard tuning (fiddle). AA'BB. Composed by biography:William C. Honeyman (1845-1919), a Scottish fiddler/violinist, contemporary of wikipedia:James_Scott_Skinner, who wrote numerous histories and tutorials, including The Violin: How to Master It, Strathspey Players Past and Present, and The Young Violinist's Tutor and Duet Book, among others. It was his opinion the Scottish music ‘defies all rule’, as it breaks the rules of conventional harmony in its somewhat quirky construction.


Additional notes



Printed sources : - Honeyman (Strathspey, Reel and Hornpipe Tutor), 1898; p. 30.






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