Template:Pagina principale/Vetrina: Difference between revisions

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{{SheetMusic
{{SheetMusic
|f_track=Ye Banks and Braes.mp3
|f_track=Rolling hornpipe.mp3
|f_pdf=Ye Banks and Braes.pdf
|f_pdf=The Rolling Hornpipe.pdf
|f_artwork=Brig_o'_Doon,_Alloway_2017-05-17.jpg
|f_artwork=Colonial Children.jpg
|f_tune_name=Ye Banks and Braes
|f_tune_name=The Rolling Hornpipe
|f_track_title=Ye Banks and Braes
|f_track_title=Rolling_Hornpipe_(The)
|f_section=X1
|f_section=X1
|f_played_by=[https://soundcloud.com/johndaddio-clarke John Daddio Clarke]
|f_played_by=[https://www.youtube.com/channel/UCREcb3llNYmclT-nIYl2ayw Les Harpies, Freddy Eichelberger, Odile Edouard]
|f_notes=The Auld Brig o' Doon
|f_notes=Colonial Children (1902).
|f_caption=Ye banks and braes O’ Bonnie Doon,{{break}}
|f_caption=The principle amusements of the young men were wrestling, running and jumping, or hopping three hops. Dancing was considered an important thing to know. Dancing to step-tunes, such as Old Father George, Cape Breton, High Betty Martin and the Rolling Hornpipe were favorites.
How can ye bloom sae fresh and fair?{{break}}
|f_source=[https://www.youtube.com/watch?v=d-QGwle9y6k Youtube]  
How can ye chaunt, ye little birds,{{break}}
And I’m sae wearyful O’ care?{{break}}
|f_source=[https://soundcloud.com/johndaddio-clarke/ye-banks-and-braes Soundcloud]  
|f_pix=420  
|f_pix=420  
|f_picpix=200
|f_picpix=200
|f_article=[[Ye Banks and Braes | '''Ye Banks and Braes''']]
|f_article=[[Rolling_Hornpipe_(The) | '''The Rolling Hornpipe''']]


The antiquarian William Chappell claims the tune is English on the strength of its being included in a '''Collection of English Songs''' by Dale (who published about 1780-1794) under the title "Lost is my quiet."
"The Rolling Hornpipe" may have had 17th century Cheshire or Lancashire origins, but it received wide dissemination as a country dance and tune(s), albeit in several variations and derivatives that can be seen/heard as "[[Roaring Hornpipe (The)]]" (Wales), "[[Rowling Hornpipe]]," "[[Rowland Hornpipe]]," "[[Cheshire Rolling Hornpipe]]," "[[Oldham Rowling Hornpipe]]" and others.  


There are wide differences between these melodies, yet all seem united by title, purpose and a kind of musical pattern or structure.


"Cheshire Rowling Hornpipe", for example, is in a minor key in Walsh's '''Third Book''', set in 3/4 time with the seventh sharpened in a conventional way, but Wright has it in 3/2 time in a major key (and within the compass of the bagpipes). 


However, the collector John Glen (1891) relates a delightful story of the tune's origins involving the famous Scots poet, Robert Burns (1759-1796), who wrote to publisher George Thomson in 1794:
John Offord (1985) speculates that the designation as 'rolling' hornpipes in the titles may have to do with not having syncopation in the melodies. 
 
It was imported to the New World and the Rolling Hornpipe as a dance is named in 19th century articles and books as a favorite country dance, particularly among the young.


<blockquote>
''Do you known the history of the air? It is curious enough. A''
''good many years ago, Mr. James Miller, writer in your good''
''own (Edinburgh), a gentleman whom, possibly, you know, was''
''in company with our good friend Clarke; and taling of Scottish''
''music, Miller expressed an ardent ambition to be able to''
''compose a Scots air. Mr. Clarke, partly by way of a joke, told''
''him to keep to the black keys of the harpsichord, and preserve''
''some kind of rhythm, and he would infallibly compose a Scots''
''air. Certain it is, that, in a few days, Mr. Miller produced the''
''rudiments of an air which Mr. Clarke, with some touches and''
''corrections, fashioned into the tune in question. Ritson, you''
''know,  has the same story of the black keys; but this account''
''which I have just given you, Mr. Clarke informed me of several''
''years ago.''
</blockquote>
}}
}}

Revision as of 13:17, 17 March 2024



The principle amusements of the young men were wrestling, running and jumping, or hopping three hops. Dancing was considered an important thing to know. Dancing to step-tunes, such as Old Father George, Cape Breton, High Betty Martin and the Rolling Hornpipe were favorites.
The Rolling Hornpipe

Played by: Les Harpies, Freddy Eichelberger, Odile Edouard
Source: Youtube
Image: Colonial Children (1902).

The Rolling Hornpipe

"The Rolling Hornpipe" may have had 17th century Cheshire or Lancashire origins, but it received wide dissemination as a country dance and tune(s), albeit in several variations and derivatives that can be seen/heard as "Roaring Hornpipe (The)" (Wales), "Rowling Hornpipe," "Rowland Hornpipe," "Cheshire Rolling Hornpipe," "Oldham Rowling Hornpipe" and others.

There are wide differences between these melodies, yet all seem united by title, purpose and a kind of musical pattern or structure.

"Cheshire Rowling Hornpipe", for example, is in a minor key in Walsh's Third Book, set in 3/4 time with the seventh sharpened in a conventional way, but Wright has it in 3/2 time in a major key (and within the compass of the bagpipes).

John Offord (1985) speculates that the designation as 'rolling' hornpipes in the titles may have to do with not having syncopation in the melodies.

It was imported to the New World and the Rolling Hornpipe as a dance is named in 19th century articles and books as a favorite country dance, particularly among the young.

...more at: The Rolling Hornpipe - full Score(s) and Annotations

X:1 T:Cheshire rowling Hornpipe A:England;London M:6/4 L:1/4 Q:3/4=80 S:J.Walsh,Third Book of the most celebrated jiggs,etc 1731 Z:Pete Stewart, 2004 <www.hornpipemusic.co.uk> with vmp revisions K:Dmin V:1 clef=treble name="1." [V:1] FDFE^CE|D>EF/D/ECc|C2FE/F/GE|FDFE^CE|D3A>GF/E/|D2FE/F/GE|| AFDd>c=B|c3G>FE/D/ |C2FE/F/GE|D>d^c=Bed/c/|d3A>GF/E/|D2FE/F/GE|| fafege|cegcAF|C2FE/F/GE|a/g/f/e/ dg/f/e/d/^c|d3AFD|D/E/FDE/F/GE|]



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