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{{SheetMusic
{{SheetMusic
|f_track=Sir Roger De Coverley.mp3
|f_track=The King of the Pipers.mp3
|f_pdf=Roger of Coverly.pdf
|f_pdf=King of the Pipers.pdf
|f_artwork=Sir Roger De Coverley.png
|f_artwork=Tarlach McSweeney.jpg
|f_tune_name=Sir Roger de Coverley
|f_tune_name=King_of_the_Pipers_(1)
|f_track_title=Sir Roger de Coverley
|f_track_title=King of the Pipers
|f_section=abc
|f_section=abc
|f_played_by=[https://soundcloud.com/p-a-barn-dance Pump Action Band]
|f_played_by=[https://soundcloud.com/dickydeegan Dicky Deegan]
|f_notes=Sir Roger de Coverley and gypsies, 1840 engraving.
|f_notes=One of the [[wikipedia:Tarlach_Mac_Suibhne| two existing photos]] of Tarlach Mac Suibhne. Variations of his name in English include, Tarlach Mac Sweeney, Turlough Mac Sweeney and Tarlagh Mac Sweeney.
|f_caption=Roger, so named from the Archbishop of York, was a person of renowned hospitality, since, at this day since, at this day, the obsolete known tune of 'Roger a Calverley' is referred to him, who, according to the custom of those times, kept his Minstrels, from that, their office, named Harpers, which became a family, and possessed lands till late years in and about Calverley called to this day Harpersroids and Harper's Spring.
|f_caption=On this recording there is a Dord Iseal accompanying the pipes. {{break}}
|f_source=[https://soundcloud.com/p-a-barn-dance/sir-roger-de-coverley Soundcloud]
A dord Iseal is an Irish pre-Celtic Bronze Age Horn found preserved in the bogs of Ireland. {{break}}
These have been replicated by Simon O'Dwyer and are blown in the same manner as the didgeridoo - to successfully accompany the pipes it is necessary they are in tune with the drones (''cit: Dicky Deegan'').
|f_source=[https://soundcloud.com/dickydeegan/03-an-buinnean-bui-the-king-of Soundcloud]
|f_pix=420  
|f_pix=420  
|f_picpix=200
|f_picpix=200
|f_article=[[Sir Roger de Coverley | '''Sir Roger de Coverley''']]
|f_article=[[King_of_the_Pipers_(1) | '''King of the Pipers''']]




The tune has had a long history in English country dance, retaining its popularity almost until the present-day. One source gives that the air is printed in Playford's '''Dancing Master''', 1650, p. 167 (though other sources say it did not appear until later editions of the '''Dancing Master''' starting in 1669).  
There are a number of versions of this popular jig, with parts (varation sets) often in different order. Francis O'Neill ('''Irish Folk Music''', 1910) says that the multi-part tune "created a sensation" when introduced to Chicago traditional musicians and dancers ("who had never heard" it before) by the elderly fiddler Edward Cronin, originally from Limerick Junction, County Tipperary (born in the early 1840's).  


Dr. Rimbault ('''Notes and Queries''', i. No. 8) gives the earliest printing as Playford’s '''Division Violin''' (1685). Kidson finds it first published in Henry Playford’s '''Dancing Master, 9th edition''' of 1695 (p. 167), printed with dance directions, and it was retained in the long-running '''Dancing Master''' series of editions through the 18th and final one of 1728 (then published by Playford's successor, John Young).  
O'Neill thought it "quite probable" that the melody had originally been a clan march.  


King of the Pipers is a common tune in County Donegal, where two different versions are played (see also [[King of the Pipers (2)]]).


The tune is mentioned in an odd political tract entitled '''A Second Tale of a Tub: or the History of Robert Powell, the Puppet-Show-man''' (1715).  
Seán Keane was of the opinion the melody had a Donegal provenance and said it was associated with the Order of the Knights of St. Patrick. Caoimhin Mac Aoidh (1994) states that the tunes "clearly have piping origins" and remarks on the melody/drone rendition of the piece by Teelin, Donegal, fiddlers Francie Dearg Byrne and Mickey Ban Byrne--a style imitative of the pipes.  


A crowd of spectators was present for an organ performance, at the conclusion of which the various factions in the audience began to call for their favorite tunes.  Amongst the crowed were:
Feldman & O'Doherty (1979) believe the brothers probably obtained their version from piper Mickey Gallagher, a traveling cousin of famous Donegal fiddler John Doherty's. Alternate titles from the north are [[Kilraine Jig (The)]], named after a townland outside Glenties in the central mountain district of County Donegal, "[[McSweeney's Jig]]," named for the famous Donegal uilleann piper and fiddler Tarlach McSweeney, and [[Farting Badger (The)]].
<blockquote>
''a parcel of brawny fellows with Mantles about their shoulders, and blew caps about their heads. Next to them sate a company of clownish look’d Fellows with leather breeches, and hob nail’d shoes...the great booby hod nailed fellows whose breeches and lungs seem’d to be of the same leather, cried out for “Cheshire Rounds,” “Roger of Coverley,” “Joan’s Placket,” and “Northern Nancy.” Those with the Blew bonnets had very good voices, and split their Wems in hollowing out—“Bonny Dundee”—“Valiant Jockey,” “Sauny was a Bonny Lad,” and “’Twas within a Furlong of Edinburgh Town.
</blockquote>
}}
}}

Revision as of 10:01, 5 January 2025


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File:The King of the Pipers.mp3 King of the Pipers


There are a number of versions of this popular jig, with parts (varation sets) often in different order. Francis O'Neill (Irish Folk Music, 1910) says that the multi-part tune "created a sensation" when introduced to Chicago traditional musicians and dancers ("who had never heard" it before) by the elderly fiddler Edward Cronin, originally from Limerick Junction, County Tipperary (born in the early 1840's).

O'Neill thought it "quite probable" that the melody had originally been a clan march.

King of the Pipers is a common tune in County Donegal, where two different versions are played (see also King of the Pipers (2)).

Seán Keane was of the opinion the melody had a Donegal provenance and said it was associated with the Order of the Knights of St. Patrick. Caoimhin Mac Aoidh (1994) states that the tunes "clearly have piping origins" and remarks on the melody/drone rendition of the piece by Teelin, Donegal, fiddlers Francie Dearg Byrne and Mickey Ban Byrne--a style imitative of the pipes.

Feldman & O'Doherty (1979) believe the brothers probably obtained their version from piper Mickey Gallagher, a traveling cousin of famous Donegal fiddler John Doherty's. Alternate titles from the north are Kilraine Jig (The), named after a townland outside Glenties in the central mountain district of County Donegal, "McSweeney's Jig," named for the famous Donegal uilleann piper and fiddler Tarlach McSweeney, and Farting Badger (The). {{safesubst:#invoke:string|rep|
|2}}

...more at: King_of_the_Pipers_(1) - full Score(s) and Annotations



{{#lst:King of the Pipers|abc}}