Frisky (1): Difference between revisions
No edit summary |
|||
Line 76: | Line 76: | ||
---- | ---- | ||
<p><font face="garamond, serif" size="4"> | |||
[[{{ | '''FRISKY'''. English, Reel. England, Northumbrian. G Major. Standard tuning (fiddle). AABB. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes which he published c. 1800. There are other period tunes that go by the name "Frisky" or "The Frisky", but this particular melody appears unique to Peacock's publication [http://www.folknortheast.com/archive/detail.asp?id=K0100101]. | ||
<br> | |||
<br> | |||
</font></p> | |||
<p><font face="garamond, serif" size="4"> | |||
''Source for notated version'': | |||
<br> | |||
<br> | |||
</font></p> | |||
<p><font face="garamond, serif" size="4"> | |||
''Printed sources'': Peacock ('''Peacock’s Tunes'''), c. 1805; No. 1, p. 1. | |||
<br> | |||
<br> | |||
</font></p> | |||
<p><font face="garamond, serif" size="4"> | |||
''Recorded sources'': <font color=teal></font> | |||
<br> | |||
<br> | |||
</font></p> | |||
<p><font face="garamond, serif" size="4"> | |||
'''<u>[[Favorite_collection_of_tunes_with_variations_adapted_for_the_Northumberland_small_pipes_violin_or_flute| UR-TEXT]] Editorial annotaton</u>''': | |||
<br> | |||
<br> | |||
When the Copyist has made a choice, this has been marked with brackets "[ ]" or | |||
parenthesis "( )". | |||
<br> | |||
For example in [[Frisky]], where there is no time signature in the original | |||
edition, or in [[Meggy's Foot]] (8<sup>th</sup>) and [[Over the Border]] (9<sup>th</sup>) | |||
and 11(<sup>th</sup>) where there is a rhythmic inconsistency. | |||
<br> | |||
<br> | |||
<score lang="lilypond" raw=1> | |||
\version "2.10.33" | |||
\header { | |||
%book = "Peacocks' Tunes" | |||
%composer = \markup { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} } | |||
%crossRefNumber = "1" | |||
%footnotes = "" | |||
tagline = ##f | |||
} | |||
voicedefault = { | |||
%%%% START PASTE AREA %%%% | |||
\key g \major | |||
\override Staff.TimeSignature #'stencil = #(lambda (grob) | |||
(bracketify-stencil (ly:time-signature::print grob) Y 0.1 0.2 0.1)) | |||
\time 2/4 | |||
%\override Staff.TimeSignature #'stencil = ##f | |||
\set Staff.instrumentName = "1." | |||
\relative c'' { | |||
\stemDown d16^\markup{ Frisky } b g' d\bar"|" | |||
\stopStaff | |||
s4 | |||
\startStaff | |||
b16^\markup{Meggy's foot} c \parenthesize d8 \staccatissimo g,8\staccatissimo r8\bar"|" | |||
} | |||
} | |||
%%%% END PASTE AREA %%%% | |||
\score{ | |||
<< | |||
\context Staff="default" | |||
{ | |||
\voicedefault | |||
} | |||
>> | |||
\layout | |||
{ | |||
\context | |||
{ | |||
\Score | |||
\remove "Bar_number_engraver" | |||
} | |||
} | |||
} | |||
</score> | |||
<br> | |||
<br> | |||
Peacock's contemporaries (e.g. Thomas Bewick), who referred to Peacock's style as having | |||
''"his lilts, his pauses, and his variations"'' [L.Jessop], suggested to the copyist that | |||
ornaments, dotted notes, slurs, staccatos and | |||
graces must be left unaltered in this Urtext because they are expressions of the author. | |||
Nevertheless, the trill signs have been subsituted with the ''inverted mordent''. | |||
This ornament is sometimes called a ''transient shake'' because it is really only a part of the more | |||
elaborate grace known as the "perfect trill". [K.W.Gehrkens] | |||
<br> | |||
<br> | |||
<score lang="lilypond" raw=1> | |||
\version "2.10.33" | |||
\header { | |||
%book = "Peacocks' Tunes" | |||
%composer = \markup { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} } | |||
%crossRefNumber = "1" | |||
%footnotes = "" | |||
tagline = ##f | |||
} | |||
voicechange = { | |||
%%%% START PASTE AREA %%%% | |||
\key c \major | |||
\time 4/4 | |||
\override Staff.TimeSignature #'stencil = ##f | |||
\override NonMusicalPaperColumn #'line-break-permission = ##f | |||
%\set Staff.instrumentName = "34." | |||
\relative c''{ | |||
e16.[\trill d32 e16 f] | |||
\stopStaff | |||
s1_\markup{changes to} | |||
\startStaff | |||
e16.[\prall d32 e16 f]\bar"|" | |||
} | |||
} | |||
%%%% END PASTE AREA %%%% | |||
\score{ | |||
<< | |||
\context Staff="default" | |||
{ | |||
\voicechange | |||
} | |||
>> | |||
\layout | |||
{ | |||
\context | |||
{ | |||
\Score | |||
\remove "Bar_number_engraver" | |||
} | |||
} | |||
} | |||
</score> | |||
<br> | |||
<br> | |||
Evident mistakes, have been corrected and underlined with "analysis brackets" as shown in the | |||
following 34<sup>th</sup> measure of [[Felton Lonning]]: | |||
<br> | |||
<br> | |||
<score lang="lilypond" raw=1> | |||
\version "2.10.33" | |||
\header { | |||
%book = "Peacocks' Tunes" | |||
%composer = \markup { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} } | |||
%crossRefNumber = "1" | |||
%footnotes = "" | |||
tagline = ##f | |||
} | |||
voicemistake = { | |||
%%%% START PASTE AREA %%%% | |||
\key g \major | |||
\time 6/8 | |||
\override TupletBracket #'direction = #UP | |||
\override Staff.TimeSignature #'stencil = ##f | |||
\override NonMusicalPaperColumn #'line-break-permission = ##f | |||
%\set Staff.instrumentName = "34." | |||
\relative c''{ | |||
\once \override HorizontalBracket #'direction = #UP | |||
%\override NoteHead #'color = #grey | |||
g'16[\startGroup fis e fis g e]\stopGroup | |||
%\override NoteHead #'color = #black | |||
d16[ c b c d b]| | |||
} | |||
} | |||
%%%% END PASTE AREA %%%% | |||
\score{ | |||
<< | |||
\context Staff="default" | |||
{ | |||
\voicemistake | |||
} | |||
>> | |||
\layout | |||
{ | |||
\context | |||
{ | |||
\Score | |||
\consists "Horizontal_bracket_engraver" | |||
\remove "Bar_number_engraver" | |||
} | |||
} | |||
} | |||
</score> | |||
<br> | |||
<br> | |||
</font></p> |
Revision as of 00:24, 25 March 2012
FRISKY. English, Reel. England, Northumbrian. G Major. Standard tuning (fiddle). AABB. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes which he published c. 1800. There are other period tunes that go by the name "Frisky" or "The Frisky", but this particular melody appears unique to Peacock's publication [1].
Source for notated version:
Printed sources: Peacock (Peacock’s Tunes), c. 1805; No. 1, p. 1.
Recorded sources:
UR-TEXT Editorial annotaton:
When the Copyist has made a choice, this has been marked with brackets "[ ]" or
parenthesis "( )".
For example in Frisky, where there is no time signature in the original
edition, or in Meggy's Foot (8th) and Over the Border (9th)
and 11(th) where there is a rhythmic inconsistency.
Peacock's contemporaries (e.g. Thomas Bewick), who referred to Peacock's style as having
"his lilts, his pauses, and his variations" [L.Jessop], suggested to the copyist that
ornaments, dotted notes, slurs, staccatos and
graces must be left unaltered in this Urtext because they are expressions of the author.
Nevertheless, the trill signs have been subsituted with the inverted mordent.
This ornament is sometimes called a transient shake because it is really only a part of the more
elaborate grace known as the "perfect trill". [K.W.Gehrkens]
Evident mistakes, have been corrected and underlined with "analysis brackets" as shown in the
following 34th measure of Felton Lonning: