Annotation:Camp Meeting on the Fourth of July: Difference between revisions
*>Move page script |
m (Text replace - "[[{{BASEPAGENAME}}|Tune properties and standard notation]]" to "'''Back to [[{{BASEPAGENAME}}]]'''") |
||
Line 1: | Line 1: | ||
[[{{BASEPAGENAME}} | '''Back to [[{{BASEPAGENAME}}]]''' | ||
---- | ---- | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
Line 22: | Line 22: | ||
<br> | <br> | ||
---- | ---- | ||
[[{{BASEPAGENAME}} | '''Back to [[{{BASEPAGENAME}}]]''' |
Revision as of 12:37, 3 April 2012
Back to Camp Meeting on the Fourth of July
CAMP MEETING ON THE FOURTH OF JULY. Old-time, March. D Major. Standard or DDad (tuning). AB. James Bryan has said that the tune was originally played as a processional for evening services at camp meetings in Arkansas in the 19th century. Bryan's source was Tom Jackson, who learned it from Coleman Barwick, an old-time fiddler from Blountsville, Alabama. (Not to be confused with similarly-titled melodies "4th of July at the County Fair" or "At a Georgia Camp Meeting").
Source for notated version: Greg Canote (Seattle) [Silberberg].
Printed sources: Silberberg (Tunes I Learned at Tractor Tavern), 2002; p. 19.
Recorded sources: Martin Records CD, James Bryan & Carl Jones - "Two Pictures."