Annotation:Carle an' the King come: Difference between revisions

Find traditional instrumental music
*>Move page script
m (Text replace - "[[{{BASEPAGENAME}}|Tune properties and standard notation]]" to "'''Back to [[{{BASEPAGENAME}}]]'''")
Line 1: Line 1:
[[{{BASEPAGENAME}}|Tune properties and standard notation]]
'''Back to [[{{BASEPAGENAME}}]]'''
----
----
<p><font face="garamond, serif" size="4">
<p><font face="garamond, serif" size="4">
Line 27: Line 27:
<br>
<br>
----
----
[[{{BASEPAGENAME}}|Tune properties and standard notation]]
'''Back to [[{{BASEPAGENAME}}]]'''

Revision as of 12:44, 3 April 2012

Back to Carle an' the King come


CARLE AN' THE KING COME. Scottish, Air (4/4 time). G Major. Standard tuning (fiddle). AABB (McGibbon): AA'BB' (Gow). This melody appears in Allan Ramsay's ballad opera The Gentle Shepherd, published 1725. Although it predates Gay's famous Beggar's Opera (1729) it was not performed until after Gay's work became a hit in London. In the Shetland Islands the tune is known as "Carle as da King Come." A 'carle' in Scottish usage is a 'bloke', or common man, but the song itself (of which there are many versions) is an old Jacobean air, a pean to the house Stuart.

Carle, an the king come--
Carle, an the king come,
Thou shalt dance, and I will sing,
Carle, an the king come.
An somebody were come again,
Then somebody maun cross the main;
And ev'ry man shall hae his ain,
Carle, an the king come. (Cunningham, Songs of Scotland, 1825)

Poet Robert Burns 'improved' the song.

Source for notated version:

Printed sources: Gow (Complete Repository), Part 4, 1817; p. 20. McGibbon (Scots Tunes, book III), 1762; p. 53.

Recorded sources:




Back to Carle an' the King come