Buffoon (2) (The): Difference between revisions

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|f_accidental=1 sharp
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=<b>England</b>/West Midlands
|f_history=ENGLAND(West Midlands)
|f_structure=AB
|f_structure=AB
|f_book_title=Morris Ring (The)
|f_book_title=Morris Ring (The)

Revision as of 13:17, 9 April 2012


Buffoon (2) (The)  Click on the tune title to see or modify Buffoon (2) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Buffoon (2) (The)
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 Theme code Index    1332 4443
 Also known as    
 Composer/Core Source    
 Region    England
 Genre/Style    Morris
 Meter/Rhythm    Country Dance
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    4/4
 History    ENGLAND(West Midlands)
 Structure    AB
 Editor/Compiler    Biography:Lionel Bacon
 Book/Manuscript title    Book:Morris Ring (The)
 Tune and/or Page number    p. 221
 Year of publication/Date of MS    1974
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


BUFFOON [2], THE. English, Morris Dance Tune (4/4 time). G Major. Standard tuning (fiddle). AB. A related tune to the Adderbury version, collected in the village of Ilmington, Warwickshire, England. In an article entitled "Dance Traces Surviving in The Ritual of Freemasonry" (published in Archaeology Ireland, Spring 2010) Alan Nowell mentions the curious comic aspects of the Buffoon morris dance, with its ritualized aggression, presented in comic fashion.

This repeated kicking chorus (found in a Wyresdale hopping dance, Northumberland) may have had a separate history. It occurs in the Ilmington Buffoon Cotswold Morris Dance and it seems to be related to Pimponpet which is listed as one of Gargantua’s Games by Rabelais (c.1494-1553). In Randle Cotgraves' English/French Dictionary published 1611 it is described as “A kind of game wherein three hit each other on the bumme with one of their feet”. In 1653, Thomas Urquhart, translator of Rabelais, seems to have been familiar with Pimponpet and translates it as Bumdockdousse

Printed source: Bacon (The Morris Ring), 1974; p. 221.


X: 1
T:The Buffoon, Ilmington
M:4/4
L:1/8
A:Ilmington
P:A(AB2)4
K:G
P:A
G2B2 B2AB|c2c2 c2B2|F2B2 c2AG|F2d2 d4|
G2B2 B2AB|c2c2 c2B2|A2d2 dedc|B2G2 G4||
P:B
d2g2 g3 f|e2c2 c4  |A2a2 a3 g|f2d2 d4|
d2g2 g3 f|e2c2 c4  |A2d2 dedc|B2G2 G4||


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