Circus Piece: Difference between revisions

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m (Text replace - "<b>USA</b>/Upland South" to "USA(Upland South)")
m (Text replace - "<b>USA</b>/Deep South" to "USA(Deep South)")
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|f_accidental=2 sharps
|f_accidental=2 sharps
|f_mode=Ionian (Major)
|f_mode=Ionian (Major)
|f_history=USA(Upland South), <b>USA</b>/Deep South
|f_history=USA(Upland South), USA(Deep South)
|f_player=Stephen B. Tucker,
|f_player=Stephen B. Tucker,
|f_label=Library of Congress
|f_label=Library of Congress

Revision as of 14:46, 9 April 2012


Circus Piece  Click on the tune title to see or modify Circus Piece's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Circus Piece
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 Theme code Index    
 Also known as    Texas Quickstep (3), Mississippi Breakdown (2)
 Composer/Core Source    
 Region    United States
 Genre/Style    Old-Time
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    USA(Upland South), USA(Deep South)
 Structure    
 Editor/Compiler    
 Book/Manuscript title    
 Tune and/or Page number    
 Year of publication/Date of MS    
 Artist    Biography:Stephen B. Tucker
 Title of recording    
 Record label/Catalogue nr.    Library of Congress
 Year recorded    1939
 Media    
 Score   ()   


CIRCUS PIECE. AKA and see "Texas Quickstep [3]," "Mississippi Breakdown [2]." Old-Time, Breakdown. USA, Mississippi. D Major. ADae tuning (fiddle). The title derives from the place the source, Meridian, Mississippi fiddler Stephen B. Tucker (an eighty year old fiddler recorded by the Library of Congress in 1939), heard the tune. Tom Rankin (1985) identifies it as a tune that was occasionally recorded by southern musicians under a variety of titles. An Alabamba fiddler transplanted to Texas, A.L. Steeley, recorded the tune in 1929 for Brunswick (BR 285) under the title "Texas Quickstep," while the Leake County Revelers issued it along with their popular "Wednesday Night Waltz" (and later revamped the coarse phrase as another recording, "Mississippi Breakdown," in 1931). Henry Reed, of Glen Lyn, Virginia, knew the tune simply as "a clog."

Paul Gifford notes that rural hotels, resorts, menageries and circuses provided venues for several traditional musicians. He cites the narrative of Soloman Northrup, a Northern black fiddler who was engaged to play with a circus in the 1830's who was kidnapped into slavery in Virginia. One fiddler's diary he read mentioned being quite impressed by a fiddler he heard at a circus in Michigan in the 1840's.

Recorded source: Mississippi Department of Archives and History AH-002, Stephen Tucker - "Great Big Yam Potatoes: Anglo-American Fiddle Music from Mississippi" (1985).


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