X:1
T:Texas Barbed Wire
S:Jon Bekoff (1959-2015, Greenfield, Ma.)
M:C|
L:1/8
R:Reel
Q:"Fast"
N:From a 1914 field recording
F:https://www.slippery-hill.com/recording/texas-barbed-wire
Z:Transcribed by Andrew Kuntz
K:G
EE|D2+slide+B2 BcBG-|D2 [DB]A BdBG-|E3 [Ec]B cdcG-|E2 [Ec]B cdcG-|
DD +slide+BA BcBG-|DD BA BdBG|AFAB cBAc|BG[GB][GB][G2B2]:|
|:Bc|dg[dg]f gfga|b2g2- gg-fg|abag fefg|a2f4Bc|
dg[dg]f gfga|b2g2- ge-fg|abae- fd[d2f2]|1 [B3g3][Bg] [Bg]dBc:|2[B3g3][Bg] [Bg]||
Played By: Jon Bekoff
Fenced In, by Bonnie BrunoTEXAS BARBED WIRE. AKA - "Texas Barbwire." American, Reel (cut time). G Major. Standard tuning (fiddle). AABB'. On November 24, 1874, Joseph F. Glidden of DeKalb, Illinois, was granted a patent for fencing material consisting of barbs wrapped around a single strand of wire and held in place by twisting that strand around another. His original double-strand design, the Winner, lived up to its name; it is the most commercially successful of the hundreds of eventual barbed wire designs. Glidden was also the winner in a welter of litigation that reached all the way to the Supreme Court after some dozen other inventors claimed legal priority. Barbed wire was not immediately successful in Texas and elsewhere, especially with smaller cattle ranchers who depended on an 'open range' to sustain their operations. Their opposition led to the barbed wire conflicts of the 1880's, but eventually the ranges were fenced off. Although open range became a thing of the past, barbed wire helped cattlemen to breed herds in protected environments, thus negating the reliance on long-horned cattle that were more suitable to the open range.
Additional notes
Source for notated version: - Warren Raley (Oklahoma/Louisiana) [Kenny Hall]; Tony Mates [Silberberg].
Printed sources : - Vykki Gray & Kenny Hall (Kenny Hall's Music Book), 1999; p. 36. Silberberg (Complete Fiddle Tuines I Either Did or Did Not Learn at Tractor Tavern), 2005; p. 197.
Recorded sources: -Earl White - "Earl White Strinbgand" (2014).
See also listing at:
Hear/see Jon Bekoff and Nate Paine's 2014 field recording at Slippery Hill [1] and youtube.com [2]