Braes of Auchtertyre (1)

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 Theme code Index    1135 1H3H1H5
 Also known as    Braes of Auchentyre, Belles of Tipperary (1), Beaus of Albany (1), Music Club (The), New Policeman (The)
 Composer/Core Source    
 Region    Scotland, Canada
 Genre/Style    Cape Breton/PEI, Scottish
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    CANADA(Maritimes/English)
 Structure    AABB
 Editor/Compiler    Biography:James Aird
 Book/Manuscript title    Book:Selection of Scotch English Irish and Foreign Airs vol. 2
 Tune and/or Page number    No. 146, p. 54
 Year of publication/Date of MS    1785
 Artist    Biography:Angus Chisholm
 Title of recording    Early Recordings of Angus Chisholm (The)
 Record label/Catalogue nr.    Shanachie 14001
 Year recorded    
 Media    
 Score   ()   


BRAES OF AUCHTERTYRE [1]. AKA and see "Braes of Auchentyre," "Belles of Tipperary (1)," "Beaus of Albany (1)," "Music Club (The)," "New Policeman (The)." See "Billy/Billie in the Low Ground (1)." Scotland; Reel, Strathspey. C Major (most versions): D Major (Aird, Kennedy). Standard tuning (fiddle). AB (Alburger, Cole, Gow, Kennedy, Kerr, Skye, Athole): AABB (Aird, Cranford, Perlman). Auchtertyre lies midway between Dornie and Kyle on the northern shore of Loch Alsh, Scotland. This popular tune was first published by Neil Stewart (Collection of the Newest and Best Reels and Country Dances, c. 1761, p. 45) and later transposed to the key of 'A' and played as a strathspey. Glen (1891) finds it printed about the same time in Joshua Campbell's 1778 collection (p. 4). The melody is sometimes credited to James Crocket, but evidence for this ascription is wanting according to some reviewers. The tune appears to have developed from a slow 3/4 time Lowland Scots song tune called "O Dear Minnie/Mother (What Shall I Do)?" Toward the end of the 18th century "Braes of Auchtertyre" was composed from it, and it in turn became the direct ancestor of the American 'old-time' tune "Billy in the Lowground/Low Lands." Jack Campin opines that at the time "Braes" was fashioned from the "Minnie" song (although Gow thought it the other-way-round), the laird of Auchtertyre was wealthy and well-connected; the kind of influential personage and estate that attracted labeling and re-labeling of music.

Ken Perlman's Prince Edward Island-collected version is somewhat distanced from the usual printed versions. The tune is popular on Cape Breton Island, where it was recorded by Scotty Fitzgerald in the 1930's. Many Cape Breton fiddlers follow the lead of Angus Chisholm and precede "Braes of Auchtertyre" with the strathspey "Rothiemurchus Rant." Irish derivatives of the melody are, among others, the "Belles of Tipperary (1)," "Connaught Lasses" and "Miss Monaghan."

Source for notated version: George MacPhee (b. 1941, Monticello, North-East Kings County, Prince Edward Island) [Perlman].

Printed sources: Aird (Selection of Scotch, English, Irish and Foreign Airs), vol. II, 1785; No. 146, p. 54 (appears as "The Braes of Aughtertyre"). Alburger (Scottish Fiddlers and Their Music), 1983; Ex. 37, p. 60. Cole (1000 Fiddle Tunes), 1940; p. 42 (version, somewhat altered, appears as "Braes of Auchentyre"). Cranford (Jerry Holland's Collection, vol. 1), 1995; No. 74, p. 22. Gow (Complete Repository), Part 1, 1799; pg. 20. Kennedy (Traditional Dance Music of Britain and Ireland, vol. 2: Reels and Rants), 1997; No. 12, p. 5. Kerr (Merry Melodies), vol. 1; Set 23, No. 1, p. 14 (strathspey). Lowe (A Collection of Reels and Strathspeys), 1844. MacDonald (The Skye Collection), 1887; p. 106. Middleton's Collection. Perlman (The Fiddle Music of Prince Edward Island), 1996; p. 119. Ryan's Mammoth Collection, 1883; p. 68. Stewart-Robertson (The Athole Collection), 1884; p. 62. Vallely (Play 50 Reels with the Armagh Pipers Club), 1982; 40.

Recorded sources: James F. Dickie's Delights (1976). Shanachie 14001, "The Early Recordings of Angus Chisholm." WMT002, Wendy MacIsaac - "That's What You Get" (1998?). See also listings at: Alan Snyder's Cape Breton Fiddle Recording Index [1], Jane Keefer's Folk Music Index: An Index to Recorded Sources [2].

X:1 T:Braes of Auchtertyre M:C| L:1/8 R:Reel B:Stewart-Robertson - The Athole Collection (1884) Z:AK/Fiddler's Companion K:C G,|C2CF EGGA|cded cAGc|A/A/A AG A2a2|gcfe d2c2|C2CF EGGA| cded cAGc|AcGc FcEc|dBcE D2C||f|efga gecg|afeg edcG|A/A/A ag a2 c'2| ecfe d2 cf|efga gecg|afdg edcA|AcGc FcEc|dBcE D2C||

X:2
T:The Braes of Auchtertyre
S:Petrie's Second Collection of Strathspey Reels and Country Dances &c.
Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 6/11/04
N:Petrie's Second Collection, page 24
% Gore's Index gives earliest publication as Joshua Campbell's
% "Coll. Of Newest & Best Reels & Minuets..." Glasgow 1788
L:1/8
M:C
R:Reel
K:C
C3D (EGGA)|cded cAGc|A/A/A (AG) A2a2 | gcfe Td2c2 |
C2 (CD) (EGGA)|cded cAGc|AcGc FcEc | d/c/B/A/ cE D2C2 ||
efga gecg |afdg edcG|A/A/A ag a2({ab}c'2)| ecfe Td2c2 |
efga gecg |(a/g/f/e/ d)g edcG|AcGc FcEc |(d/c/B/A/) cE TD2 C2|]


X:3
T:Braes of Aughtertyre (sic)
L:1/8
M:C|
R:Reel
B:Aird, vol. II (1785)
Z:AK/Fiddler's Companion
K:D
D3E FAAB | defe dBAd | B/B/B BA B2b2 | fdaf e2d2 | 
D3E FAAB | defe dBAd | BdAd GdFd | (f/e/)(d/c/) dF !trill!F2D2 :|
|: fgab afda | bgeg fedA | B/B/B ba b2 {b/c'/}d'2 | fdaf !trill!e2d2 | 
fgab afda | bgeb fedA | BdAd GdFd | f/e/d/c/ dF !trill!E2 D2 :||
X:1
T:Braes of Auchtertyre (The)
M:C|
L:1/8
S:Mackie Collection (Aberdeen, early 19th cent.)
Z:AK/Fiddler’s Companion
K:D
D3F A/A/A AB|d>efe dBAd|B/B/B BA B2b2|a>da>f !trill!e2d2|
D3F A/A/A AB|d>efe dBAd|B>d A>d GdFd|(f/e/)(d/c/) dF !trill!E2D:|
|:g|f>ga>b a>fd>a|b>ge>g fed A|B/B/B b>a b2d’2|a>da>f !trill!e3d|
f>ga>b a>fd>a|b>ge>g f>ed>A|B>d A>d G>d F>d|(f/e/)(d/c/) dF E2 D:||

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