Mason's Apron (The) Click on the tune title to see or modify Mason's Apron (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Mason's Apron (The) Query the Archive
Theme code Index	3111 5L132
Also known as	Práiscín an Mhásúin, Práiscín an Saorcloice, Braes of Glenorchy (1), Carton's Reel, Gallagher's Reel, I Don't Like the Guidewife, Isla Reel (The), Lady Carbury, Miss Carbury, Miss Carberry, Lowrie Tarrel, Mason's Cap (The), Mason Laddie (The), Miss Hope's Favourite-Scotch, Praiscin an Saorcloc, S' Coma Leam Do Shean Taighe, Tablier du macon (Le)
Composer/Core Source
Region	England, Scotland, Ireland, Canada, United States
Genre/Style	Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Québécios/Acadian"Québécios/Acadian" is not in the list (Bluegrass, Cape Breton/PEI, Cajun/Creole, Contest, Contra, Down-East/Maritime, English, Guachi, Irish, Metis, ...) of allowed values for the "Has genre" property., Scottish, Shetland/Orkney
Meter/Rhythm	Reel (single/double)
Key/Tonic of	A
Accidental	3 sharps
Mode	Ionian (Major)
Time signature	2/2
History
Structure	AB, AAB, AABB, AA'BB', AABBCCDDE, AABBCCDDEEFFGG'
Editor/Compiler
Book/Manuscript title
Tune and/or Page number
Year of publication/Date of MS
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

X:1
T:Mason's Apron
M:C|
L:1/8
R:Reel
K:A
|:ed|c2A2 AB AF|EF AB c2 BA|dB B2 Bc BA|Bc de f2 ed|
c2A2 AB AF|EF AB c2 BA|Bc de fe fa|AA cB A2:|
|:ed|cA eA fA eA|cA eA fe dc|dB fB gB fB|dB fB gf ed|
cA eA fA eA|cA eA fe dc|Bc de fe fa|AA cB A2:|]

X:1
T:Mason's Apron, The  (Old Scotch)
M:C
L:1/8
N:"Allegro"
R:Reel
B:Thomas Wilson - Companion to the Ball Room (1816, p. 53)
Z:AK/Fiddler's Companion
K:G
BGGG G>AGE|DEGA B2 AG|cAAB A>BAG|ABcd e2g2|
BGGG G>AGE|DEGA B2 AG|ABcd egdB|ABcd e2g2||
BGdG eGdG|BGdG B2 AG|cAeA gAeA|cAeA c2 BA|
BGdG eGdG|BGdG B2 AG|cBcd efgB|ABcd e2g2||

X:3
T:Mason's Apron
M:C|
L:1/8
R:Reel
S:Arthur Robertson's transcription of Sean Maguire's variations (1985)
K:A
(fg)|a>A A/A/A (cB)A(F|EF)AB c(ABc)|d>B B/B/B (dc)BA|(Bc)de (gf)ed|
c>A A/A/A (cB)A(F|EF)AB c(ABc)|dcd(e ga)gf|edcB A:|
|:(fed)|c>A A/A (fA)ed|c>A A/A/A (fe)dc|d>B B/B/B (gB)fB|d>B B/B/B (gf)ed|
c>A A/A/A (fA)ed|c>A A/A/A (fe)dc|(Bc)de (ga)gf|edcB A:|
|:(GAB)|c2 (ec) fcec|c/c/c (ac) gcfc|d2(fd) gdfd|d/d/d (ad) gdfd|
c2 (ec) fcec|c/c/c (ac) gcfc|(dc)de (ga)gf|edcB A:|
|:(efg)|a>e e/e/e (ae)fg|a(bga) fefa|b>f f/f/f (bf)g^a|b2 (^ab) fefg|
a>e e/e/e (ae)fg|a(bga) fef(g|ag)af ecA(c|BA)Bc A2:|
|:e2|(ac'_ea (c'e)ac'|(gd')eb (d'e)bd'|(ea)c'e (ac')ea|(3gbg eg (be)gb|
(ea)c'e (ac')ec'|(gb)eb (d'e)bd'|(ea)c'e (gb)eb|g(efg) a2:||
"5th position variations, play an octave higher"
c2|c2 (ec) fcec|c/c/c (ec) fcec|d2 (fd) AdFA|dFAd fded|
c2 (ec) fcec|c/c/c (ec) fce(c|dc)de fde(d|cA)BG A3B|
c2 (ec) fcec|Acec|Gcec|d/d/d (fd) AdFA|dFAd fded|
c2 (ec) (fcec|c/c/ (ec) fce(c|dc)de fde(d|cA)BG A2||
"1st position"
|:(e>g)|a>A A/A/A (cB)A(F|ED)CB, A,CEA|F>D D/D/D (FD)F(A|dc)BA GBeg|
a>A A/A/A (cA)E(D|CA,)CE A(EcA)|dfB(d ce)Ac|BABc A2:||
d2|c2 (ec) Acec|Gcec =Gcec|d/d/d (fd) AdF(A|dF)Ad fded|
c2 (ec) Acec|Gcec =Gcec|(dc)de (ga)gf|edcB AGAB|
c2 (ec) Acec|Gcec|=Gcec|d/d/d (fd) Adf(d|bg)af (e=f) (^fg)|
(3aba (3gag (3fgf (3efe|(3ded (3cdc (3BcB (3ABA|(3GAG (3FGF (3EFE (3DED|(3CDC (3B,CB, {A,}C2||

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