Template:Pagina principale/Vetrina

Bayard (1981) identifies the melody as belonging to the same tune group as "Welcome Home (3)," "Haughs of Cromdale (The)," "(Fare Thee Well) Sweet Killaloe," and "Wat Ye how the Play Began." The members of this very old family, which he calls the "Welcome Home" group, appear in major, modal, duple-time, triple time, vocal and instrumental forms. Fr. John Quinn categorizes this tune as a member of the "Haughs of Cromdale (The)" tune family, a large and complex tune family with many interrelated members and derivatives. See note for "annotation:Haughs of Cromdale (The)" for more. John Glen (Collection of Scottish Dance Music, 1891) finds the earliest appearance of the tune in print in Robert Bremner's 1757 collection. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published c. 1800, and is one of the "missing tunes" from William Vickers' 1770 Northumbrian dance tune manuscript. Some see Irish cognates in the air "Óró 'sé do bheatha a bhaile/Óró Welcome Home" and the "Ballydesmond Polka (2)," but if in fact related, then they are distanced.

"Oyster Wives' Rant" appears in the music manuscript copybooks of Luther Kingsley (1795, Mansfield, Ct.) and Edward Murphey (1790, Newport, R.I.). It also appears in Cumbrian musician John Rook's 1840 music manuscript under the title "Charles Rant." Later, County Cork uilleann piper and Church of Ireland cleric wikipedia:James_Goodman_(musiologist) (1828-1896) entered it into Book 2 of his large mid-19th century music manuscript collection, copied from Aird's 1782 volume. An E dorian version of "Oyster Wives Rant" was collected in the early 20th century in Orkney (but described as "a Shetland Air") under the title "Da Scalloway Lasses"

...more at: The Oyster Wives' Rant - full Score(s) and Annotations