Boatman (3)

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Theme code Index	165 6L11
Also known as	Fear a' Bhàta
Composer/Core Source
Region	Scotland
Genre/Style	Scottish
Meter/Rhythm	Air/Lament/Listening Piece
Key/Tonic of	B
Accidental	2 flats
Mode	Ionian (Major)
Time signature	3/4
History	SCOTLAND(Highland), Scotland/Western Isles"Scotland/Western Isles" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
Structure	AABB
Editor/Compiler	Simon Fraser
Book/Manuscript title	Book:Airs and Melodies Peculiar to the Highlands of Scotland and the Isles (The)
Tune and/or Page number	No. 104, p. 40
Year of publication/Date of MS	1816
Artist	Biography:Bonnie Rideout
Title of recording	Scottish Fire
Record label/Catalogue nr.	Maggie's Music MMCD222
Year recorded	2000
Media
Score ()

BOATMAN [3], THE. (Fear a' bhàta). Scottish, Slow Air (3/4 time). B Flat Major. Standard tuning (fiddle). AABB. "This air sings delightfully and expressively in Gaelic. The parties to the words were seemingly persons above the ordinary rank. Whether the lady alludes to the cabin of his vessel or boat, or to some apartment of her lover's residence, called the green chamber, she mentions her delight at being there, where the best society met, to be entertained with Spanish wine form the hand of her lover" (Fraser). A song by this name appears in Allan Ramsay's ballad opera The Gentle Shepherd (1725), not performed until 1729. Francis Collinson, in his Traditional and National Music of Scotland, says that "Among a sea going island people like those of the Hebrides, the iorram (pronounced-irram) or rowing songs must have been one of the most frequently heard songs." Many of the tunes are written in 3/4 or a slow 6/8 time. Stan Reeves remarks "Collinson was puzzled by this as rowing has an in and out movement. But he had obviously never rowed with long oars on the Minch. The 1st beat is very pronounced and corresponds with lifting the oars out and swinging them forward as you straighten your arms and lean forward. 2 and 3 are the pulling stroke. Imagining this when you are playing will give you the right tempo and a very primitive rhythmic chanted feel, rather than the twee parlour interpretations. Try it with 'Fear a Bhata!' or the 'Skye Boat Song'. These are just two of the many airs used as waltzes in the Western isles which clearly predate the introduction of the waltz."

Fraser (The Airs and Melodies Peculiar to the Highlands of Scotland and the Isles), 1816/1874; No. 104, p. 40.

Maggie's Music MMCD222, Bonnie Rideout - "Scottish Fire" (2000).

X:1
T:The Boatman [3]
T:Fear a'bhàta
M:3/4
L:1/8
Q:140
S:Fraser Collection  (1874)
Z:AK/Fiddler's Companion
K:Bb
F>G | B2g2f>g | G2 Bz B>_A | G2F2B>F | G2 Bz d>e | f2g2f>e | 
d2 gz f>e | d2B2c>B | B2 Bz :: d>c | B2 B>c d>F | G2 Bz g>f | 
f2 f>g f>c | d2 fz d>e | f2 g2 f>e | d2 gz f>e | d2B2c>B | B2 Bz :||