Money Musk (1)

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 Theme code Index    5354 5324
 Also known as    All the Lads in Copper Alley, Killiecrankie (5), Moniemusk, Monymusk, Sir Archibald Grant of Monemusk's reel
 Composer/Core Source    Daniel Dow
 Region    England, Scotland, Ireland, Canada, United States
 Genre/Style    Cape Breton/PEI, Contest, Contra, Down-East/Maritime, English, Irish, Northumbrian/Borders, Old-Time, Québécios/Acadian"Québécios/Acadian" is not in the list (Bluegrass, Cape Breton/PEI, Cajun/Creole, Contest, Contra, Down-East/Maritime, English, Guachi, Irish, Metis, ...) of allowed values for the "Has genre" property., Scottish, Texas/Oklahoma
 Meter/Rhythm    Fling, Reel (single/double), Strathspey
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    4/4, 2/2
 History    ENGLAND(North East), USA(New England)
 Structure    
 Editor/Compiler    Daniel Dow
 Book/Manuscript title    Book:Thirty Seven New Reels and Strathspeys
 Tune and/or Page number    p. 5
 Year of publication/Date of MS    c. 1780
 Artist    Biography:National Promenade Band
 Title of recording    Money Musk Medley
 Record label/Catalogue nr.    Edison Blue Amberol #1522 (cylinder)
 Year recorded    1912
 Media    
 Score   ()   


Tune annotations


X:1
%
T:Money Musk [1]
L:1/8
M:4/4
K:G
e|"G"d<GB>G d>Gc>e|"G"d<GB>G "D"A/B/A c>e|
"G"d<GB>G "G/B"B/c/d d>g|"C"e>c"D"A>d "G"B<G G:|!
f|"G"g2d>g B>gd>f|"G"g>d"Am"c>g "G/B"B>g"D"A>f|
"G"g>de>g "G/B"d>gB>g|"C"e>c"D"A>d "G"B<GG>f|!
f|"G"g>dd>g B>gd>f|"G"g>d"Am"c>g "G/B"B>g"D"A>f|
"G/B"g>d"C"e>g "G/B"d>g"Am"c<g|"G/D"B<g"D"A>c "G"B<G G|!
|:g|"G"G/G/G B>G B/dG/ c<e|"G"G/G/G B<g "D"A/A/A c<e|
"G"G/G/G B<G "G/B"B/c/d d<g|{de}"F"=f>c A/B/c "G"B<G G:|!
z/d/|"G"g>d B<g d<gB>d|"G"g>d "Am"c<g "G/B"B<g"D"A>d|
"G"g>d B<g "G/B"d<gB<g|"C"e/f/g "D"A/B/c "G"B<GG>d|!
"G"g>d B<g d<gB>d|"G"g/f/e "G/B"d<g "G"B<g"D"A>d|
"G"g>d "C"e<g "G/B"d<g"Am"c<g|"G/D"B<g"D"A<g "G"B<G G|]
X: 2
%
T: Money Musk [1]
B: Peacocks' Tunes (1805)
L: 1/8
M: C
Z: Valerio M. Pelliccioni
K: G
e|d>GB>G d>Gc>e|d>GB>G (AB/A/) c>e|d>GB>G (3Bcd dg|e>cA>d A>GG:|| 
e/f/|g>eB>g d>gA>g|g>dc>g B>gA>g|g>de>g d>gB>g|e>cA>d BGG e/f/|
g>dB>g d>gB>f|g>dc>g B>gA>f|g>de>g d>gc>g|B>gA>g B>GG:||
X:7
T:Monie Musk [1]
S:Petrie's Second Collection of Strathspey Reels and Country Dances &c.
Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 6/5/04
N:Petrie's Second Collection, page 11
L:1/8
M:C
R:Strathspey
K:A
f|e<Ac>A e>Ad<f|e<Ac>A (B/c/B) d>f|e<Ac>A  c<(ee>a)|fdBe cAA :|
g|a<ee>a c<ae>g|a<ec>a c>aG>g |a<e f>a e>ac<a  |f>dB<e c<(AAg)|
a<ee>a c<ae<g|a<ec>a c>aB>g |a<ef<a eada |caBa cAA |]
X:1
%
T:Money Musk [1]
M:2/4
L:1/8
R:Reel
B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 1, p. 98)
Z:AK/Fiddler’s Companion
K:A
{b}(a/f/)|.e/(A/c/A/) e/A/d/f/|.e/(A/c/A/) B/c/d/f/|.e/(A/c/A/) .c/(a/g/a/)|f/d/B/e/ c/A/A/f/|
.e/(A/c/A/) e/A/d/f/|.e/(A/c/A/) E/G/B/c/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a||
(3e/f/g/|.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|.a/(e/f/a/) (e/a/)(c/a/)|f/d/B/e/ c/A/E/e/|
.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a||
X:1
T:Money Musk
M:4/4
L:1/8
R:Reel
S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 7)
S: http://archive.org/details/MEEamesBook
N:Eames was perhaps from Philadelphia
Z:AK/Fiddler’s Companion
K:G
e|dGBG dBce|dGBG ABce|dGBG Bddg|ecAc BG G:|
|:g|gdBg dgBg|gdca BgAf|gdeg dgBg|ecAc BG G:|
X:2
%
T:Monymusk [1]
M:C
L:1/8
R:Strathspey
B:Stewart-Robertson – The Athole Collection  (1884)
Z:AK/Fiddler’s Companion
K:C
e|d<G B>G d>G c<e|d<G B>G (3ABA c>e|d<G B>G B<d d>g|
e>cA>d ~B<GG:||:f|g>dB>g d>gB>g|g>dB>g c>gA>f|
|1 g>de>g d>gB>g|e>cA>d B<GG:|2 g>de>g d<bc<a|B<gA<g B<GG||
X:3
%
T:Money Musk [1]
M:2/4 
L:1/16 
Q:122 C:Trad. 
S:from Cyril Stinnett (Mo.)
R:Reel 
A:Missouri 
B:transcribed in OTFR as #18 
D:taken from the playing of Cyril Stinnett 
Z:B. Shull, trans.; R. P. LaVaque, ABCs 
K:A (
e2|:e)Acf ecdf|eAc(A Bc)d(f|e)(Ac)d eag(e|f)dBe cAAe|! 
eAcf ecdf|eAc(A Bc)d(f|e)(Ac)d eaf(e|f)dBe cAAA|! 
|Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAA|! 
Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAe-|! 
|a-e)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAe|! 
(ae)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAA|! 
|a2c'(a ba)c'b|(ae)ac' (bc')d'b)|a(ec')a f(ad)(c'|bd')bg a2c'(b-|! 
-a-e)ac' (ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad')(c'|bd')bg a2(c'a):|]
X:4
%
T:Moneymusk [1]
M:4/4
L:1/8
O:Probably a version from Teelin, County Donegal.
K:A
af || eAcA e2 (3agf | eAdc BEGB | eAcA e3a | fdBa (3gfe (3agf | 
eAcAe2(3agf |eAcA Bcdf | eccB cdea | fdBc defg || 
a2ea ceA2 | aAce fBB2 | a2ea ceA2 |dcBc defg | 
a2ea ceA2 | aAce fBBe | (3agf (3gfe (3fed (3cBA | (3fga (3gfe fgaf ||
X:5
%
T:Moniemusk Reel [1], The
M:4/4
L:1/8
S:Capt. F. O'Neill
Z:Paul Kinder
N:O’Neill remarks: “The first and second parts as above noted constitute the original tune 
N: composed by Daniel or Donald Dow, a musician of note who died at Edinburgh in 
N: 1783. The third was substituted for the more difficult second by modern fiddlers, and 
N: the fourth, the editor memorized from the playing of Wm. McLean, the greatest 
N: Highland piper of his day in Chicago, some fifty years ago.”
R:Reel
K:G
e|dGBG dGce|dGBG ABce|dGBG Bcdg|ecAd BG G2:|
|:gddg Bgdg| gdcg BgAf|gdeg dgBg|ecAc BG G2:|
|:gdBd edBd|gdBd eA A2|1gdBd edBc|dcAc BG G2:|
2gefd ecdc|BcAc BG G2||g2 gf g2 (3def|
g2 fg ef d2|g2 af g2 dc|BcAc BG G2|g2 gf g2 (3def|
g2 fg ef d2|gefd ecdc|BcAc (3BAG (3gfe||
X:6
%
T:Money Musk [1]
C:Joseph Allard
M:2/4
L:1/16
Z:Transcribed by Bruce Osborne
K:G
ge|:dGBG dGce|dGBG ABce|dGBG dGBg|BeAc BGGe|!
dGBG dGBe|dGBG ABce|dGBG dGBg|BeAc BGG2:|!
|:gdeg dgBa|gdca BAAf|gdeg dBca|BgAd BGGf|!
gdeg dgBa|gdca BAAf|gdeg dBca|BgAf gGG2:|!

Tune annotations