Drunk at Night and Dry in the Morning (2)

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X:1 T:Irish Air in the Poor Soldier [2] M:6/8 L:1/8 R:Air B:Charles, Anne & Samuel Thompson - The Hibernian Muse (c. 1770, pp. 66-67) Z:AK/Fiddler’s Companion K:D d/e/|fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2 d/e/| fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2:| f/e/|dfa dfa|dfa a>gf/e/|dfa dfa bee e2f/e/| dfa dfa|dd'b {b}!fermata!a>ba/g/|fdB AGF|Eee e2 d/e/|fdB AFA| Bdd d2 F|GGG FFF|Egf {f}e2 d/e/|fdB AFA|Bdd d2||

X:1 T:Irish Air in the Poor Soldier [2] M:6/8 L:1/8 R:Air B:Samuel, Anne & Peter Thompson – The Hibernian Muse B:(London, 1787, No. 105, pp. 66-67) N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard” Z:AK/Fiddler’s Companion K:D d/e/|fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2d/e/| fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2:| |:f/e/|dfa dfa|dfa a>g/f/e/| dfa dfa| bee e2 f/e/|dfa dfa| dd'b !fermata!{a}a>ba/g/|fdB AGF|Eee e2 d/e/|fdB AFA| Bdd d2F|GGG FFF|Egf {f}e2 d/e/|fdB AFA|Bdd d2:|]

X:1 T:Drunk at Night and Dry in the Morning [2] M:6/8 L:1/8 R:Air N:The second part is marked "slow" S:O'Farrell - Pocket Companion, vol. 1 (c. 1805) Z:AK/Fiddler's Companion K:D d/e/ | fdB AGF | Eee e2 d/e/ | fdB AFA | Bdd d2 :| |: A | dfa dfa | dfa afe | dfa dfa | bee e2 f/e/ | dfa dfa | dfa a2g | fdB AGF | Eee e2 d/e/ | fdB AFA | Bdd d2F | GB/G/B/G/ FA/F/A/F/ | Eee e2 d/e/ | fdB AFA | Bdd d2 :||

X:54 C:Page 28 T:Drunk at Night & Dry in the Morning [2]. MBe.54 A:England;Cumbria;Towcett B:Matthew Betham MS, Towcett Cumbria, 1815 Z:VMP - Hugh Taylor, 2012 T:Whistle and I'll come to you, my lad,aka. MBe.54 M:6/8 L:1/8 Q:3/8=100 R: N:Someone in a different hand has written alongside the title "Oh, whistle and I'll come to you, my lad" N:The 14 bar B part is unusual, though another version from elsewhere has a 10 bar B part. N:NB-The middle note of the second triplet looks like a correction from an 'e' to an 'f'. K:D d/e/|fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d3:| |:A|dfa d"^NB"fa|dfa afe|dfa dfa|bee e2 f/e/| dfa dfa|(dfa a2) g|fdB AGF|Eee e2 d/e/|fdB AFA| Bdd d2 F|GA/G/A/G/ FA/F/A/F/|Eee e2 d/e/|fdB AFA|Bdd d3:|

X:1 T:Drunk at Night and Dry in the Morning [2] M:6/8 L:1/8 R:Air Q:"Moderato" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 181, p. 93) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:F (f/g/)|(af).d (cB).A|(Gg).g g2 (f/g/)|(af).d (cA).c|(df).f f2:| .c|(fa).c' (fa).c'|(fa).c' (c'>ba/g/)|(fa).c' (fa).c'|(d'b).g .g2 (a/g/)| (fa).c' (fa).c'|(ff').d' !fermata!c'2.b|(af).d (cB).A|(Gg).g .g2(f/g/)|(af).d (cA).c| (df).f .f2||:A|.B(c/B/)(A/G/) .A(B/A/)(G/F/)|(Gg).g .g2 (f/g/)|(af).d (cA).c|(df).f .f2:|]

X:1 T:Drunk at Night and Dry in the Morning [2] M:6/8 L:1/8 R:Air S:James Goodman music manuscript collection (mid-19th cent., County Cork, p. 87) F:http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=90&z=3399.5252%2C1447.1065%2C4424.5724%2C2680 Z:AK/Fiddler's Companion K:G d/e/|fdB AFA|Bed/e/ e2 de|fdB AFA|Bd d/e/ d2 d/e/| fdB AFA|Be e/f/ e2 d/e/|fdB AFA|Bd d/e/d2|| A|dfa dfa|dfa a2 f/e/|dfa dfa|be e/f/ e2A|dfa dfa| dfa a2g|fdB AFA|Be e/f/ e2 d/e/|fdB AFA|Bd d/e/ d2|| z|G (B/G/)(B/G/) F (A/F/)(A/F/)|Be e/f/ e2 d/e/|fdB AFA|Bd d/e/ d2 z| G (B/G/)(B/G/) F(A/F)(A/F/)|Ee e/f/ e2 d/e/|fdB AFA|Bd d/e/ d2:|]