Drunk at Night and Dry in the Morning (2)
X:1
T:Irish Air in the Poor Soldier [2]
M:6/8
L:1/8
R:Air
B:Charles, Anne & Samuel Thompson - The Hibernian Muse (c. 1770, pp. 66-67)
Z:AK/Fiddler’s Companion
K:D
d/e/|fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2 d/e/|
fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2:|
f/e/|dfa dfa|dfa a>gf/e/|dfa dfa bee e2f/e/|
dfa dfa|dd'b {b}!fermata!a>ba/g/|fdB AGF|Eee e2 d/e/|fdB AFA|
Bdd d2 F|GGG FFF|Egf {f}e2 d/e/|fdB AFA|Bdd d2||
X:1
T:Irish Air in the Poor Soldier [2]
M:6/8
L:1/8
R:Air
B:Samuel, Anne & Peter Thompson – The Hibernian Muse
B:(London, 1787, No. 105, pp. 66-67)
N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard”
Z:AK/Fiddler’s Companion
K:D
d/e/|fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2d/e/|
fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d2:|
|:f/e/|dfa dfa|dfa a>g/f/e/| dfa dfa| bee e2 f/e/|dfa dfa|
dd'b !fermata!{a}a>ba/g/|fdB AGF|Eee e2 d/e/|fdB AFA|
Bdd d2F|GGG FFF|Egf {f}e2 d/e/|fdB AFA|Bdd d2:|]
X:1
T:Drunk at Night and Dry in the Morning [2]
M:6/8
L:1/8
R:Air
N:The second part is marked "slow"
S:O'Farrell - Pocket Companion, vol. 1 (c. 1805)
Z:AK/Fiddler's Companion
K:D
d/e/ | fdB AGF | Eee e2 d/e/ | fdB AFA | Bdd d2 :|
|: A | dfa dfa | dfa afe | dfa dfa | bee e2 f/e/ |
dfa dfa | dfa a2g | fdB AGF | Eee e2 d/e/ | fdB AFA |
Bdd d2F | GB/G/B/G/ FA/F/A/F/ | Eee e2 d/e/ | fdB AFA | Bdd d2 :||
X:54
C:Page 28
T:Drunk at Night & Dry in the Morning [2]. MBe.54
A:England;Cumbria;Towcett
B:Matthew Betham MS, Towcett Cumbria, 1815
Z:VMP - Hugh Taylor, 2012
T:Whistle and I'll come to you, my lad,aka. MBe.54
M:6/8
L:1/8
Q:3/8=100
R:
N:Someone in a different hand has written alongside the title "Oh, whistle and I'll come to you, my lad"
N:The 14 bar B part is unusual, though another version from elsewhere has a 10 bar B part.
N:NB-The middle note of the second triplet looks like a correction from an 'e' to an 'f'.
K:D
d/e/|fdB AGF|Eee e2 d/e/|fdB AFA|Bdd d3:|
|:A|dfa d"^NB"fa|dfa afe|dfa dfa|bee e2 f/e/|
dfa dfa|(dfa a2) g|fdB AGF|Eee e2 d/e/|fdB AFA|
Bdd d2 F|GA/G/A/G/ FA/F/A/F/|Eee e2 d/e/|fdB AFA|Bdd d3:|
X:1
T:Drunk at Night
M:6/8
L:1/8
R:Air
B:Patrick McGahon music manuscript collection (1817, No. 84)
N:McGahon was a scribe of Irish language literature who lived in
N:Dungooley, County Louth, on the Armagh border. He was a
N:teacher with The Irish Society in the early 19th century, but little
N:else is known about him. A few tunes in the ms. are written in other N:hands.
B:Pádraigín Ní UIallacháin – “A Hidden Ulster” (2003, p. 460)
Z:AK/Fiddler’s Companion
K:D
de|fdB AGF|Eee ede|fdB AFA|Bdd (d2e)|
fdB AGF|Eee ede|fdB AFA|Bdd d2d|
.d.f.a .d.f.a|dfa a.g/.f/.e/.d/|.d.f.a dfa|bee e2 (f/e/)|
dfa dfa|dfa !fermata!a2 (a/g/)|fdB AGF|Eee e2d.e.|
fdB AFA|Bdd d2F|GA/G/F/E/ FG/F/E/D/|Eee ede|fdB AFA|
Bdd d2F|GA/G/F/E/ FG/F/E/D/|Eee e2d/e/|fdB AFA|Bdd d2||
X:1
T:Drunk at Night and Dry in the Morning [2]
M:6/8
L:1/8
R:Air
Q:"Moderato"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 181, p. 93)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:F
(f/g/)|(af).d (cB).A|(Gg).g g2 (f/g/)|(af).d (cA).c|(df).f f2:|
.c|(fa).c' (fa).c'|(fa).c' (c'>ba/g/)|(fa).c' (fa).c'|(d'b).g .g2 (a/g/)|
(fa).c' (fa).c'|(ff').d' !fermata!c'2.b|(af).d (cB).A|(Gg).g .g2(f/g/)|(af).d (cA).c|
(df).f .f2||:A|.B(c/B/)(A/G/) .A(B/A/)(G/F/)|(Gg).g .g2 (f/g/)|(af).d (cA).c|(df).f .f2:|]
X:1
T:Drunk at Night and Dry in the Morning [2]
M:6/8
L:1/8
R:Air
S:James Goodman music manuscript collection (mid-19th cent., County Cork, p. 87)
F:http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=90&z=3399.5252%2C1447.1065%2C4424.5724%2C2680
Z:AK/Fiddler's Companion
K:G
d/e/|fdB AFA|Bed/e/ e2 de|fdB AFA|Bd d/e/ d2 d/e/|
fdB AFA|Be e/f/ e2 d/e/|fdB AFA|Bd d/e/d2||
A|dfa dfa|dfa a2 f/e/|dfa dfa|be e/f/ e2A|dfa dfa|
dfa a2g|fdB AFA|Be e/f/ e2 d/e/|fdB AFA|Bd d/e/ d2||
z|G (B/G/)(B/G/) F (A/F/)(A/F/)|Be e/f/ e2 d/e/|fdB AFA|Bd d/e/ d2 z|
G (B/G/)(B/G/) F(A/F)(A/F/)|Ee e/f/ e2 d/e/|fdB AFA|Bd d/e/ d2:|]