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"Fisher's Hornpipe" is one of the most popular, widespread and frequently published fiddle tunes in the world. On the subject of the title, several writers have posited various speculations on who the 'Fisher' might have been.
Charles Wolfe, among others, believes it was originally a classical composition by German composer Johann Christian Fischer (1733-1800), a friend of Mozart's and composer of the once-popular Fischer's Minuet. Indeed, some early publication use the spelling Fischer's Hornpipe.
Samuel Bayard (1981) noted that the tune dates to latter-18th century England where it was composed by "J. Fishar" and was "published in 1780" (Most of the local southwestern Pennsylvania alternate titles Bayard gives, appearing above, are "floaters").
Scholars Van Cleef and Keller (1980) identify the composer as one James A. Fishar [ed. probably John Abraham Fisher], a dancer, musical director and ballet master at Covent Garden during the 1770's, and note it is included as "Hornpipe #1" in J. Fishar's (presumably James A. Fishar's) Sixteen Cotillons Sixteen Minuets Twelve Allemands and Twelve Hornpipes (John Rutherford, London, 1778).
It has also been attributed to "18th century English fiddle player J.W. Fisher" [Callaghan, 2007]. A few years later the melody appeared in England under the title Lord Howe's Hornpipe in Longman and Broderip's 5th Selection of the Most Admired Dances, Reels, Minuets and Cotillions (London, c. 1784), and in Scotland in Neil Stewart's Select Collection (1784) as West's Hornpipe (2).
Scottish fiddler-composer and bandleader Alexander "King" McGlashan printed it about the same time in his Collection of Scots Measures (c. 1780, p. 34) under the title "Danc'd by Aldridge," a reference to the famous stage dancer and pantomimist Robert Aldridge, a popular performer in the 1760's and 1770's. See also early versions of the tune under the title Blanchard's Hornpipe (2). The hornpipe appears in a number of 19th century English musicians' copybooks as Egg Hornpipe.
...more at: Fisher's Hornpipe - full Score(s) and Annotations
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