Frisky (1)

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 Theme code Index    5624 5621
 Also known as    
 Composer/Core Source    John Peacock
 Region    England
 Genre/Style    Northumbrian/Borders
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    2/4
 History    England/North East"England/North East" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
 Structure    AABB
 Editor/Compiler    Biography:William Wright
 Book/Manuscript title    Book:Favorite collection of tunes with variations adapted for the Northumberland small pipes violin or flute
 Tune and/or Page number    1/1
 Year of publication/Date of MS    1805
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


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FRISKY. English, Reel. England, Northumbrian. G Major. Standard tuning (fiddle). AABB. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes which he published c. 1800. There are other period tunes that go by the name "Frisky" or "The Frisky", but this particular melody appears unique to Peacock's publication [1].

Source for notated version:

Printed sources: Peacock (Peacock’s Tunes), c. 1805; No. 1, p. 1.

Recorded sources:

UR-TEXT Editorial annotaton:

     When the Copyist has made a choice, this has been marked with brackets "[ ]" or parenthesis "( )".
     For example in Frisky, where there is no time signature in the original edition, or in Meggy's Foot (8th) and Over the Border (9th) and 11(th) where there is a rhythmic inconsistency.

Unable to compile LilyPond input file: 





     Peacock's contemporaries (e.g. Thomas Bewick), who referred to Peacock's style as having
"his lilts, his pauses, and his variations" [L.Jessop], suggested to the copyist that 
ornaments, dotted notes, slurs, staccatos and
graces must be left unaltered in this Urtext because they are expressions of the author.
Nevertheless, the trill signs have been subsituted with the inverted mordent.
This ornament is sometimes called a transient shake because it is really only a part of the more 
elaborate grace known as the "perfect trill". [K.W.Gehrkens]





Unable to copy the generated files to their final location:
Directory "mwstore://score-backend/score-render/3/w/3w61tj2krt8nj4rhs2eg2op9x2ki2pl" is read-only.




     Evident mistakes, have been corrected and underlined with "analysis brackets" as shown in the 
following 34th measure of Felton Lonning:





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