Jump to content

Annotation:How Imperfect is Expression (1)

Find traditional instrumental music



Sheet Music for "How Imperfect is Expression [1]"How Imperfect is Expression [1]Country DanceBook: James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 3 (Glasgow, 1788, No. 530, p. 202)Notes: ”Humbly dedicated to the Volunteers and Defensive Bands of Great Britain and Ireland”Transcription: AK/Fiddler’s Companion



HOW IMPERFECT IS EXPRESSION. English, Air (2/4 time). G Major (O'Farrell): C Major (Aird). Standard tuning (fiddle). AABB. The popular air appears in several late 18th and early 19th century publication set as a song and as a country dance tune (sometimes with dance directions), and also appears in numerous period musicians' music manuscript collections. In one American publication it is even set as a bassoon duo! (W.W. Jones, The Bassoon Preceptor, New York, c. 1807-10). A c. 1785 English song sheet gives that the tune was "Introduced by Mrs. [Frances] Abington in the Twelfth Night," indicating is use as an entre-act piece. One of the earliest printings of the air is in Longman, Lukey & Broderip's A Pocket Book for the German Flute (London, 1778).

The words begin:

How imperfect is expression
Such emotions to impart,
When we mean a soft confession,
And yet seek to hide the heart.
When our bosoms all complying,
With enraptur'd tumults swell.
And beat what broken falt'ring, dying
Language would but cannot tell.

The song was written and composed by James Hook (1746-1827), a prolific and famous organist and composer


Additional notes



Printed sources : - Aird (Selection of Scotch, English, Irish and Foreign Airs, vol. 3), 1788; No. 530, p. 202. O'Farrell (Pocket Companion, vol. IV), 1810; p. 122.






Back to How Imperfect is Expression (1)

0.00
(0 votes)



Cookies help us deliver our services. By using The Traditional Tune Archive services, you agree to our use of cookies.