Annotation:Louth Lasses (The)

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X:1 T:Louth Lasses, The T:Lass of/on the Hill M:C L:1/8 R:Reel S:Rev. Luke Donnellan – “Oriel Songs and Dances", S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 48) Z:AK/Fiddler’s Companion K:Amin G|EAAc BGAG|EAAc BGED|EAAc BABd|(3efg Bd cAAg:|| eaag efgd|eaag efgd|eaag bged|eaag bged| eaag efgd|eaag efgd|(3efg Bd cAAg|bagf gefd!D.C.!||

LOUTH LASSES, THE. AKA - "Lass on/of the Hill (The)." Irish, Reel (cut time). A Dorian. Standard tuning (fiddle). AB.

Additional notes
Source for notated version : - Rev. Luke Donnellan (1878-1952) music manuscript collection ^[1](Oriel, Ulster) [O'Connor].

Printed sources : - Rev. Luke Donnellan – “Oriel Songs and Dances" (Journal of the County Louth Archaeological Society), vol. II, No. 2, 1909; No. 48. O'Connor (The Rose in the Gap), 2018; No. 30, p. 38.

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↑ Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by a unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.

[1] Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by a unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.

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