X:1
%
T:Ribbonman's March
M:2/4
L:1/8
R:March
N:Stanford thought it might be possible that all the high
N:'g' notes in the second part were natural.
B:Stanford/Petrie - Complete Collection (1905, No. 993)
Z:AK/Fiddler's Companion
K:A
E|A>B cd|e>f ed|cA d/c/B/A/|GE E>G|
A>B cd|e>f ed|cA B/c/d/B/|cAA||
f|=g>a ef|=g>a ge|cA d/c/B/A/|GE E2|
g>e ef|g>a ge|cA B/c/d/B/|cA A>f|
g>e ef|g>a ge|cA d/c/B/A/|GE E>E|
A/G/A/B/ cd|e/d/e/f/ e/d/c/B/|cA B/c/d/B/|cAA||
RIBBONMAN’S MARCH, THE. Irish, March (2/4 time). A Major/Mixolydian. Standard tuning (fiddle). AB. The may refer to the 19th century Ribbonmen [1] of Ireland, an agrarian populist (but secret) movement that opposed the Orange (Protestant) order. Its objective was to prevent landlords from changing or evicting their tenants.
Additional notes
Source for notated version: - “Set by W. Forde. From Mr. Pigot’s MS” [Stanford/Petrie]. William Forde (c.1795–1850) was a collector and musician from County Cork who also spent time in London. He amassed a substantial collection of unpublished song airs and other tunes, as well as some one hundred and fifty tunes from piper Hugh O'Beirne. John Edward Pigot [2] (1822–1871) was an Irish music collector and lawyer who also salvaged a number of unpublished melodies.