Annotation:Salt Creek (1)
X: 1 T: Salt Creek [1] C: Traditional S: MandoZine TablEdit Archives S: http://www.mandozine.com/music/tabledit_files/SaltCreek3-A-Trad.tef Z: TablEdited by Mike Stangeland for MandoZine L: 1/8 M: C| K: Amix "A"A2 AA A2 AB | "A"cA Bc "D"d2 A2 | "G"BA =GA BA =GA | "G"BA =GF "E"E2 E2 | "A"A2 AA A2 AB | "A"cA Bc "D"d2 ed | "G"ce fg af ed | "E"cA Bc "A"A4 :| |: "A"a2 aa a2 ab | c'e be ab ae | "G"=ga =gf ef =ga | =gf ed cB A2 | "A"a2 aa a2 ab | c'e be ab ae | "G"=ga =gf ef ed | "E"cA Bc "A"A4 :|
Alan Jabbour suggests that Monroe changed the title because “Salt Creek” was the name of a stream that ran by his Bean Blossom Festival site. He believes Monroe learned the tune from banjoist Don Stover (who knew it as “Salt River”). As “Salt River” it had been recorded for Brunswick by the Kessinger Brothers in 1929. Hobart Smith called the tune “Pateroller,” although this is not the tune that usually goes by the name of “Pateroller,” “Pateroller Song (The),” or “Run Johnny Run (1)” and variants. Drew Beisswenger (2008) points out that the names “Salt River” and “Salt Creek” are fairly interchangeable in the tradition, with bluegrass musicians tending to favor “Salt Creek.”