Annotation:Winder Slide

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X: 1 T: Winder Slide C: Joe LaRose (ca.1980) N: Also attributed to Rayna Gellert, who recorded it. D: "Ways of the World" Yodel 023 R: reel Z: 2008 John Chambers <jc:trillian.mit.edu> S: http://www.mne.psu.edu/lamancusa/tunes/winderslide.pdf M: C| L: 1/8 F:http://www.john-chambers.us/~jc/music/abc/OldTime/reel/WinderSlide1_D.abc K: D de \ | "D"f2fe f3e | f2 a4 de | fdec dc3 | "G"d3D d3B- | BdB2 A3D | "A"F2 E4 FD | DB,B,3 A,B,3 | "D"D3E D2 :| AB- \ | BdB2 A3D | "A"F2 E4 FE | "D"DDFF DF3 | A3B A2AB-| BdB2 A3D | "A"F2 E4 FE | DB,B,3 A,B,3 | "D"D2ef- fd"A"e2 | "D"d3D d4 |]



WINDER SLIDE. AKA – “End of the Lane.” American, Reel (cut time). A modern ‘old-time’ tune composed around 1980 by Joe LaRose (Kent, Ohio), in the style of Gus and Theodore Clark, who recorded 2 sides in North Georgia about 1930 --"Barrow County Stomp" and "Wimbush Rag." Two versions are played, one from Joe’s original recording, covered by Bruce Molsky. A second version was developed by LaRose, who added an irregular second strain to his tune. This latter two-part version was recorded by Rayna Gellert, who learned it from Bill Dillof. Kerry Blech writes: "Bruce first heard it on a tape sent to him by a friend. Joe's original recording of it was double tracked guitar and fiddle, with 78rpm surface noise overlaid. The first version he sent around was jokingly titled as by Gus and Theo. Clark. I forwarded it, as is, to many friends, and that is what Bruce apparently received in the mail. WS also was left alongside the other two real 78rpm cuts of the the Clarks, and was at the end of the taped interview with Bert Layne. Bruce later told me that what he found out from me was called "Winder Slide" was untitled on that tape and that he started calling it 'The End of the Layne'."


Additional notes





Recorded sources : - Marimac Recordings 9014, Joe LaRose - "A Southern Catalogue" (1988. Recorded in 1987). Rounder Select 82161-0534-2, Bruce Molsky - "Contented Must Be" (2004). Yodel 023, Rayna Gellert - "Ways of the World" (2000).

See also listing at :
Hear Rayna Gellert's recording at youtube.com [1]
Hear Joe LaRose's own 1988 recording of the tune, with overlaid "scratchiness", making it sound like a vintage 78 RPM recording [2] (1st strain only).
See Pete Showman's standard notation transcription [3]



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