Bay-du-Vin Quadrille (The)
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| Theme code Index | 3bH5H2H7b 3bH2H1H5 |
| Also known as | |
| Composer/Core Source | Fidel Martin |
| Region | Canada, United States |
| Genre/Style | Québécois/Acadian |
| Meter/Rhythm | Jig/Quadrille |
| Key/Tonic of | D |
| Accidental | NONE |
| Mode | Dorian |
| Time signature | 6/8, 9/8 |
| History | USA(New England), CANADA(Acadia/French) |
| Structure | AB |
| Editor/Compiler | Biography:Peter Corfield |
| Book/Manuscript title | Book:Tunes from New Brunswick |
| Tune and/or Page number | p. 143 |
| Year of publication/Date of MS | 2024 |
| Artist | |
| Title of recording | |
| Record label/Catalogue nr. | |
| Year recorded | |
| Media | |
| Score (1) | |
X:2
T:Bay-du-Vin Quadrille
T:As played by Fidel Martin
M:6/8
L:1/8
N:Probably was played on a fiddle tuned one tone down from the standard tuning.
N:This transcription aims to show how it would be played on a violin with
N: standard tuning. So it's one tone higher than the recording.
N:From an August 24, 1966, field recording of the playing of Fidel
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded
N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that
N:consisted of Acadian, Irish, American and French-Canadian tunes.
D:UGA Brown Media Archives: identifier artrosen_0056 (Track 17 -06:34 the tape)
F:https://bmac.libs.uga.edu/index.php/Detail/objects/331506
Z:Transcribed by Andrew Kuntz; transcription then revised by Malcolm Schonfield % 2024-07-02
K:Dmix
P:A
dde f2g | afd [d2a2]d | add ded | c2e gag | afg {fg}fef |
d2e f2g | aga c'>c'c' | e2a ((3g/a/g/f)e |
d2e f2g | a-fd add | add add | Jc2e gag | ((3g/a/g/e)g ((3f/g/f/e)f |
d2e f2g | aga c'2c' | [M:9/8]eea ((3g/a/g/f)e ddd||
K:Ddorian
P:B
[M:6/8]A2d dcd|e2A cde|f2f e2e | ddd A2G|
A2d dcd|e2e cde| [M:9/8] fga gec d2d |
[M:6/8] AdA dcd|e2e cde|((3f/g/f/e)f eee|dc((3B/c/B/ A)AG|
A>dd (dcd)|e2A cde|e(f/g/a) ge!E.D.!c ||
X:1
T:Bay-du-Vin Quadrille
T:(a simplified version)
M:6/8
N:1. This is a simplified version based on the Fidel Martin
N:recording. The aim here is just to give the basic melodic
N:structure of the tune, without any frills, ornaments or
N:variations. It’s not to be taken too “literally” or
N:seriously - for instance I put “gec c2c” for the second bar,
N:but it could just as well have put gcc ~c3; that would also
N:work.
N:2. F. Martin was probably playing on a fiddle tuned one
N:tone down from the standard tuning. This transcription aims
N:to show how it sounds on the recording; but to play it on a
N:fiddle with the standard tuning it may be a good idea to
N:transpose it up one tone.
L:1/8
Z:abc-transcription Malcolm Schonfield% 2024-07-02, 07, 2024-11-07
Z:abc-copyright CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/2.0/fr/deed.en)
K:Cmix
P:A
|: c2d e2f | gec c2c | gcc ~c3 | B2d fgf | g2f ~e3 |
c2d e2f | gfg b2b |1 d2g fed :|2 [M:9/8] d2g fed ccc ||
P:B
K:C dorian
M:6/8
|:G2c cBc|d2G Bcd|e2e d2d | cBA G2F|
G2c cBc|d2d Bcd|1 [M:9/8] efg fdB c2c :|2 [M:6/8] efg fd!D.C.!B |]