Elmer's Waltz
X:35 T:Elmer's Waltz S:Sue Ward R:waltz M:3/4 L:1/8 K:Dm A,2- || A,2D2F2 | A4A2 | B2A2G2 | F3ED2 | A,2 ^C2E2 | G4G2 | G2F2E2 | F3ED2 | A,2D2F2 | A4A2 | B2A2G2 | F3ED2 | A,2^C2E2 | A4A2 | =BA GA B^c | d4 :| A2 |: Ad ^fa fd | Ad ^fa fd | Ad ^fa gf | g3^fe2 | A^c eg ec | A^c eg ec | A^c eg ^fe |1 ^f3e d2 :|2 d4 || |:a2- | ab ag fe | dA FD FA | e^c Ac ea | a^g g=b bg | a4a2 | ab ag fe | dA FD FA | e^c A2 Ac | ^cd3 :|
X:48 T:Elmer's Waltz %O:Sweden R:Waltz Z:Bob Wyttenbach, 8/11/02 from NFF 2001 tunebook, with a few changes N:Transcribed by Bill Boyd, after Leslie Foster June 1982 M:3/4 L:1/4 %Q:1/4=160 K:Dm %clef=bass middle=d P:A V:1 uA,|A,DF|A2A|BAG|F>ED|A,^CE|G2G|GFE|F>ED| V:2 uA,|"Dm"A,DD|F2F|GFE|"A7"D>^CA,|A,A,^C|E2E|ED^C|"Dm"D>A,A,| V:1%changed G/ to ^G/ below because it sounded more like I remember A,DF|A2A|BAG|F>ED|A,^CE|A2A|(=B/A/) (^G/A/) B/^c/|[1d2:|[2d2A|| V:2 A,DD|F2F|GFE|"A7"D>^CA,|A,A,^C|E2E|(G/^F/) (E/F/) G/E/|[1"D"^F2:|[2"D"^F2F|| P:B V:1 [K:D][L:1/8](Ad) (fa) fd|(Ad) (fa) fd|(Ad) (fa) gf|g3fe2| V:2 [K:D][L:1/8]"D"(FA) (df) dA|(FA) (df) dA|(FA) (df) ed|"A7"e3dc2| V:1 (Ac) (eg) ec|(Ac) (eg) ec|(Ac) (eg) fe|[1f3ed2:|[2d4a2-|| V:2 (EA) (ce) cA|(EA) (ce) cA|(EA) (ce) dc|[1"D"d3AF2:|[2"D"d4=f2-|| V:1 P:C [K:Dm](ab) (ag) fe|(dA) (FD) FA|(e^c) (Ac) ea|(a^g) (g=b) bg| V:2 [K:Dm]"Dm"(fg) (fe) dA|(AF) (DA,) DF|"A"(^cA) (EA) ce|"E7"(d=B) (Bd) dB| V:1 a4a2-|(ab) (ag) fe|(dA) (FD) FA|(e^c) (Ac) ec|[1d4a2-:|[2d6|| V:2 "A7"^c4f2-|"Dm"(fg) (fe) dA|(AF) (DA,) DF|"A7"(^cA) (EA) cA|[1"Dm"F4f2-:|[2"Dm"F6||